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Author: Eiji Yoshikawa
Publisher: Shelley Marshall
ISBN: 1734964472
Category : Fiction
Languages : en
Pages : 652
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Book Description
A dish best served cold... The revenge of the forty-seven ronin is the famous story of samurai vengeance from feudal Japan. Briefly, Lord Asano, the daimyo of Ako, tries to kill Lord Kira, the chief master of ceremonies, in the shogun's castle in Edo during a visit of imperial envoys from Kyoto. The shogun handed down the sentence of seppuku, ritual suicide, to be carried out the same evening but only for Lord Asano. Some, but not all, of Asano's retainers found the punishment unjust and vowed to deliver Lord Kira's head to the grave of their lord. No one knows the full true story of the forty-seven ronin, but Eiji Yoshikawa weaves an exciting tale of the players on this historic stage. He tells a tale of the many players, their motivations and conflicts, and the series of events that affect Japan to this day. An early retelling of this incident was a puppet play titled Chushingura, which is translated as The Treasury of Loyal Retainers. Eiji Yoshikawa's The New Chushingura was serially published in Hinode magazine from January 1935 to January 1937.
Author: Eiji Yoshikawa
Publisher: Shelley Marshall
ISBN: 1734964472
Category : Fiction
Languages : en
Pages : 652
Get Book
Book Description
A dish best served cold... The revenge of the forty-seven ronin is the famous story of samurai vengeance from feudal Japan. Briefly, Lord Asano, the daimyo of Ako, tries to kill Lord Kira, the chief master of ceremonies, in the shogun's castle in Edo during a visit of imperial envoys from Kyoto. The shogun handed down the sentence of seppuku, ritual suicide, to be carried out the same evening but only for Lord Asano. Some, but not all, of Asano's retainers found the punishment unjust and vowed to deliver Lord Kira's head to the grave of their lord. No one knows the full true story of the forty-seven ronin, but Eiji Yoshikawa weaves an exciting tale of the players on this historic stage. He tells a tale of the many players, their motivations and conflicts, and the series of events that affect Japan to this day. An early retelling of this incident was a puppet play titled Chushingura, which is translated as The Treasury of Loyal Retainers. Eiji Yoshikawa's The New Chushingura was serially published in Hinode magazine from January 1935 to January 1937.
Author: Eiji Yoshikawa
Publisher: Vertical, Inc.
ISBN: 1568364504
Category : Fiction
Languages : en
Pages : 944
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Book Description
In the tempestuous closing decades of the sixteenth century, the Empire of Japan writhes in chaos as the shogunate crumbles and rival warlords battle for supremacy. Warrior monks in their armed citadels block the road to the capital; castles are destroyed, villages plundered, fields put to the torch. Amid this devastation, three men dream of uniting the nation. At one extreme is the charismatic but brutal Nobunaga, whose ruthless ambition crushes all before him. At the opposite pole is the cold, deliberate Ieyasu, wise in counsel, brave in battle, mature beyond his years. But the keystone of this triumvirate is the most memorable of all, Hideyoshi, who rises from the menial post of sandal bearer to become Taiko--absolute ruler of Japan in the Emperor's name. When Nobunaga emerges from obscurity by destroying an army ten times the size of his own, he allies himself with Ieyasu, whose province is weak, but whose canniness and loyalty make him invaluable. Yet it is the scrawny, monkey-faced Hideyoshi--brash, impulsive, and utterly fearless--who becomes the unlikely savior of this ravaged land. Born the son of a farmer, he takes on the world with nothing but his bare hands and his wits, turning doubters into loyal servants, rivals into faithful friends, and enemies into allies. In all this he uses a piercing insight into human nature that unlocks castle gates, opens men's minds, and captures women's hearts. For Hideyoshi's passions are not limited to war and intrigue-his faithful wife, Nene, holds his love dear, even when she must share it; the chaste Oyu, sister of Hideyoshi's chief strategist, falls prey to his desires; and the seductive Chacha, whom he rescues from the fiery destruction of her father's castle, tempts his weakness. As recounted by Eiji Yoshikawa, author of the international best-seller Musashi, Taiko tells many stories: of the fury of Nobunaga and the fatal arrogance of the black-toothed Yoshimoto; of the pathetic downfall of the House of Takeda; how the scorned Mitsuhide betrayed his master; how once impregnable ramparts fell as their defenders died gloriously. Most of all, though, Taiko is the story of how one man transformed a nation through the force of his will and the depth of his humanity. Filled with scenes of pageantry and violence, acts of treachery and self-sacrifice, tenderness and savagery, Taiko combines the panoramic spectacle of a Kurosawa epic with a vivid evocation of feudal Japan.
