Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 412

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Author: John Hannavy
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630

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Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.

Author: Katherine Haskins
Publisher: Routledge
ISBN: 1351546287
Category : Art
Languages : en
Pages : 226

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Book Description
Focusing on an era that both inherited and irretrievably altered the form and the content of earlier art production, The Art-Journal and Fine Art Publishing in Victorian England, 1850-1880 argues that fine art practices and the audiences and markets for them were influenced by the media culture of art publishing and journalism in substantial and formative ways, perhaps more than at any other time in the history of English art. The study centers on forms of Victorian picture-making and the art knowledge systems defining them, and draws on the histories of art, literature, journalism, and publishing. The historical example employed in the book is that of the more than 800 steel-plate prints after paintings published in the London-based Art-Journal between 1850 and 1880. The cultural phenomenon of the Art Journal print is shown to be a key connector in mid-Victorian art appreciation by drawing out specific tropes of likeness. This study also examines the important links between paint and print; the aesthetic values and domestic aspirations of the Victorian middle class; and the inextricable intertwining of fine art and 'trade' publishing.

Author: Anonymous
Publisher: Legare Street Press
ISBN: 9781013521737
Category :
Languages : en
Pages : 504

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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 106

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Author: Marcus Aurelius Root
Publisher:
ISBN:
Category : Daguerreotype
Languages : en
Pages : 488

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Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 402

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Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 704

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Author: Andy Grundberg
Publisher: Mit Press
ISBN: 9780262560870
Category : Photography
Languages : en
Pages : 73

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Book Description
see, a quarterly journal published by The Friends of Photography, presents striking photography and fine writing that explore the impact of lens-based images on contemporary culture. see places the medium of photography within the broad discourse of visual culture, including art, advertising, mass media, and literature. Unlike conventional photography-related journals, see lets photographers speak for themselves about their work and gives writers the freedom to address visual issues across a broad spectrum of concerns. Photographs ranging from contemporary to historical, as well as images from lens-based media amd new electronic environments, are featured in tandem with fiction, poetry, essays, and critical commentary that respond to our image-dominated surroundings. In addition to beautifully reproduced portfolios of photographs and insightful, provocative writings, each volume of see includes a section of artist's pages, reviews of current exhibitions, books, and multimedia titles; and regular columns that address the formative and functional aspects of visual culture.

Author: Andy Grundberg
Publisher: Yale University Press
ISBN: 0300259891
Category : Photography
Languages : en
Pages : 554

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Book Description
A leading critic’s inside story of “the photo boom” during the crucial decades of the 1970s and 80s When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s “boom years,” chronicling the medium’s increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography’s embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s. Grundberg reflects on the landmark exhibitions that defined the moment and his encounters with the work of leading photographers—many of whom he knew personally—including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates crucial themes such as photography’s relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective by one of the period’s leading critics ultimately tells a larger story about the crucial decades of the 70s and 80s through the medium of photography.