The Music of Tragedy

The Music of Tragedy PDF Author: Naomi A. Weiss
Publisher: Univ of California Press
ISBN: 0520295900
Category : Literary Criticism
Languages : en
Pages : 300

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Book Description
The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Naomi Weiss demonstrates that Euripides’ allusions to music-making are not just metatheatrical flourishes or gestures towards musical and religious practices external to the drama but closely interwoven with the dramatic plot. Situating Euripides’ experimentation with the dramaturgical effects of mousike within a broader cultural context, she shows how much of his novelty lies in his reinvention of traditional lyric styles and motifs for the tragic stage. If we wish to understand better the trajectories of this most important ancient art form, The Music of Tragedy argues, we must pay closer attention to the role played by both music and text.

The Music of Tragedy

The Music of Tragedy PDF Author: Naomi A. Weiss
Publisher: Univ of California Press
ISBN: 0520295900
Category : Literary Criticism
Languages : en
Pages : 300

Get Book

Book Description
The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Naomi Weiss demonstrates that Euripides’ allusions to music-making are not just metatheatrical flourishes or gestures towards musical and religious practices external to the drama but closely interwoven with the dramatic plot. Situating Euripides’ experimentation with the dramaturgical effects of mousike within a broader cultural context, she shows how much of his novelty lies in his reinvention of traditional lyric styles and motifs for the tragic stage. If we wish to understand better the trajectories of this most important ancient art form, The Music of Tragedy argues, we must pay closer attention to the role played by both music and text.

The Complete Works of Friedrich Nietzsche

The Complete Works of Friedrich Nietzsche PDF Author: Friedrich Wilhelm Nietzsche
Publisher:
ISBN:
Category : Philosophy, German
Languages : en
Pages : 452

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Book Description


Music in Shakespearean Tragedy

Music in Shakespearean Tragedy PDF Author: Frederick William Sternfeld
Publisher: Psychology Press
ISBN: 9780415353274
Category : Literary Criticism
Languages : en
Pages : 392

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Book Description
First published in 1963. When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporaries: Marlowe and Jonson, Marston and Chapman. From these comparative assessments there emerges the method that is peculiar to Shakespeare: the employment of song and instrumental music to a degree hitherto unknown, and their use as an integral part of the dramatic structure.

Paths of Song

Paths of Song PDF Author: Rosa Andújar
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110575914
Category : Literary Criticism
Languages : en
Pages : 466

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Book Description
Paths of Song: The Lyric Dimension of Greek Tragedy analyzes the multiple and varied evocations of choral lyric in fifth-century Greek tragedy using a variety of methodological approaches that illustrate the myriad forms through which lyric is present and can be presented in tragedy. This collection focuses on different types of interaction of Greek tragedy with lyric poetry in fifth-century Athens: generic, mythological, cultural, musical, and performative. The collected essays demonstrate the dynamic and nuanced relationship between lyric poetry and tragedy within the larger frame of Athenian song- and performance-culture, and reveal a vibrant and symbiotic co-existence between tragedy and lyric. Paths of Song illustrates the effects that this dynamic engagement with lyric possibly had on tragic performances, including performances of satyr drama, as well as on processes of survival and reputation, selection and refiguration, tradition and innovation. The volume is of particular interest to scholars in the field of classics, cultural studies, and the performing arts, as well as to readers interested in poetic transmission and in cultural evolution in antiquity.

Greek Tragedy After the Fifth Century

Greek Tragedy After the Fifth Century PDF Author: Vayos Liapis
Publisher: Cambridge University Press
ISBN: 1107038553
Category : History
Languages : en
Pages : 431

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Book Description
What happened to Greek tragedy after the death of Euripides? This book provides some answers, and a broad historical overview.

Choral Mediations in Greek Tragedy

Choral Mediations in Greek Tragedy PDF Author: Renaud Gagné
Publisher: Cambridge University Press
ISBN: 1107033284
Category : Art
Languages : en
Pages : 441

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Book Description
This volume explores how the choruses of Ancient Greek tragedy creatively combined media and discourses to generate their own specific forms of meaning. The contributors analyse choruses as fictional, religious and civic performers; as combinations of text, song and dance; and as objects of reflection in themselves, in relation and contrast to the choruses of comedy and melic poetry. Drawing on earlier analyses of the social context of Greek drama, the non-textual dimensions of tragedy, and the relations between dramatic and melic choruses, the chapters explore the uses of various analytic tools in allowing us better to capture the specificity of the tragic chorus. Special attention is given to the physicality of choral dancing, musical interactions between choruses and actors, the trajectories of reception, and the treatment of time and space in the odes.

The Music of Tragedy

The Music of Tragedy PDF Author: Naomi A. Weiss
Publisher: Univ of California Press
ISBN: 0520401441
Category : Drama
Languages : en
Pages : 300

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Book Description
The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Naomi Weiss demonstrates that Euripides' allusions to music-making are not just metatheatrical flourishes or gestures towards musical and religious practices external to the drama but closely interwoven with the dramatic plot. Situating Euripides' experimentation with the dramaturgical effects of mousike within a broader cultural context, she shows how much of his novelty lies in his reinvention of traditional lyric styles and motifs for the tragic stage. If we wish to understand better the trajectories of this most important ancient art form, The Music of Tragedy argues, we must pay closer attention to the role played by both music and text.

The Soul of Tragedy

The Soul of Tragedy PDF Author: Victoria Pedrick
Publisher: University of Chicago Press
ISBN: 0226653064
Category : Drama
Languages : en
Pages : 332

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Book Description
'The Soul of Tragedy' brings together scholars to offer perspectives on the Greek tragedy. The collection pays homage to this genre by offering an exploration into the oldest form of dramatic expression.

Tragedy in the art of music

Tragedy in the art of music PDF Author: Leo Schrade
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description


Ancient Drama in Music for the Modern Stage

Ancient Drama in Music for the Modern Stage PDF Author: Peter Brown
Publisher: OUP Oxford
ISBN: 0191610941
Category : History
Languages : en
Pages : 480

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Book Description
Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature, Modern Languages, and Theatre Studies provides an exceptionally wide-ranging and detailed overview of the relationship between the two genres. Since tragedies have played a much larger part than comedies in this branch of operatic history, the volume mostly concentrates on the tragic repertoire, but a chapter on musical versions of Aristophanes' Lysistrata is included, as well as discussions of incidental music, a very important part of the musical reception of ancient drama, from Andrea Gabrieli in 1585 to Harrison Birtwistle and Judith Weir in the late twentieth and early twenty-first centuries.