Author: Gabriel Weimann
Publisher: Longman Publishing Group
ISBN:
Category : Political Science
Languages : en
Pages : 312

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Author: Ariane de Waal
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110517086
Category : Literary Criticism
Languages : en
Pages : 305

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Book Description
In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts the terrain of contemporary subjectivities both ‘at home’ and ‘on the front line’. Beyond examining the construction and contestation of subject positions in domestic and (sub)urban settings, the book follows border-crossing figures to the shifting battlefields in Iraq and Afghanistan. What emerges through the analysis of twenty-one plays is not a dichotomy but a dialectics of ‘home’ and ‘front’, where fluid, uncontainable subjects are constantly pushing the contours of conflict. Revising the critical consensus that post-9/11 drama primarily engages with ‘the real’, Ariane de Waal argues that these plays navigate the complexities of the discourse – rather than the historical or social realities – of war and terrorism. British ‘theatre on terror’ negotiates, inflects, and participates in the discursive circulation of stories, idioms, controversies, testimonies, and pieces of (mis)information in the face of global insecurities.

Author: Joseph Masco
Publisher: Duke University Press
ISBN: 0822375990
Category : Social Science
Languages : en
Pages : 280

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Book Description
How did the most powerful nation on earth come to embrace terror as the organizing principle of its security policy? In The Theater of Operations, Joseph Masco locates the origins of the present-day U.S. counterterrorism apparatus in the Cold War's "balance of terror." He shows how, after the attacks of 9/11, the U.S. global War on Terror mobilized a wide range of affective, conceptual, and institutional resources established during the Cold War to enable a new planetary theater of operations. Tracing how specific aspects of emotional management, existential danger, state secrecy, and threat awareness have evolved as core aspects of the American social contract, Masco draws on archival, media, and ethnographic resources to offer a new portrait of American national security culture. Undemocratic and unrelenting, this counterterror state prioritizes speculative practices over facts, and ignores everyday forms of violence across climate, capital, and health in an unprecedented effort to anticipate and eliminate terror threats—real, imagined, and emergent.

Author: Mel Gordon
Publisher: Da Capo Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 196

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Book Description
The Theatre of the Grand Guignol, which began in turn-of-the-century Paris, celebrated horror and fear. Innocent victims, mangled beauty, insanity, mutilation, depravity and guilt were its primary themes. This text examines its history, themes and methods and summarizes its plots.

Author: Anthony Kubiak
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232

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Book Description
"Every now and then a book comes along so startling in its ingenuity, so crisp and invigorating in its perception and argument, so revealing in its investigation of its subject matter, that one is forced to reevaluate, reconsider, and restructure one's understanding and one's perspectives on theatre, discourse, and history. Such a book is Anthony Kubiak's Stages of Terror." -- Theatre Studies ..". quite compelling. It is rich and complete while leaving plenty of room for further development... " -- Text and Performance Quarterly Using Aristotle's Poetics as its point of departure, Anthony Kubiak traces the forms or "stages" of terror as a cultural and performative principle through English Renaissance and Restoration plays, through the modern and postmodern, to contemporary terrorist "theatres."

Author: Justin Hall
Publisher:
ISBN: 9781943890330
Category : Action and adventure comic books, strips, etc
Languages : en
Pages : 320

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Book Description
Hard to Swallow Comics was launched with a simple premise: that erotic comics should be great stories as well as being sexy. Now, out-of-print, the series ran from 2006 to 2009 and featured everything from werewolves and skater ghosts to pirates and porn stars.

Author: Mel Gordon
Publisher: Feral House
ISBN: 1627310436
Category : Performing Arts
Languages : en
Pages : 220

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Book Description
"Bloodcurdling shrieks, fiendish schemes, deeds of darkness, mayhem and mutilation—we all have a rough idea of what Grand Guignol stands for. But until now it has been hard to find out much more about it than that. According to the American theater historian Mel Gordon, no major history of the theater so much as mentions it, although it is a form of entertainment that held its own on the Paris stage for more than half a century. But Mr. Gordon has made a thorough job of filling the gap."—John Gross, The New York Times Here is the expanded edition of classic outré book, The Grand Guignol, first published in 1988 and now long out of print. Like the original anthology, it includes an illustrated introduction to the theater of Paris and abroad, a breakdown of its stage tricks, a summary of one hundred plots, extensive photo documentation, André de Lord's essay, "Fear in Literature," and two originally produced Grand Guignol scripts. The expanded edition also contains additional graphic and textual material including a color insert of Grand Guignol posters; the 1938 autobiographical account of Maxa, the company's leading female performer entitled "I Am the Maddest Woman in the World"; and the controversial playscript Orgy in the Lighthouse.

Author: Ted Okuda
Publisher: SIU Press
ISBN: 0809335387
Category : History
Languages : en
Pages : 271

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Book Description
Originally published: Chicago: Lake Claremont Press, 2007.

Author: Nasser Rahmaninejad
Publisher: New Village Press
ISBN: 1613321139
Category : Performing Arts
Languages : en
Pages : 276

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Book Description
Life in Iran as an artist under the Shah and during the Iranian Revolution A Man of the Theater tells the personal story of a theater artist caught between the two great upheavals of Iranian history in the 20th century. One is the White Revolution of the 1960s, the incomplete and uneven modernization imposed from the top by the dictatorial regime of the Shah, coming in the wake of the overthrow of the popular Mosaddegh government with the help of the CIA. The other one is the Iranian Revolution of 1979, a great rising of Iranian society against the rule of the Shah in which Khomeini’s Islamist faction ends up taking power. Written in a simple direct style, Rahmaninejad’s memoir describes his fraught creative life in Tehran during these decades, founding a theater company and directing plays under the increasing pressure of the censorship authorities and the Shah’s secret police. After being arrested and tortured by the SAVAK and after spending years in Tehran’s infamous Evin prison and being a cause célèbre of Amnesty International, Rahmaninejad is freed by the Revolution of 1979. But his new-found freedom is short-lived; the progressive intellectuals and artists find themselves overpowered and outmaneuvered by the better organized Islamists, leading to renewed terror and to exile. In Western perception, the Iranian Revolution, which this year has its 40th anniversary, often overshadows the decades of Iran’s modern history that preceded it. A Man of the Theater fills this gap. The title derives from a time of torture in prison when interrogators ordered him to write everything about his activities. To avoid revealing anything incriminating he took pen in hand and wrote and wrote about all his artistic passions, beginning, "Here it is—this is my life! I am an artist! A man of the theater!"

Author: Theodore Dalrymple
Publisher: World Encounter Institute/New English Review Press
ISBN: 9781943003228
Category : Philosophy
Languages : en
Pages : 158

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Book Description
The cultural death of God has created a conundrum for intellectuals. How could a life stripped of ultimate meaning be anything but absurd? How was man to live? How could he find direction in a world of no direction? What would be tell his children that could make their lives worthwhile? What is the ground of morality? Existentialism is the literary cri de coeur resulting from the realization that without God, everything good, true and beautiful in human life is destined to be destroyed in a pitiless material cosmos. Theodore Dalrymple and Kenneth Francis examine the main existentialist works, from Ecclesiastes to the Theatre of the Absurd, each man coming from a different perspective. Francis is a believer, Dalrymple is not, but both empathize with the struggle to find meaning in a seemingly meaningless universe. Part literary criticism, part philosophical exploration, this book holds many surprising gems of insight from two of the most interesting minds of our time.