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Author: Mark Monmonier
Publisher: University of Chicago Press
ISBN: 022622211X
Category : Science
Languages : en
Pages : 349
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Book Description
Maps with the News is a lively assessment of the role of cartography in American journalism. Tracing the use of maps in American news reporting from the eighteenth century to the 1980s, Mark Monmonier explores why and how journalistic maps have achieved such importance. "A most welcome and thorough investigation of a neglected aspect of both the history of cartography and modern cartographic practice."—Mapline "A well-written, scholarly treatment of journalistic cartography. . . . It is well researched, thoroughly indexed and referenced . . . amply illustrated."—Judith A. Tyner, Imago Mundi "There is little doubt that Maps with the News should be part of the training and on the desks of all those concerned with producing maps for mass consumption, and also on the bookshelves of all journalists, graphic artists, historians of cartography, and geographic educators."—W. G. V. Balchin, Geographical Journal "A definitive work on journalistic cartography."—Virginia Chipperfield, Society of University Cartographers Bulletin
Author: Mark Monmonier
Publisher: University of Chicago Press
ISBN: 022622211X
Category : Science
Languages : en
Pages : 349
Get Book
Book Description
Maps with the News is a lively assessment of the role of cartography in American journalism. Tracing the use of maps in American news reporting from the eighteenth century to the 1980s, Mark Monmonier explores why and how journalistic maps have achieved such importance. "A most welcome and thorough investigation of a neglected aspect of both the history of cartography and modern cartographic practice."—Mapline "A well-written, scholarly treatment of journalistic cartography. . . . It is well researched, thoroughly indexed and referenced . . . amply illustrated."—Judith A. Tyner, Imago Mundi "There is little doubt that Maps with the News should be part of the training and on the desks of all those concerned with producing maps for mass consumption, and also on the bookshelves of all journalists, graphic artists, historians of cartography, and geographic educators."—W. G. V. Balchin, Geographical Journal "A definitive work on journalistic cartography."—Virginia Chipperfield, Society of University Cartographers Bulletin
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Publisher:
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Category : Graphic arts
Languages : en
Pages : 400
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Author: Janine Marchessault
Publisher: MIT Press
ISBN: 0262549743
Category : Art
Languages : en
Pages : 367
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Book Description
When media translate the world to the world: twentieth-century utopian projects including Edward Steichen's “Family of Man,” Jacques Cousteau's underwater films, and Buckminster Fuller's geoscope. Postwar artists and architects have used photography, film, and other media to imagine and record the world as a wonder of collaborative entanglement—to translate the world for the world. In this book, Janine Marchessault examines a series of utopian media events that opened up and expanded the cosmos, creating ecstatic collective experiences for spectators and participants. Marchessault shows that Edward Steichen’s 1955 “Family of Man” photography exhibition, for example, and Jacques Cousteau’s 1956 underwater film Le monde du silence (The Silent World) both gave viewers a sense of the earth as a shared ecology. The Festival of Britain (1951)—in particular its Telekinema (a combination of 3D film and television) and its Live Architecture exhibition—along with Expo 67’s cinema experiments and media city created an awareness of multiple worlds. Toronto’s alternative microcinema CineCycle, Agnès Varda’s 2000 film Les glaneurs et la glaneuse, and Buckminster Fuller’s World Game (geoscope), representing ecologies of images and resources, encouraged planetary thinking. The transspecies communication platform the Dolphin Embassy, devised by the Ant Farm architecture collaborative, extends this planetary perspective toward other species; and Finnish artist Erkki Kurenniemi’s “Death of the Planet” projects a postanthropocentric future. Drawing on sources that range from the Scottish town planner Patrick Geddes to the French phenomenologist Maurice Merleau-Ponty, Marchessault argues that each of these media experiments represents an engagement with connectivity and collectivity through media that will help us imagine a new form of global humanism.
Author: Harriet Atkinson
Publisher: Bloomsbury Publishing
ISBN: 0857721976
Category : History
Languages : en
Pages : 288
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Book Description
The Festival of Britain in 1951 transformed the way people saw their war-ravaged nation. Giving Britons an intimate experience of contemporary design and modern building, it helped them accept a landscape under reconstruction, and brought hope of a better world to come. Drawing on previously unseen sketches and plans, photographs and interviews, The Festival of Britain: A Land and Its People travels beyond the Festival's spectacular centrepiece at London's South Bank, to show how the Festival made the whole country an exhibition ground with events to which hundreds of the country's greatest architects, artists and designers contributed. It explores exhibitions in Poplar, Battersea and South Kensington in London; Belfast, Glasgow and Wales; a touring show carried on four lorries and another aboard an ex-aircraft carrier. It reveals how all these exhibitions and also plays, poetry, art and films commissioned for the Festival had a single focus: to unite 'the land and people of Britain'.
Author: Walter Tracy
Publisher: David R. Godine Publisher
ISBN: 9781567922400
Category : Architecture
Languages : en
Pages : 230
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Book Description
The revolution in typesetting - a revolution that over the past two decades has eliminated a five-hundred-year-old system of hot metal production and replaced it with one of photo-generated and computer-driven composition - shows no sign of winding down. This book, more than any other we know, traces the steps that went into that revolution and simultaneously makes the argument that the letter forms themselves are in process of evolution. Tracy argues that, whether they are of the sixteenth or the twentieth century, the forms that comprise our alphabet are subject to the same rules of good taste, proportion, and clarity that have always obtained. But what we face today is vastly different from fifty years ago. For the first time, new technology has made the proliferation (and, as some would maintain, debasement) of letter forms fast and easy (or quick and dirty.) With fifty years of professional experience on both sides of the Atlantic (including thirty years as head of type design for the British Linotype Company), Tracy is in a unique position to make this argument and arrive at his sad conclusion: the design of distinguished, contemporary typefaces is far outnumbered by the mediocre and downright bad. Part of the reason for this deplorable deterioration is a lack of critical analysis of the particular esthetics involved. This step-by-step examination of type-design esthetics is precisely what Tracy provides here, while avoiding both the promoter's hype and the manufacturer's claims. Here are the gut issues of what makes type good or bad, legible or unreadable. Extensively illustrated with both typefaces and line drawings, this book belongs on the shelf of anyone interested in thehistory of letters or in the artistry and peculiar problems that lie behind their production.
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Category : Graphic arts
Languages : en
Pages : 478
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Author: Eastman Kodak Company. Research Laboratories
Publisher:
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Category : Photography
Languages : en
Pages : 1510
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Category : Paper industry
Languages : en
Pages : 464
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Author:
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Category :
Languages : en
Pages : 442
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Author:
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ISBN:
Category : Photography
Languages : en
Pages : 214
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