Author: Isolde Standish
Publisher: Bloomsbury Publishing USA
ISBN: 1441161546
Category : Performing Arts
Languages : en
Pages : 415
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Book Description
In A New History of Japanese Cinema Isolde Standish focuses on the historical development of Japanese film. She details an industry and an art form shaped by the competing and merging forces of traditional culture and of economic and technological innovation. Adopting a thematic, exploratory approach, Standish links the concept of Japanese cinema as a system of communication with some of the central discourses of the twentieth century: modernism, nationalism, humanism, resistance, and gender. After an introduction outlining the earliest years of cinema in Japan, Standish demonstrates cinema's symbolic position in Japanese society in the 1930s - as both a metaphor and a motor of modernity. Moving into the late thirties and early forties, Standish analyses cinema's relationship with the state-focusing in particular on the war and occupation periods. The book's coverage of the post-occupation period looks at "romance" films in particular. Avant-garde directors came to the fore during the 1960s and early seventies, and their work is discussed in depth. The book concludes with an investigation of genre and gender in mainstream films of recent years. In grappling with Japanese film history and criticism, most western commentators have concentrated on offering interpretations of what have come to be considered "classic" films. A New History of Japanese Cinema takes a genuinely innovative approach to the subject, and should prove an essential resource for many years to come.
Author: Yasushi Inoue
Publisher: Tuttle Publishing
ISBN: 1462902731
Category : Literary Collections
Languages : en
Pages : 228
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Book Description
The Samurai Banner of Furin Kazan presents an accurate portrait of this era in Japanese history. Originally published in Japanese in 1959, this classic novel by Yasushi Inoue takes place during the Japanese Warring Era (1467-1573)--a time when a fractured Japan was ruled by three powerful young warlords: Takeda Shingen, Iwagawa Yoshimoto and Hojo Ujiyasu. The story focuses on Takeda Shingen and his one-eyed, crippled strategist, Yamamoto Kansuke. The brilliant strategies of Kansuke, inspired by his passion for war and his admiration for his enemies' war tactics, are beautifully expressed throughout this book. Takeda Shingen--a proud and confident warlord--wants to expand his territory. When he retains the ambitious and mysterious Yamamoto Kansuke--a masterless, unheralded samurai--as his war strategist, he discovers a bold and cunning collaborator. Kansuke's talents at diplomacy and his prescient understanding of war strategy leads Shingen's clan to great success, a path which leads the pair to Princess Yuu. When Kansuke discovers her among the ruins of a castle he has just captured, she is about to commit ritual suicide, jigaki. Kansuke falls under her spell--and convinces her to live to carry on her family's lineage. The conflicting ambitions of Shingen, Kansuke, and Princess Yuu are at the heart of this complex and intensely dramatic story. Each of the three needs the others in order to attain their goals. In the end, the lines between who is using whom are blurred beyond understanding. Though there's some doubt as to whether Kansuke really existed, the historical narrative and depictions of daily life present a unique and engaging look at the end of the feudal era in Japan.
Author: John Allyn
Publisher: Tuttle Publishing
ISBN: 1462906230
Category : Literary Collections
Languages : en
Pages : 170
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Book Description
A classic tale that will captivate lovers of Japan, history, and epic adventure alike. Japan's most celebrated tale of chivalry, loyalty and revenge--and the basis for a Hollywood feature film starring Keanu Reaves--47 Ronin is the epic tale of a heroic band of Samurai warriors who defy the Japanese Emperor to avenge the honor of their fallen master. The story begins in 1701 when the noble Lord Asano attacks an official at court. His punishment is swift and harsh--the Emperor orders Lord Asano to commit ritual suicide (harikiri). His lands are confiscated, his family exiled, and his Samurai warrior brigade is disbanded--becoming Ronin or masterless, wandering renegades. While appearing to follow the Emperor's instructions, the 47 Ronin plot in secret for many years, biding their time until the moment to strike is right. Like the story of the Knights of the Round Table, the Ronin's deeds became legendary, iconic examples of courage, cunning and loyalty in an age when the Samurai were true heroes and honor was something worth dying for. John Allyn's vivid retelling, with a foreword by scholar and film advisor, Stephen Turnbull, presents this epic of Japanese literature in its correct historical context.
