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Author: Emma Heaney
Publisher:
ISBN: 9780810135536
Category : Gender identity in literature
Languages : en
Pages : 345
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Book Description
Emma Heaney's The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory traces the evolution of the "trans feminine" as an allegorical figure from its origins in the late nineteenth century to contemporary Queer Theory.
Author: Emma Heaney
Publisher:
ISBN: 9780810135536
Category : Gender identity in literature
Languages : en
Pages : 345
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Book Description
Emma Heaney's The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory traces the evolution of the "trans feminine" as an allegorical figure from its origins in the late nineteenth century to contemporary Queer Theory.
Author: Ellen Wiley Todd
Publisher: Univ of California Press
ISBN: 9780520074712
Category : Art
Languages : en
Pages : 464
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Book Description
In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.
Author: Charity Norman
Publisher: Atlantic Books
ISBN: 1925266710
Category : Fiction
Languages : en
Pages : 487
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Book Description
*A BBC Radio 2 Book Club Pick 2015* 'A poignant tale of one person's transgender journey.' - Heat Luke Livingstone is a lucky man. He's a respected solicitor, a father and grandfather, a pillar of the community. He has a loving wife and an idyllic home in the Oxfordshire countryside. Yet Luke is struggling with an unbearable secret, and it's threatening to destroy him. All his life, Luke has hidden the truth about himself and his identity. It's a truth so fundamental that it will shatter his family, rock his community and leave him outcast. But Luke has nowhere left to run, and to continue living, he must become the person - the woman - he knows himself to be, whatever the cost. 'Move over Jodi Picoult. New Zealand-based author Charity Norman has the same clever knack of taking an issue and examining it from all angles, to see the effect it has on everyone involved.' New Zealand Herald
Author: Sally Ledger
Publisher: Manchester University Press
ISBN: 9780719040931
Category : History
Languages : en
Pages : 228
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Book Description
By comparing fictional representations with "real" New Women in late-Victorian Britain, Sally Ledger makes a major contribution to an understanding of the "Woman Question" at the end of the century. Chapters on imperialism, socialism, sexual decadence, and metropolitan life situate the "revolting daughters" of the Victorian age in a broader cultural context than previous studies.
Author: Iveta Jusová
Publisher: Ohio State University Press
ISBN: 0814210058
Category : Colonies in literature
Languages : en
Pages : 229
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Book Description
Author: Marianne Kamp
Publisher: University of Washington Press
ISBN: 0295802472
Category : History
Languages : en
Pages : 320
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Book Description
Winner of the Association of Women in Slavic Studies Heldt Prize Winner of the Central Eurasian Studies Society History and Humanities Book Award Honorable mention for the W. Bruce Lincoln Prize Book Prize from the American Association for the Advancement of Slavic Studies (AAASS) This groundbreaking work in women's history explores the lives of Uzbek women, in their own voices and words, before and after the Russian Revolution of 1917. Drawing upon their oral histories and writings, Marianne Kamp reexamines the Soviet Hujum, the 1927 campaign in Soviet Central Asia to encourage mass unveiling as a path to social and intellectual "liberation." This engaging examination of changing Uzbek ideas about women in the early twentieth century reveals the complexities of a volatile time: why some Uzbek women chose to unveil, why many were forcibly unveiled, why a campaign for unveiling triggered massive violence against women, and how the national memory of this pivotal event remains contested today.
Author: Mary Louise Roberts
Publisher: University of Chicago Press
ISBN: 022636075X
Category : Social Science
Languages : en
Pages : 366
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Book Description
In fin-de-siècle France, politics were in an uproar, and gender roles blurred as never before. Into this maelstrom stepped the "new women," a group of primarily urban, middle-class French women who became the objects of intense public scrutiny. Some remained single, some entered nontraditional marriages, and some took up the professions of medicine and law, journalism and teaching. All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home. Mary Louise Roberts examines a constellation of famous new women active in journalism and the theater, including Marguerite Durand, founder of the women's newspaper La Fronde; the journalists Séverine and Gyp; and the actress Sarah Bernhardt. Roberts demonstrates how the tolerance for playacting in both these arenas allowed new women to stage acts that profoundly disrupted accepted gender roles. The existence of La Fronde itself was such an act, because it demonstrated that women could write just as well about the same subjects as men—even about the volatile Dreyfus Affair. When female reporters for La Fronde put on disguises to get a scoop or wrote under a pseudonym, and when actresses played men on stage, they demonstrated that gender identities were not fixed or natural, but inherently unstable. Thanks to the adventures of new women like these, conventional domestic femininity was exposed as a choice, not a destiny. Lively, sophisticated, and persuasive, Disruptive Acts will be a major work not just for historians, but also for scholars of cultural studies, gender studies, and the theater.
