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Author: Nancy Rubin Stuart
Publisher: Beacon Press
ISBN: 9780807055175
Category : Biography & Autobiography
Languages : en
Pages : 332
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Book Description
Praised by her mentor John Adams, Mercy Otis Warren was America's first woman playwright and female historian of the American Revolution. In this unprecedented biography, Nancy Rubin Stuart reveals how Warren's provocative writing made her an exception among the largely voiceless women of the eighteenth century.
Author: Nancy Rubin Stuart
Publisher: Beacon Press
ISBN: 9780807055175
Category : Biography & Autobiography
Languages : en
Pages : 332
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Book Description
Praised by her mentor John Adams, Mercy Otis Warren was America's first woman playwright and female historian of the American Revolution. In this unprecedented biography, Nancy Rubin Stuart reveals how Warren's provocative writing made her an exception among the largely voiceless women of the eighteenth century.
Author: Errol A. Henderson
Publisher: State University of New York Press
ISBN: 1438475446
Category : Political Science
Languages : en
Pages : 516
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Book Description
The study of the impact of Black Power Movement (BPM) activists and organizations in the 1960s through ʼ70s has largely been confined to their role as proponents of social change; but they were also theorists of the change they sought. In The Revolution Will Not Be Theorized Errol A. Henderson explains this theoretical contribution and places it within a broader social theory of black revolution in the United States dating back to nineteenth-century black intellectuals. These include black nationalists, feminists, and anti-imperialists; activists and artists of the Harlem Renaissance; and early Cold War–era black revolutionists. The book first elaborates W. E. B. Du Bois's thesis of the "General Strike" during the Civil War, Alain Locke's thesis relating black culture to political and economic change, Harold Cruse's work on black cultural revolution, and Malcolm X's advocacy of black cultural and political revolution in the United States. Henderson then critically examines BPM revolutionists' theorizing regarding cultural and political revolution and the relationship between them in order to realize their revolutionary objectives. Focused more on importing theory from third world contexts that were dramatically different from the United States, BPM revolutionists largely ignored the theoretical template for black revolution most salient to their case, which undermined their ability to theorize a successful black revolution in the United States. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of The Pennsylvania State University. Learn more at the TOME website, available at: openmonographs.org, and access the book online at http://muse.jhu.edu/book/67098. It is also available through the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/1704.
Author: Elizabeth Kendall
Publisher: Oxford University Press
ISBN: 0199989516
Category : Music
Languages : en
Pages : 336
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Book Description
Here is the first dual biography of the early lives of two key figures in Russian ballet: famed choreographer George Balanchine and his close childhood friend and extraordinary ballerina Liidia (Lidochka) Ivanova. Tracing the lives and friendship of these two dancers from years just before the 1917 Russian Revolution to Balanchine's escape from Russia in 1924, Elizabeth Kendall's Balanchine & the Lost Muse sheds new light on a crucial flash point in the history of ballet. Drawing upon extensive archival research, Kendall weaves a fascinating tale about this decisive period in the life of the man who would become the most influential choreographer in modern ballet. Abandoned by his mother at the St. Petersburg Imperial Ballet Academy in 1913 at the age of nine, Balanchine spent his formative years studying dance in Russia's tumultuous capital city. It was there, as he struggled to support himself while studying and performing, that Balanchine met Ivanova. A talented and bold dancer who grew close to the Bolshevik elite in her adolescent years, Ivanova was a source of great inspiration to Balanchine--both during their youth together, and later in his life, after her mysterious death just days before they had planned to leave Russia together in 1924. Kendall shows that although Balanchine would have a great number of muses, many of them lovers, the dark beauty of his dear friend Lidochka would inspire much of his work for years to come. Part biography and part cultural history, Balanchine & the Lost Muse presents a sweeping account of the heyday of modern ballet and the culture behind the unmoored ideals, futuristic visions, and human decadence that characterized the Russian Revolution.
