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Author: J. P. Wearing
Publisher: Scarecrow Press
ISBN: 0810892944
Category : Performing Arts
Languages : en
Pages : 732
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Book Description
This is a day-by-day calendar of plays produced at the major London theatres from January 1, 1900 to December 31, 1909. Covering dozens of west-end theatres and including production details of thousands of plays, operas, and ballets, this revised edition provides expanded or new information about authors, actors, plots, reviews, and more.
Author: J. P. Wearing
Publisher: Scarecrow Press
ISBN: 0810892944
Category : Performing Arts
Languages : en
Pages : 732
Get Book
Book Description
This is a day-by-day calendar of plays produced at the major London theatres from January 1, 1900 to December 31, 1909. Covering dozens of west-end theatres and including production details of thousands of plays, operas, and ballets, this revised edition provides expanded or new information about authors, actors, plots, reviews, and more.
Author: J. P. Wearing
Publisher:
ISBN: 9780810814035
Category :
Languages : en
Pages : 562
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Book Description
Author: J. P. Wearing
Publisher:
ISBN: 9780810814035
Category : Theater
Languages : en
Pages :
Get Book
Book Description
Author: J. P. Wearing
Publisher:
ISBN: 9780810814035
Category :
Languages : en
Pages : 562
Get Book
Book Description
Author: J. P. Wearing
Publisher: Scarecrow Press
ISBN: 0810892820
Category : Performing Arts
Languages : en
Pages : 630
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Book Description
This is a day-by-day calendar of plays produced at the major London theatres from January 1, 1890 to December 31, 1899. Covering dozens of west-end theatres and including production details of thousands of plays, operas, and ballets, this revised edition provides expanded or new information about authors, actors, plots, reviews, and more.
Author: H. Philip Bolton
Publisher: A&C Black
ISBN: 0720121175
Category : Performing Arts
Languages : en
Pages : 481
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Book Description
This volume, arranged alphabetically by original author, provides basic information about stage and screen productions based upon the novels of 40 women writers before 1900. Each entry includes the novel and its publication date, the published texts or dramatizations based upon the book, and the performances of the piece in live theater and film versions, including the location, dates, and playwright or screenwriter (if there was one). For some of the performances the author includes a brief annotation listing the actors and describing the production.
Author: Michael R. Booth
Publisher: Cambridge University Press
ISBN: 9780521453752
Category : Drama
Languages : en
Pages : 268
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Book Description
This book presents Edwardian entertainment and the Edwardian entertainment industry as parts of a vital, turbulent era whose preoccupations and paranoias echo those of our own day. Responding to recent shifts of attitude towards the Edwardians and their world, the essays in this collection take as their provinence broad patterns of theatrical production and consumption, focusing upon the economics of theatre management, the creation of new audiences, the politics of playgoing, and the meteoric rise of popular forms of mass entertainment, including musical comedy, variety theatre, and the cinema.
Author: J. P. Wearing
Publisher: Scarecrow Press
ISBN: 0810893002
Category : Performing Arts
Languages : en
Pages : 798
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Book Description
This is a day-by-day calendar of plays produced at the major London theatres from January 1, 1910 to December 31, 1919. Covering dozens of west-end theatres and including production details of thousands of plays, operas, and ballets, this revised edition provides expanded or new information about authors, actors, plots, reviews, and more.
Author: Dongshin Chang
Publisher: Routledge
ISBN: 1135007519
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
This book provides a critical study of how China was represented on the historical London stage in selected examples from the late seventeenth century to the early twentieth century—which corresponds with the Qing Dynasty (1644-1911), China’s last monarchy. The examples show that during this historical period, the stage representations of the country were influenced in turn by Jesuit writings on China, Britain’s expanding material interest in China, the presence of British imperial power in Asia, and the establishment of diasporic Chinese communities abroad. While finding that many of these works may be read as gendered and feminized, Chang emphasizes that the Jesuits’ depiction of China as a country of high culture and in perennial conflict with the Tartars gradually lost prominence in dramatic imaginations to depictions of China’s material and visual attractions. Central to the book’s argument is that the stage representations of China were inherently intercultural and open to new influences, manifested by the evolving combinations of Chinese and English (British) traits. Through the dramatization of the Chinese Other, the representations questioned, satirized, and put in sharp relief the ontological and epistemological bases of the English (British) Self.
Author: Maggie B. Gale
Publisher: Routledge
ISBN: 1351397192
Category : Performing Arts
Languages : en
Pages : 369
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Book Description
This book provides a new social history of British performance cultures in the early decades of the twentieth century, where performance across stage and screen was generated by dynamic and transformational industries. Exploring an era book-ended by wars and troubled by social unrest and political uncertainty, A Social History of British Performance Cultures 1900–1939 makes use of the popular material cultures produced by and for the industries – autobiographies, fan magazines and trade journals, as well as archival holdings, popular sketches, plays and performances. Maggie B. Gale looks at how the performance industries operated, circulated their products and self-regulated their professional activities, in a period where enfranchisement, democratization, technological development and legislation shaped the experience of citizenship. Through close examination of material evidence and a theoretical underpinning, this book shows how performance industries reflected and challenged this experience, and explored the ways in which we construct our ‘performance’ as participants in the public realm. Suited not only to scholars and students of British theatre and theatre history, but to general readers as well, A Social History of British Performance Cultures 1900–1939 offers an original intervention into the construction of British theatre and performance histories, offering new readings of the relationship between the material cultures of performance, the social, professional and civic contexts from which they arise, and on which they reflect.