Author: Stephen Turnbull
Publisher: Bloomsbury Publishing
ISBN: 178200016X
Category : History
Languages : en
Pages : 144
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Book Description
Each great samurai warlord, or daimyo, had a division of troops known as the Hatamoto, 'those who stand under the flag'. The Hatamoto included the personal bodyguards, the senior generals, the standard bearers and colour-guard, the couriers, and the other samurai under the warlord's personal command. Apart from bodyguard and other duties in immediate attendance on the daimyo, both horse and foot guards often played crucial roles in battle. Their intervention could turn defeat into victory, and their collapse meant certain defeat. As favoured warriors under the warlord's eye, members of the bodyguards could hope for promotion, and a few even rose to be daimyo themselves. All the three great leaders of the 16 and 17th centuries – including Oda, Hideyoshi and Tokugawa – had their own elite corps. Such troops were naturally distinguished by dazzling apparel and heraldry, with banners both carried and attached to the back of the armour, all of which will be detailed in an array of colour artwork specially created for this publication.
Author: Keiko I. McDonald
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838635025
Category : Motion pictures
Languages : en
Pages : 372
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Book Description
Noh, Kabuki, and Bunraku are the three distinct genres of classical theater that have made Japan's dramatic art unique. The audience steeped in these traditional theatrical forms sees many aspects of stage conventions in Japanese cinema. This intimacy makes the aesthetic/intellectual experience of films more enriching. Japanese Classical Theater in Films aims at heightening such awareness in the West, the awareness of the influence that these three major dramatic genres have had on Japan's cinematic tradition. Using an eclectic critical framework - a solid combination of historical and cultural approaches reinforced with formalist and auteurist perspectives - Keiko I. McDonald undertakes this much needed, ambitious task.
Author: David Bell
Publisher: Psychology Press
ISBN: 9781903350003
Category : Art
Languages : en
Pages : 184
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Book Description
Kanadehon Chushingura has been one of the most popular bunraku and kabuki plays. This fascinating study explores the full spectrum of ukiyo-e (floating world) representations of the Chushingura story. Essential reading for all students of Japanese theatre, the history of Japanese art and the social history of Japan.
Author: Gregory Barrett
Publisher: Associated University Presse
ISBN: 9780941664936
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
This study examines the significance of the archetypal heroes and heroines of Japanese cinema and traces both their prior development in literature, drama, and folklore, and their subsequent variations in popular culture.
Author: Satoko Shimazaki
Publisher: Columbia University Press
ISBN: 0231540523
Category : Literary Criticism
Languages : en
Pages : 389
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Book Description
Satoko Shimazaki revisits three centuries of kabuki theater, reframing it as a key player in the formation of an early modern urban identity in Edo Japan and exploring the process that resulted in its re-creation in Tokyo as a national theatrical tradition. Challenging the prevailing understanding of early modern kabuki as a subversive entertainment and a threat to shogunal authority, Shimazaki argues that kabuki instilled a sense of shared history in the inhabitants of Edo (present-day Tokyo) by invoking "worlds," or sekai, derived from earlier military tales, and overlaying them onto the present. She then analyzes the profound changes that took place in Edo kabuki toward the end of the early modern period, which witnessed the rise of a new type of character: the vengeful female ghost. Shimazaki's bold reinterpretation of the history of kabuki centers on the popular ghost play Tokaido Yotsuya kaidan (The Eastern Seaboard Highway Ghost Stories at Yotsuya, 1825) by Tsuruya Nanboku IV. Drawing not only on kabuki scripts but also on a wide range of other sources, from theatrical ephemera and popular fiction to medical and religious texts, she sheds light on the development of the ubiquitous trope of the vengeful female ghost and its illumination of new themes at a time when the samurai world was losing its relevance. She explores in detail the process by which nineteenth-century playwrights began dismantling the Edo tradition of "presenting the past" by abandoning their long-standing reliance on the sekai. She then reveals how, in the 1920s, a new generation of kabuki playwrights, critics, and scholars reinvented the form again, "textualizing" kabuki so that it could be pressed into service as a guarantor of national identity.