Author: Eustace Mandeville Wetenhall Tillyard
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 152
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Book Description
Author: Jane Plastow
Publisher: Cambridge University Press
ISBN: 9780521634434
Category : Drama
Languages : en
Pages : 230
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Book Description
This book focuses on how theatre can make and has made positive political and social interventions.
Author: Ira D. Gruber
Publisher: UNC Press Books
ISBN: 0807838888
Category : Biography & Autobiography
Languages : en
Pages : 415
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Book Description
By focusing on the Howe brothers, their political connections, their relationships with the British ministry, their attitude toward the Revolution, and their military activities in America, Gruber answers the frequently asked question of why the British failed to end the American Revolution in its early years. This book supersedes earlier studies because of its broader research and because it elucidates the complex personal interplay between Whitehall and its commanders. Originally published in 1974. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: John Rogers
Publisher: Cornell University Press
ISBN: 1501729829
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
John Rogers here addresses the literary and ideological consequences of the remarkable, if improbable, alliance between science and politics in seventeenth-century England. He looks at the cultural intersection between the English and Scientific Revolutions, concentrating on a body of work created in a brief but potent burst of intellectual activity during the period of the Civil Wars, the Interregnum, and the earliest years of the Stuart Restoration. Rogers traces the broad implications of a seemingly outlandish cultural phenomenon: the intellectual imperative to forge an ontological connection between physical motion and political action.
Author: Karen Salt
Publisher: Liverpool Studies in Internati
ISBN: 1786941619
Category : History
Languages : en
Pages : 256
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Book Description
Unfinished Revolution is the first study to gather nineteenth-century representations and performances of Haitian sovereignty in the Atlantic world. In assembling this undiscovered archive of black power, this book offers compelling evidence of the ways that sovereignty and blackness intersect with unstable processes of modernity to produce an articulation of black authority always, already under threat for eradication or ridicule. Undeterred, nineteenth-century Haitian leaders mounted a century's-long battle to situate Haiti at the centre of the Atlantic world.
Author: Lynn Mally
Publisher: Cornell University Press
ISBN: 1501706977
Category : History
Languages : en
Pages : 367
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Book Description
During the Russian Revolution and Civil War, amateur theater groups sprang up in cities across the country. Workers, peasants, students, soldiers, and sailors provided entertainment ranging from improvisations to gymnastics and from propaganda sketches to the plays of Chekhov. In Revolutionary Acts, Lynn Mally reconstructs the history of the amateur stage in Soviet Russia from 1917 to the height of the Stalinist purges. Her book illustrates in fascinating detail how Soviet culture was transformed during the new regime's first two decades in power. Of all the arts, theater had a special appeal for mass audiences in Russia, and with the coming of the revolution it took on an important role in the dissemination of the new socialist culture. Mally's analysis of amateur theater as a space where performers, their audiences, and the political authorities came into contact enables her to explore whether this culture emerged spontaneously "from below" or was imposed by the revolutionary elite. She shows that by the late 1920s, Soviet leaders had come to distrust the initiatives of the lower classes, and the amateur theaters fell increasingly under the guidance of artistic professionals. Within a few years, state agencies intervened to homogenize repertoire and performance style, and with the institutionalization of Socialist Realist principles, only those works in a unified Soviet canon were presented.
Author: Robert M. Slusser
Publisher: JHU Press
ISBN: 1421432307
Category : History
Languages : en
Pages : 327
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Book Description
Originally published in 1987. In March 1917 young Joseph Stalin, already a high-ranking Bolshevik, returned from Siberian exile in search of greatness and power. But his activities during the months leading up to the October Revolution were full of blunders and misjudgments—failures that in later years Stalin obliterated from the historical record. Stalin in October reassembles the history of 1917 and explains why, on the eve of the revolutionaries' seizure of power, Stalin seemingly dropped out of the picture. "He would always be dogged," Slusser writes, "by a nagging sense of having somehow missed the revolution." The lingering shame was crucial to Stalin's development into a Soviet dictator.
