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Author: David McCooey
Publisher: Routledge
ISBN: 1351200372
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
In the age of social media, life writing is ubiquitous. But if life writing is now almost universal—engaged with on our phones; reported in our news; the generator of capital, no less—then what are the limits of life writing? Where does it begin and end? Do we live in a culture of life writing that has no limits? Life writing—as both a practice and a scholarly discipline—is itself markedly concerned with limits: the limits of literature, of genres, of history, of social protocols, of personal experience and forms of identity, and of memory. By attending to limits, border cases, hybridity, generic complexities, formal ambiguities, and extra-literary expressions of life writing, The Limits of Life Writing offers new insights into the nature of auto/biographical writing in contemporary culture. The contributions to this book deal with subjects and forms of life writing that test the limits of identity and the tradition of life writing. The liminal case studies explored include magical-realist fiction, graphic memoir, confessional poetry, and personal blogs. They also explore the ethical limits of representation found in Holocaust life writing, the importance of ficto-critical memoir as a form of resistance for trans writers, and the use of ‘postmemoir’ to navigate the traumas of diasporic experience. In addition, The Limits of Life Writing goes beyond the conventional limits of life writing scholarship to consider how writers themselves experience limits in the creation of life writing, offering a work of life writing that is itself concerned with charting the limits of auto/biographical expression. This book was originally published as a special issue of Life Writing.
Author: David McCooey
Publisher: Routledge
ISBN: 1351200372
Category : Literary Criticism
Languages : en
Pages : 232
Get Book
Book Description
In the age of social media, life writing is ubiquitous. But if life writing is now almost universal—engaged with on our phones; reported in our news; the generator of capital, no less—then what are the limits of life writing? Where does it begin and end? Do we live in a culture of life writing that has no limits? Life writing—as both a practice and a scholarly discipline—is itself markedly concerned with limits: the limits of literature, of genres, of history, of social protocols, of personal experience and forms of identity, and of memory. By attending to limits, border cases, hybridity, generic complexities, formal ambiguities, and extra-literary expressions of life writing, The Limits of Life Writing offers new insights into the nature of auto/biographical writing in contemporary culture. The contributions to this book deal with subjects and forms of life writing that test the limits of identity and the tradition of life writing. The liminal case studies explored include magical-realist fiction, graphic memoir, confessional poetry, and personal blogs. They also explore the ethical limits of representation found in Holocaust life writing, the importance of ficto-critical memoir as a form of resistance for trans writers, and the use of ‘postmemoir’ to navigate the traumas of diasporic experience. In addition, The Limits of Life Writing goes beyond the conventional limits of life writing scholarship to consider how writers themselves experience limits in the creation of life writing, offering a work of life writing that is itself concerned with charting the limits of auto/biographical expression. This book was originally published as a special issue of Life Writing.
Author: Leigh Gilmore
Publisher: Cornell University Press
ISBN: 1501770780
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
In The Limits of Autobiography, Leigh Gilmore analyzes texts that depict trauma by combining elements of autobiography, fiction, biography, history, and theory in ways that challenge the constraints of autobiography. Astute and compelling readings of works by Michel Foucault, Louis Althusser, Dorothy Allison, Mikal Gilmore, Jamaica Kincaid, and Jeanette Winterson explore how each poses the questions "How have I lived?" and "How will I live?" in relation to the social and psychic forms within which trauma emerges. First published in 2001, this new edition of one of the foundational texts in trauma studies includes a new preface by the author that assesses the gravitational pull between life writing and trauma in the twenty-first century, a tension that continues to produce innovative and artful means of confronting kinship, violence, and self-representation.
Author: Tanya M. Caldwell
Publisher: Rutgers University Press
ISBN: 1684482283
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
Writing Lives in the Eighteenth Century is a collection of essays on memoir, biography, and autobiography during a formative period for the genre. The essays revolve around recognized male and female figures—returning to the Boswell and Burney circle—but present arguments that dismantle traditional privileging of biographical modes. The contributors reconsider the processes of hero making in the beginning phases of a culture of celebrity. Employing the methodology William Godwin outlined for novelists of taking material “from all sources, experience, report, and the records of human affairs,” each contributor examines within the contexts of their time and historical traditions the anxieties and imperatives of the auto/biographer as she or he shapes material into a legacy. New work on Frances Burney D’Arblay’s son, Alexander, as revealed through letters; on Isabelle de Charriere; on Hester Thrale Piozzi; and on Alicia LeFanu and Frances Burney’s realignment of family biography extend current conversations about eighteenth century biography and autobiography. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: G. Thomas Couser
Publisher: Routledge
ISBN: 1000367371
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Life writing, in its various forms, does work that other forms of expression do not; it bears on the world in a way distinct from imaginative genres like fiction, drama, and poetry; it acts in and on history in significant ways. Memoirs of illness and disability often seek to depathologize the conditions that they recount. Memoirs of parents by their children extend or alter relations forged initially face to face in the home. At a time when memoir and other forms of life writing are being produced and consumed in unprecedented numbers, this book reminds readers that memoir is not mainly a "literary" genre or mere entertainment. Similarly, letters are not merely epiphenomena of our "real lives." Correspondence does not just serve to communicate; it enacts and sustains human relationships. Memoir matters, and there’s life in letters. All life writing arises of our daily lives and has distinctive impacts on them and the culture in which we live.