Author: Alicia Carroll
Publisher: University of Virginia Press
ISBN: 0813942837
Category : Literary Criticism
Languages : en
Pages : 402
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Book Description
A transatlantic phenomenon of the late nineteenth and early twentieth centuries, the "New Woman" broke away from many of the constraints of the Victorian era to enjoy a greater freedom of movement in the social, physical, and intellectual realms. As Alicia Carroll reveals, the New Woman also played a significant role in environmental awareness and action. From the Arts and Crafts period, to before, during, and after the Great War, the iconic figure of the New Woman accompanied and informed historical women’s responses to the keen environmental issues of their day, including familiar concerns about air and water quality as well as critiques of Victorian floral ecologies, extinction narratives, land use, local food shortages, biodiversity decline, and food importation. As the Land Question intersected with the Woman Question, women contributed to a transformative early green culture, extolling the benefits of going back to the land themselves, as "England should feed her own people." Carroll traces the convergence of this work and a self-realization articulated by Mona Caird’s 1888 demand for the "acknowledgement of the obvious right of the woman to possess herself body and soul." By the early twentieth century, a thriving community of New Woman authors, gardeners, artists, and land workers had emerged and created a vibrant discussion. Exploring the early green culture of Arts and Crafts to women’s formation of rural utopian communities, the Women’s Land Army, and herbalists of the Great War and beyond, New Woman Ecologies shows how women established both their own autonomy and the viability of an ecological modernity.
Author: Andrea Nelson
Publisher:
ISBN: 9781942884743
Category :
Languages : en
Pages : 280
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Book Description
An in-depth look at the many ways women around the world helped shape modern photography from the 1920s to the 1950s as they captured images of a radically changing world During the 1920s the New Woman was easy to recognize but hard to define. Hair bobbed and fashionably dressed, this iconic figure of modernity was everywhere, splashed across magazine pages or projected on the silver screen. A global phenomenon, she embodied an ideal of female empowerment based on real women making revolutionary changes in life and art--including photography. This groundbreaking, richly illustrated book looks at those "new women" who embraced the camera as a mode of expression and made a profound impact on the medium from the 1920s to the 1950s. Thematic chapters explore how women emerged as a driving force in modern photography, bringing their own perspective to artistic experimentation, studio portraiture, fashion and advertising work, scenes of urban life, ethnography and photojournalism. Featuring work by 120 photographers, this volume expands the history of photography by critically examining an international array of canonical and less well-known women photographers, from Berenice Abbott, Dorothea Lange and Lola Álvarez Bravo to Germaine Krull, Tsuneko Sasamoto and Homai Vyarawalla. Against the odds, these women produced invaluable visual testimony that reflects both their personal experiences and the extraordinary social and political transformations of the era.
Author: قاسم أمين،
Publisher: American Univ in Cairo Press
ISBN: 9789774245671
Category : History
Languages : en
Pages : 228
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Book Description
Qasim Amin (1863-1908), an Egyptian lawyer, is best known for his advocacy of women's emancipation in Egypt, through a number of works including The Liberation of Women and The New Woman. In the first of these important books in 1899, he started from the premise that the liberation of women was an essential prerequisite for the liberation of Egyptian society from foreign domination, and used arguments based on Islam to call for an improvement in the status of women. In doing so, he promoted the debate on women in Egypt from a side issue to a major national concern, but he also subjected himself to severe criticism from the khedival palace, as well as from religious leaders, journalists, and writers. In response he wrote The New Woman, published in 1900, in which he defended his position and took some of his ideas further. In The New Woman, Amin relies less on arguments based on the Quran and Sayings of the Prophet, and more openly espouses a Western model of development. Although published a century ago, these two books continue to be a source of controversy and debate in the Arab world and remain key works for understanding the Arab feminist movement. The Liberation of Women and The New Woman appear here in English translation for the first time in one volume.
