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Author: Philip Russell Horne
Publisher: London Oxford University Press
ISBN:
Category : Italian drama
Languages : en
Pages : 192
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Book Description
Author: Philip Russell Horne
Publisher: London Oxford University Press
ISBN:
Category : Italian drama
Languages : en
Pages : 192
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Book Description
Author: Philip Russell Horne
Publisher: Hassell Street Press
ISBN: 9781014047762
Category :
Languages : en
Pages : 192
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Giovanni Battista Giraldi
Publisher: Library of Alexandria
ISBN: 1465615466
Category :
Languages : en
Pages :
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Book Description
The work from which the plot and story of Shakspere's 'Othello' are taken, belongs to that class of Italian novels which arose out of the popularity of Boccaccio's Decamerone, and was fostered by the taste prevalent in Italy during the fifteenth and sixtcenth centuries. Although occasionally we meet with a tale of merit or interest, and a certain charm in style and language, these but partially atone for a coarse licentiousness, a reflection of the times, which, notwithstanding that it received the seal and license of the Inquisitor, who proclaims them consonos sanctæ Ecclesiœ et ab Apostolica Fide non abhorrere, offend the moral sense of a purer age. This story of the Moor of Venice may be taken as a favourable specimen of the better class: it is contained in a collection of a hundred tales, entitled, 'Gli Hecatommithi,' by Giovan Battista Giraldi Cinthio,—a work which has been rescued from oblivion simply by the accident of its having furnished the muse of Shakspere with the plot and incidents of his 'Othello.' The author was a nobleman of Ferrara, and a professor of philosophy in that city: it is somewhat amusing to read the terms in which he speaks of the composition of his work, in connection with his "grave studies of philosophy,"—"by the light of which, the fount and origin of laudable habits, and of all honest discipline, and likewise of every virtue, I have sought to perfect my work, which is wholly directed, with much variety of examples, to censure vicious actions and to praise honest ones,—to make men fly from vice and embrace virtue." What could the reader expect after this proem, (which is found totidem verbis in all the books of this school,) but a work of untarnished purity and morality?—all I can say is, he would be disappointed.
Author: Sarah Dewar-Watson
Publisher: Routledge
ISBN: 1317056043
Category : Drama
Languages : en
Pages : 162
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Book Description
The startling central idea behind this study is that the rediscovery of Aristotle's Poetics in the sixteenth century ultimately had a profound impact on almost every aspect of Shakespeare's late plays”their sources, subject matter and thematic concerns. Shakespeare's Poetics reveals the generic complexity of Shakespeare's late plays to be informed by contemporary debates about the tonal and structural composition of tragicomedy. Author Sarah Dewar-Watson re-examines such plays as The Winter's Tale, Pericles and The Tempest in light of the important work of reception which was undertaken in Italy by pioneering theorists such as Giambattista Giraldi Cinthio (1504-73) and Giambattista Guarini (1538-1612). The author demonstrates ways in which these theoretical developments filtered from their intellectual base in Italy to the playhouses of early modern England via the work of dramatists such as Jonson and Fletcher. Dewar-Watson argues that the effect of this widespread revaluation of genre not only extends as far as Shakespeare, but that he takes a leading role in developing its possibilities on the English stage. In the course of pursuing this topic, Dewar-Watson also engages with several areas of current scholarly debate: the nature of Shakespeare's authorship; recent interest in and work on Shakespeare's later plays; and new critical work on Italian language-learning in Renaissance England. Finally, Shakespeare's Poetics develops current critical thinking about the place of Greek literature in Renaissance England, particularly in relation to Shakespeare.
