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Author: Joseph Leo Koerner
Publisher: University of Chicago Press
ISBN: 9780226450063
Category : Art
Languages : en
Pages : 508
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Book Description
With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God—shattering years of Catholic tradition and obviating the need for intermediaries like priests and saints between the individual believer and God. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation—not priestly ritual and saintly iconography. But if words—not iconic images—showed the way to salvation, why didn't religious imagery during the Reformation disappear along with indulgences? The answer, according to Joseph Leo Koerner, lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. Koerner masterfully demonstrates this point not only with a multitude of Lutheran images, many never before published, but also with a close reading of a single pivotal work—Lucas Cranach the Elder's altarpiece for the City Church in Wittenberg (Luther's parish). As Koerner shows, Cranach, breaking all the conventions of traditional Catholic iconography, created an entirely new aesthetic for the new Protestant ethos. In the Crucifixion scene of the altarpiece, for instance, Christ is alone and stripped of all his usual attendants—no Virgin Mary, no John the Baptist, no Mary Magdalene—with nothing separating him from Luther (preaching the Word) and his parishioners. And while the Holy Spirit is nowhere to be seen—representation of the divine being impossible—it is nonetheless dramatically present as the force animating Christ's drapery. According to Koerner, it is this "iconoclash" that animates the best Reformation art. Insightful and breathtakingly original, The Reformation of the Image compellingly shows how visual art became indispensable to a religious movement built on words.
Author: Joseph Leo Koerner
Publisher: University of Chicago Press
ISBN: 9780226450063
Category : Art
Languages : en
Pages : 508
Get Book
Book Description
With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God—shattering years of Catholic tradition and obviating the need for intermediaries like priests and saints between the individual believer and God. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation—not priestly ritual and saintly iconography. But if words—not iconic images—showed the way to salvation, why didn't religious imagery during the Reformation disappear along with indulgences? The answer, according to Joseph Leo Koerner, lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. Koerner masterfully demonstrates this point not only with a multitude of Lutheran images, many never before published, but also with a close reading of a single pivotal work—Lucas Cranach the Elder's altarpiece for the City Church in Wittenberg (Luther's parish). As Koerner shows, Cranach, breaking all the conventions of traditional Catholic iconography, created an entirely new aesthetic for the new Protestant ethos. In the Crucifixion scene of the altarpiece, for instance, Christ is alone and stripped of all his usual attendants—no Virgin Mary, no John the Baptist, no Mary Magdalene—with nothing separating him from Luther (preaching the Word) and his parishioners. And while the Holy Spirit is nowhere to be seen—representation of the divine being impossible—it is nonetheless dramatically present as the force animating Christ's drapery. According to Koerner, it is this "iconoclash" that animates the best Reformation art. Insightful and breathtakingly original, The Reformation of the Image compellingly shows how visual art became indispensable to a religious movement built on words.
Author: Sergiusz Michalski
Publisher: Routledge
ISBN: 1134921020
Category : History
Languages : en
Pages : 239
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Book Description
Covering a vast geographical and chronological span, and bringing new and exciting material to light, The Reformation and the Visual Arts provides a unique overvie of religious images and iconoclasm, starting with the consequences of the Byzantine image controversy and ending with the Eastern Orthodox churches of the nineteenth century. The author argues that the image question played a large role in the divisions within European Protestantism and was intricately connected with the Eucharist controversy. He analyses the positions of the major Protestant reformers - Luther, Zwingli, Calvin and Karlstadt - on the legitimacy of religious paintings and investigates iconoclasm both as a form of religious and political protest and as a complex set of mock-revolutionary rites and denigration rituals. The book also contains new research on relations between Protestant iconoclasm and the extreme icon-worship of the Eastern Orthodox churches, and provides a brief discussion of Eastern protestantizing sects, especially in Russia.
