The New York Times Theater Reviews 1997-1998 PDF Download
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Author: C. S. Smith
Publisher: Routledge
ISBN: 1136750347
Category : Performing Arts
Languages : en
Pages : 509
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Book Description
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: C. S. Smith
Publisher: Routledge
ISBN: 1136750347
Category : Performing Arts
Languages : en
Pages : 509
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Book Description
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: C. S. Smith
Publisher: Routledge
ISBN: 1136750339
Category : Performing Arts
Languages : en
Pages : 496
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Book Description
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Times Books
Publisher: Psychology Press
ISBN: 9780815333418
Category : American drama
Languages : en
Pages : 518
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Book Description
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: New York Times Theater Reviews
Publisher: Taylor & Francis
ISBN: 9780415936972
Category : Art
Languages : en
Pages : 644
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Book Description
This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.
Author: Nyt
Publisher: New York Times Film Reviews
ISBN: 9780815333401
Category : Performing Arts
Languages : en
Pages : 503
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Book Description
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
Author: New York Times Theater Reviews
Publisher: Taylor & Francis
ISBN: 9780415936965
Category : Performing Arts
Languages : en
Pages : 724
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Book Description
From the Oscar-winning blockbustersAmerican BeautyandShakespeare in Loveto Sundance oddities likeAmerican MovieandThe Tao of Steve, to foreign films such asAll About My Mother, the latest volume in this popular series features a chronological collection of facsimiles of every film review and awards article published inThe New York Timesbetween January 1999 and December 2000. Includes a full index of personal names, titles, and corporate names. This collection is an invaluable resource for all libraries.
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 650
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Book Description
Author:
Publisher:
ISBN:
Category : Performing arts
Languages : en
Pages : 650
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Book Description
Author: C. W. E. Bigsby
Publisher: University of Michigan Press
ISBN: 0472035746
Category : Biography & Autobiography
Languages : en
Pages : 613
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Book Description
The second volume in the definitive biography of the acclaimed playwright
Author: Carrie J. Preston
Publisher: Columbia University Press
ISBN: 0231544294
Category : Literary Criticism
Languages : en
Pages : 366
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Book Description
In this inventive mix of criticism, scholarship, and personal reflection, Carrie J. Preston explores the nature of cross-cultural teaching, learning, and performance. Throughout the twentieth century, Japanese noh was a major creative catalyst for American and European writers, dancers, and composers. The noh theater’s stylized choreography, poetic chant, spectacular costumes and masks, and engagement with history inspired Western artists as they reimagined new approaches to tradition and form. In Learning to Kneel, Preston locates noh’s important influence on such canonical figures as Pound, Yeats, Brecht, Britten, and Beckett. These writers learned about noh from an international cast of collaborators, and Preston traces the ways in which Japanese and Western artists influenced one another. Preston’s critical work was profoundly shaped by her own training in noh performance technique under a professional actor in Tokyo, who taught her to kneel, bow, chant, and submit to the teachings of a conservative tradition. This encounter challenged Preston’s assumptions about effective teaching, particularly her inclinations to emphasize Western ideas of innovation and subversion and to overlook the complex ranges of agency experienced by teachers and students. It also inspired new perspectives regarding the generative relationship between Western writers and Japanese performers. Pound, Yeats, Brecht, and others are often criticized for their orientalist tendencies and misappropriation of noh, but Preston’s analysis and her journey reflect a more nuanced understanding of cultural exchange.