Author: Alexandra Coller
Publisher: Taylor & Francis
ISBN: 1134780109
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction: Women, Rhetoric, and Drama in Early Modern Italy -- PART I: Women as Protagonists in Male-Authored Drama: Comedy and tragedy -- 1 Fathers, Daughters, Crossdressing, and Names: Women, Rhetoric, and Education in Commedia Erudita -- Coda: "Margherita Costa's Li buffoni (1641): The First (Extant) Female-Authored Scripted Comedy"--2 Fashioning a Genealogy: The Rhetoric of Friendship and Female Virtue in Italian Renaissance tragedy -- Coda: Valeria Miani's Celinda (1611) among Fin de Siècle Italian Tragedies -- PART II: Women as Authors/Women as Protagonists: Pastoral Tragicomedy -- 3 Women Writers and the Canon: Satyr Scenes and Female-Authored Pastoral Drama -- 4 Isabetta Coreglia's Dori (1634): Writing Pastoral Drama Against the Backdrop of the Male Canon and an Incipient Female-Authored Tradition -- 5 Isabetta Coreglia's Erindo il fido (1650) and Isabella Andreini's Mirtilla (1588): Using a Female-Authored Classic as Paradigm -- Appendix -- Bibliography -- Index
Author: John Edward Taylor
Publisher: Nabu Press
ISBN: 9781293370438
Category :
Languages : en
Pages : 56
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Moor Of Venice: Cinthio's Tale And Shakspere's Tragedy John Edward Taylor, Giambattista Cinzio Giraldi Chapman and Hall, 1855 Interracial marriage in literature; Jealousy in literature; Othello (Fictitious character)
Author: Laura Tosi
Publisher: Routledge
ISBN: 1317001303
Category : Drama
Languages : en
Pages : 278
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Book Description
Despite the growing critical relevance of Shakespeare's two Venetian plays and a burgeoning bibliography on both The Merchant of Venice and Othello, few books have dealt extensively with the relationship between Shakespeare and Venice. Setting out to offer new perspectives to a traditional topic, this timely collection fills a gap in the literature, addressing the new historical, political and economic questions that have been raised in the last few years. The essays in this volume consider Venice a real as well as symbolic landscape that needs to be explored in its multiple resonances, both in Shakespeare's historical context and in the later tradition of reconfiguring one of the most represented cities in Western culture. Shylock and Othello are there to remind us of the dark sides of the myth of Venice, and of the inescapable fact that the issues raised in the Venetian plays are tremendously topical; we are still haunted by these theatrical casualties of early modern multiculturalism.
Author: Salvatore Di Maria
Publisher: Bucknell University Press
ISBN: 9780838754900
Category : Italian drama
Languages : en
Pages : 284
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Book Description
This book is about the Renaissance revitalization of classical drama. Using a cultural and theatrical approach, it shows how Italian playwrights made ancient tragedy relevant to their audiences. The book challenges the traditional critical approach to the Italian Renaissance tragedy as a mere literary work, and calls attention to the complementary function of the theatrical text, which is 'reconstructed' from the stage directions embedded in the discourse of the characters.
Author: Ronnie H. Terpening
Publisher: University of Toronto Press
ISBN: 9780802041593
Category : Biography & Autobiography
Languages : en
Pages : 332
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Book Description
Terpening shows that not only did Dolce make interesting contributions to Italian literature, but he also played a decisive role in the formation and diffusion of late Cinquecento culture.
Author: Marcus Nevitt
Publisher: Bloomsbury Publishing
ISBN: 147427045X
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
This unique anthology presents the important historical essays on tragedy, ranging from antiquity to the present, divided into historical periods and arranged chronologically. Across its span, it traces the development of theories and philosophies of tragedy, enabling readers to consider the ways in which different varieties of environmentalist, feminist, leftist and postcolonial thought have transformed the status of tragedy, and the idea of the tragic, for recent generations of artists, critics and thinkers. Students of literature and theatre will find this collection an invaluable and accessible guide to writing from Plato and Aristotle through to Freud, Nietzsche, Schopenhauer and 21st century theorists. Ideas of tragedy and the tragic have been central to the understanding of culture for the past two millennia. Writers and thinkers from Plato through to Martha Nussbaum have analyzed the genre of tragedy to probe the most fundamental of questions about ethics, pleasure and responsibility in the world. Does tragedy demand that we enjoy witnessing the pain of others? Does it suggest that suffering is inevitable? Is human sexuality tragic? Is tragedy even possible in a world of rolling news on a digitally connected planet, where atrocity and trauma from around the globe are matters of daily information? In order to illustrate the different ways that writers have approached the answers to such questions, this Reader collects together a comprehensive selection of canonical writings on tragedy from antiquity to the present day arranged in six sections, each featuring an introduction providing concise and informed historical and theoretical frameworks for the texts.