Author: David H. Price
Publisher: Oxford University Press
ISBN: 0190074426
Category : Religion
Languages : en
Pages : 441
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Book Description
This pioneering study focuses on the decisive contributions of the three leading artists of the Northern Renaissance--Albrecht Dürer, Lucas Cranach the Elder, and Hans Holbein the Younger-- to the printed Bible and to the transformation of ecclesiastical art in the Protestant Reformation. A time of artistic and theological revolution, the Renaissance and Reformation also witnessed a visual reformation of the Bible. In David H. Price's new interpretation, these artists emerge as major reformers in their own right who created a dynamic and innovative visual culture of biblicism. In the Beginning Was the Image explicitly addresses a key paradox of the Bible's new cultural status: as divergent Bible editions and translations shattered the unity of Christianity, new artistic approaches arose to accommodate theological and textual diversity. Rulers and theologians produced new Bibles as foundations for transformative socio-political movements, and their success, according to Price's compelling research, depended on the inventiveness and creativity of these artists. Written in a style designed to be accessible to a broad range of readers, Price's richly nuanced study explores the art of Dürer, Cranach, and Holbein and the biblical iconographies they developed to connect the new biblicism to faith and political authority.
Author: Peter Matheson
Publisher: Fortress Press
ISBN: 9781451415902
Category : Religion
Languages : en
Pages : 170
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Book Description
Views the Reformation as it appeared in pamphlets and sermons, woodcuts and paintings, poetry and song, correspondence, and contours of daily life.
Author: John Phillips
Publisher:
ISBN:
Category : England, History, 16th century
Languages : en
Pages : 227
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Book Description
Author: Hans Belting
Publisher: University of Chicago Press
ISBN: 9780226042152
Category : Art
Languages : en
Pages : 692
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Book Description
Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover
Author: Mark Sengele
Publisher: Times That Changed the World
ISBN: 9780758631206
Category : Religion
Languages : en
Pages : 0
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Book Description
Inside the Reformation is a visual journey through the Reformation with concise text and richly designed pages. While not laid out as a traditional history book, it communicates the same information through pictures, illustrations, and short articles in a fun way. This book makes a great addition to school libraries, classrooms, and personal collections.
Author: Declan Marmion
Publisher: Fortress Press
ISBN: 1506423280
Category : Religion
Languages : en
Pages : 274
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Book Description
The dramatic unfolding of events after Martin Luther’s revolutionary act led to the ultimate, and seemingly irreparable, fissure with Roman Catholicism: excommunication and schism. From the point of that rupture, up to and including most of the 20th century, the history of theological and ecclesial readings of Luther has been controlled largely by a rubric assuming the inevitability of fracture and the portrayal of Luther as a veritable bête noire of Catholic history and theology. Remembering the Reformation enters into this contested history and pursues a more nuanced and considered reading of Luther’s relationship with the Catholic tradition, from his Augustinian roots and medieval training to his reading of scripture and investigations of ecclesiology, as well as his continued relevance and challenge to Catholic theology today. An international consortium of scholars, Catholic and Protestant, contribute to this volume and provide a thoughtful, textured reimagining of Luther for an ecumenical future. Marking the 500th anniversary of the inauguration of Luther’s movement for reform, this volume aims to bring Catholics, Protestants, and Evangelicals into conversation in a shared, but distinct, theological space.
Author: C. Scott Dixon
Publisher: John Wiley & Sons
ISBN: 1118272307
Category : History
Languages : en
Pages : 241
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Book Description
Contesting the Reformation provides a comprehensive survey of the most influential works in the field of Reformation studies from a comparative, cross-national, interdisciplinary perspective. Represents the only English-language single-authored synthetic study of Reformation historiography Addresses both the English and the Continental debates on Reformation history Provides a thematic approach which takes in the main trends in modern Reformation history Draws on the most recent publications relating to Reformation studies Considers the social, political, cultural, and intellectual implications of the Reformation and the associated literature
Author: Helen L. Parish
Publisher: Bloomsbury Publishing
ISBN: 1786734702
Category : History
Languages : en
Pages : 257
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Book Description
When, in October 1517, Martin Luther pinned his Ninety-Five Theses to the door of All Saints' Church in Wittenberg he shattered the foundations of western Christendom. The Reformation of doctrine and practice that followed Luther's seismic action, and protest against the sale of indulgences, fragmented the Church and overturned previously accepted certainties and priorities. But it did more, challenging the relationship between spiritual and secular authority, perceptions of the supernatural, the interpretation of the past, the role of women in society and church, and clerical attitudes towards marriage and sex. Drawing on the most recent historiography, Helen L Parish locates the Protestant Reformation in its many cultural, social and political contexts. She assesses the Reformers' impact on art and architecture; on notions of authority, scripture and tradition; and - reflecting on the extent to which the printing press helped spread Reformation ideas - on oral, print and written culture.
