The Theory of the Sublime from Longinus to Kant PDF Download
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Author: Robert Doran
Publisher: Cambridge University Press
ISBN: 1107101530
Category : Art
Languages : en
Pages : 329
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Book Description
The first in-depth treatment of the major theories of the sublime from Longinus to Kant.
Author: Robert Doran
Publisher: Cambridge University Press
ISBN: 1107101530
Category : Art
Languages : en
Pages : 329
Get Book
Book Description
The first in-depth treatment of the major theories of the sublime from Longinus to Kant.
Author: Robert Doran
Publisher: Cambridge University Press
ISBN: 1107499151
Category : Art
Languages : en
Pages : 329
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Book Description
The first in-depth treatment of the major theories of the sublime from Longinus to Kant.
Author: Emily Brady
Publisher: Cambridge University Press
ISBN: 1107276268
Category : Philosophy
Languages : en
Pages : 241
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Book Description
In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.
Author: Timothy M. Costelloe
Publisher: Cambridge University Press
ISBN: 0521143675
Category : History
Languages : en
Pages : 319
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Book Description
This volume offers readers a unique and comprehensive overview of different theoretical and interdisciplinary perspectives on 'the sublime'.
Author: Louis Wirth Marvick
Publisher: SUNY Press
ISBN: 9780887062780
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
In this groundbreaking study, Louis W. Marvick develops a literary criterion for the quality known as "the sublime," considered as the expression of an attitude towards the ideal--an attitude composed of irony and enthusiasm in varying proportions. The author examines the various theories of the sublime and traces the development of the concept from a rhetorical device to an experience of spiritual insight derived from the genius of the artist. The book covers all of the major discussions of the concept, from Longinus, Johnson, Dennis, Burke, and Kant, up to Mallarme. Kant's structural model of the sublime moment is translated into terms suitable for literary analysis. This leads to a meticulous examination of Mallarme's use of the word sublime in his prose writings and the ways in which Mallarme's understanding of the term resembles and diverges from that of his predecessors. This comparative procedure affords an insight into the nature both of Mallarme's literary achievement and of the sublime experience in general.
Author: Kant/Goldthwait
Publisher:
ISBN: 9780520352803
Category : PHILOSOPHY
Languages : en
Pages : 0
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Book Description
When originally published in 1960, this was the first complete English translation since 1799 of Kant's early work on aesthetics. More literary than philosophical, Observations shows Kant as a man of feeling rather than the dry thinker he often seemed to readers of the three Critiques.
Author: Philip Shaw
Publisher: Routledge
ISBN: 1134493193
Category : Literary Criticism
Languages : en
Pages : 179
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Book Description
Often labelled as ‘indescribable’, the sublime is a term that has been debated for centuries amongst writers, artists, philosophers and theorists. Usually related to ideas of the great, the awe-inspiring and the overpowering, the sublime has become a complex yet crucial concept in many disciplines. Offering historical overviews and explanations, Philip Shaw looks at: the legacy of the earliest, classical theories of the sublime through the romantic to the postmodern and avant-garde sublimity the major theorists of the sublime such as Kant, Burke, Lyotard, Derrida, Lacan and Zizek, offering critical introductions to each the significance of the concept through a range of literary readings including the Old and New testaments, Homer, Milton and writing from the romantic era how the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch’s neo-noir. This remarkably clear study of what is, in essence, a term which evades definition, is essential reading for students of literature, critical and cultural theory.
Author: Joshua W Rayman
Publisher: University of Wales Press
ISBN: 0708325076
Category : Philosophy
Languages : en
Pages : 234
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Book Description
A book considering Kant's account of the overpowering feeling of the sublime, and the moral law within, which exercised an extraordinary influence on the movements of Romanticism, Hegelian phenomenology, and Continental Philosophy.
Author: James I. Porter
Publisher: Cambridge University Press
ISBN: 1107037476
Category : History
Languages : en
Pages : 713
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Book Description
Detailed new account of the historical emergence and conceptual reach of the sublime both before and after Longinus.
Author: Melissa McBay Merritt
Publisher: Cambridge University Press
ISBN: 1108540376
Category : Philosophy
Languages : en
Pages : 140
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Book Description
This Element considers Kant's account of the sublime in the context of his predecessors both in the Anglophone and German rationalist traditions. Since Kant says with evident endorsement that 'we call sublime that which is absolutely great' (Critique of the Power of Judgment, 5:248) and nothing in nature can in fact be absolutely great (it can only figure as such, in certain presentations), Kant concludes that strictly speaking what is sublime can only be the human calling (Bestimmung) to perfect our rational capacity according to the standard of virtue that is thought through the moral law. The Element takes account of the difference between respect and admiration as the two main varieties of sublime feeling, and concludes by considering the role of Stoicism in Kant's account of the sublime, particularly through the channel of Seneca.
