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Author: John Russell
Publisher: HarperCollins
ISBN:
Category : Art
Languages : en
Pages : 440
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Book Description
"This book is based on two beliefs," says John Russell in his preface "One is that in art, as in the sciences, ours is one of the big centuries. The other is that the history of art, if properly set out, is the history of everything." It is in this spirit that the book deals with the major movements in art and the major artists since the 1860s, and it also interweaves the central historical and cultural events and themes of the modern period. The Meanings of Modern Art is the work of a critic who has lived with modern art for almost half a century and has been close to many of those who have created the masterworks of our time. The book contains a choice of illustrations as exacting as it is generous, and the 328 illustrations in color and in black and white are integrated with the text. The history of art as presented here is truly "the history of everything." In the words of the College Art Association, which in 1978 gave John Russell its Mather Award for art criticism, "John Russell can illuminate everything from the stones of Egypt to the bricks of Carl Andre."--Publisher's description.
Author: John Russell
Publisher: HarperCollins
ISBN:
Category : Art
Languages : en
Pages : 440
Get Book
Book Description
"This book is based on two beliefs," says John Russell in his preface "One is that in art, as in the sciences, ours is one of the big centuries. The other is that the history of art, if properly set out, is the history of everything." It is in this spirit that the book deals with the major movements in art and the major artists since the 1860s, and it also interweaves the central historical and cultural events and themes of the modern period. The Meanings of Modern Art is the work of a critic who has lived with modern art for almost half a century and has been close to many of those who have created the masterworks of our time. The book contains a choice of illustrations as exacting as it is generous, and the 328 illustrations in color and in black and white are integrated with the text. The history of art as presented here is truly "the history of everything." In the words of the College Art Association, which in 1978 gave John Russell its Mather Award for art criticism, "John Russell can illuminate everything from the stones of Egypt to the bricks of Carl Andre."--Publisher's description.
Author: Taylor & Francis Group
Publisher:
ISBN: 9780367005054
Category :
Languages : en
Pages :
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Book Description
Author: John Russell
Publisher: HarperCollins Publishers
ISBN: 9780064301107
Category : Art, Modern
Languages : en
Pages : 429
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Book Description
"This book is based on two beliefs," says John Russell in his preface "One is that in art, as in the sciences, ours is one of the big centuries. The other is that the history of art, if properly set out, is the history of everything." It is in this spirit that the book deals with the major movements in art and the major artists since the 1860s, and it also interweaves the central historical and cultural events and themes of the modern period. The Meanings of Modern Art is the work of a critic who has lived with modern art for almost half a century and has been close to many of those who have created the masterworks of our time. The book contains a choice of illustrations as exacting as it is generous, and the 328 illustrations in color and in black and white are integrated with the text. The history of art as presented here is truly "the history of everything." In the words of the College Art Association, which in 1978 gave John Russell its Mather Award for art criticism, "John Russell can illuminate everything from the stones of Egypt to the bricks of Carl Andre."--Publisher's description.
Author: Daniel A. Siedell
Publisher: Wipf and Stock Publishers
ISBN: 1630877913
Category : Religion
Languages : en
Pages : 191
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Book Description
Modern art can be confusing and intimidating--even ugly and blasphemous. And yet curator and art critic Daniel A. Siedell finds something else, something much deeper that resonates with the human experience. With over thirty essays on such diverse artists as Andy Warhol, Thomas Kinkade, Diego Velazquez, Robyn O'Neil, Claudia Alvarez, and Andrei Rublev, Siedell offers a highly personal approach to modern art that is informed by nearly twenty years of experience as a museum curator, art historian, and educator. Siedell combines his experience in the contemporary art world with a theological perspective that serves to deepen the experience of art, allowing the work of art to work as art and not covert philosophy or theology, or visual illustrations of ideas, meanings, and worldviews. Who's Afraid of Modern Art? celebrates the surprising beauty of art that emerges from and embraces pain and suffering, if only we take the time to listen. Indeed, as Siedell reveals, a painting is much more than meets the eye. So, who's afraid of modern art? Siedell's answer might surprise you.
Author: Karsten Harries
Publisher: Northwestern University Press
ISBN: 0810105934
Category : Art
Languages : en
Pages : 183
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Book Description
That modern art is different from earlier art is so obvious as to be hardly worth mentioning. Yet there is little agreement as to the meaning or the importance of this difference. Indeed, contemporary aestheticians, especially, seem to feel that modern art does not depart in any essential way from the art of the past. One reason for this view is that, with the exception of Marxism, the leading philosophical schools today are ahistorical in orientation. This is as true of phenomenology and existentialism as it is of contemporary analytic philosophy. As a result there have been few attempts by philosophers to understand the meaning of the history of art—an understanding fundamental to any grasp of the difference between modern art and its predecessors. Art expresses an ideal image of man, and an essential part of understanding the meaning of a work of art is understanding this image. When the ideal image changes, art, too, must change. It is thus possible to look at the emergence of modern art as a function of the disintegration of the Platonic-Christian conception of man. The artist no longer has an obvious, generally accepted route to follow. One sign of this is that there is no one style today comparable to Romanesque, Gothic, Renaissance, or Baroque. This lack of direction has given the artist a new freedom. Today there is a great variety of answers to the question, "What is art?" Such variety, however, betrays an uncertainty about the meaning of art. An uneasiness about the meaning of art has led modern artists to enter into dialogue with art historians, psychologists and philosophers. Perhaps this interpretation can contribute to that dialogue.
Author: Tony Richardson
Publisher:
ISBN: 9780140217056
Category : Art, Modern
Languages : en
Pages : 281
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Book Description
Author: Philip Yenawine
Publisher: Harry N. Abrams
ISBN: 9780810924857
Category : Art
Languages : en
Pages : 160
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Book Description
Author: Simon Morley
Publisher: Reaktion Books
ISBN: 1789142687
Category : Art
Languages : en
Pages : 394
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Book Description
The monochrome—a single-color work of art—is highly ambiguous. For some it epitomizes purity and is art reduced to its essence. For others it is just a stunt, the proverbial emperor’s new clothes. Why are monochrome works both so admired and such an easy target of scorn? Why does a monochrome look so simple and yet is so challenging to comprehend? And what is it that drives artists to create such works? In this illuminating book, Simon Morley unpacks the meanings of the monochrome as it has developed internationally over the twentieth century to today. In doing so, he also explores how artists have understood what they make, how critics variously interpret it, and how art is encountered by viewers.
Author: Pam Meecham
Publisher: Routledge
ISBN: 1317972473
Category : Art
Languages : en
Pages : 384
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Book Description
Revised and restructured, this second edition of Modern Art traces the historical and contemporary contexts for understanding modern art movements, and the theories that influenced and attempted to explain them. Its radical approach foregoes the chronological approach to art movements in favour of looking at the ways in which art has been understood. The editors investigate the main developments in art interpretation and draw examples from a wide range of genres including painting, sculpture, photography, installation and performance art. This second edition has been fully updated to include many more examples of recent art practice, as well as an expanded glossary and comprehensive marginal notes providing definitions of key terms. Extensively illustrated with a wide range of visual examples, Modern Art is the essential textbook for students of art history.
Author: John Russell
Publisher: Westview Press
ISBN: 9780064384964
Category : Art
Languages : en
Pages : 480
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Book Description
A survey of modern art from the Impressionists to the present, with a new chapter on the art of the seventies and eighties, and corrections and revisions in the text.