Author: Simon Rolston
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771125187
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Prison Life Writing is the first full-length study of one of the most controversial genres in American literature. By exploring the complicated relationship between life writing and institutional power, this book reveals the overlooked aesthetic innovations of incarcerated people and the surprising literary roots of the U.S. prison system. Simon Rolston observes that the autobiographical work of incarcerated people is based on a conversion narrative, a story arc that underpins the concept of prison rehabilitation and that sometimes serves the interests of the prison system, rather than those on the inside. Yet many imprisoned people rework the conversion narrative the way they repurpose other objects in prison. Like a radio motor retooled into a tattoo gun, the conversion narrative has been redefined by some authors for subversive purposes, including questioning the ostensible emancipatory role of prison writing, critiquing white supremacy, and broadly reimagining autobiographical discourse. An interdisciplinary work that brings life writing scholarship into conversation with prison studies and law and literature studies, Prison Life Writing theorizes how life writing works in prison, explains literature’s complicated entanglements with institutional power, and demonstrates the political and aesthetic innovations of one of America’s most fascinating literary genres.
Author: David Roberts
Publisher: W. W. Norton & Company
ISBN: 0393609871
Category : Sports & Recreation
Languages : en
Pages : 336
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Book Description
“If you’ve run out of Saint-Exupéry and miss the eloquent power of his work, then you are ready to read David Roberts.” —Laurence Gonzales, author of Deep Survival: Who Lives, Who Dies and Why David Roberts has spent his career documenting voyages to the most extreme landscapes on earth. In Limits of the Known, he reflects on humanity’s—and his own—relationship to exploration and extreme risk. Part memoir and part history, this book tries to make sense of why so many have committed their lives to the desperate pursuit of adventure. What compelled Eric Shipton to return, five times, to the ridges of Mt. Everest, plotting the mountain’s most treacherous territory years before Hillary and Tenzing’s famous ascent? What drove Bill Stone to dive 3,000 feet underground into North America’s deepest cave? And what is the future of adventure in a world we have mapped and trodden from end to end? In the wake of his diagnosis with throat cancer, Roberts seeks answers with new urgency and “penetrating self-analysis” (Booklist).
Author: Eva C. Karpinski
Publisher: Routledge
ISBN: 1000030202
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Designed as a contribution to the field of transnational comparative American studies, this book focuses on gender in life writing that exceeds the boundaries of traditional genres. The contributors engage with authors who bend genres to speak gender as it manifests in multiple shapes in different geographic locations across the Americas, and especially as it intersects with race and migration, war and colonialism, illness and ageing. In addition to supplying new insights into the established sites of auto/biographical production such as memoir, archive, and oral history, the book explores experimental mixed forms such as selfies, auto-theory, auto/bio comics, and autobiogeography. By combining this multi-genre and multi-media perspective with a multi-generational approach to life writing, the book showcases a spectrum of established and emerging critical voices, many of whom have been influenced by the work of Marlene Kadar, the Canadian life writing scholar whose interventions have expanded the feminist and interdisciplinary methods of life writing studies. Tracing the intergenerational relay of ideas, this collection fosters dialogue across the western hemisphere, and will be useful to those studying life writing exchanges between North America, Latin America, and the Caribbean. This book was originally published as a special issue of a/b: Auto/Biography Studies.
Author: Mukul Chaturvedi
Publisher: Taylor & Francis
ISBN: 1040003745
Category : Biography & Autobiography
Languages : en
Pages : 266
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Book Description
This book focuses on varied forms of self-referential storytelling or life writing and its emergence as a democratic and inclusive genre, both globally and in India, and its intersections with history, fiction, memory, truth and identity. The book examines the practice of life writing and its scope for accommodating diverse voices, distinct identities, collaborations and non-hierarchical connections as it gives voice to oral, silenced and marginalized communities. It explores forms like auto/biographical fiction, digital storytelling, graphic memoirs, and testimonies of migration and exile, among others. The eclectic collection of essays in this volume draws attention towards the transformative possibilities of life writing as it engages with issues of resistance, recuperation, re-inscribing individual and collective memories, histories, and promotes an understanding of multicultural others. Focusing on the multiple ways in which the production, circulation, and consumption of life writing has helped to reimagine and redefine individual and collective identities in different cultural and geopolitical contexts, the collection breaks new ground by initiating a cross-cultural perspective in life writing studies. The book aims to encourage critical engagement with a vastly growing body of literature that has seen a publishing and translation boom in contemporary times, both globally and in India. With life writing emerging as a robust area of research, this edited collection provides a much-needed impetus to critically engage with issues of self-representation, memory and identity in recent times. This volume will serve as a significant and rich resource for university students, researchers, and academics of literature, comparative studies, cultural studies, history, indigenous studies and digital and media studies.
Author: Sandra Mayer
Publisher: Routledge
ISBN: 1000682366
Category : Education
Languages : en
Pages : 192
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Book Description
This book examines the relationship between life writing and celebrity in English-language and comparative literary and cultural contexts, focusing on historical as well as contemporary auto/biographical subjects. With contributions on the 18th-century actress Peg Woffington, Charles Dickens, Mary Pickford, Sergei Eisenstein, W.H. Auden, Marilyn Monroe, and Michael Jackson, amongst others, the book encompasses a wide range of disciplines and approaches. It explores the representation of famous lives in genres as varied as TV documentary, biopic, biofiction, journalism, (authorized) biography, and painting. The contributors address broad themes including authenticity, self-fashioning, identity politics, and ethics; and reflect on the ways in which these affect the reading and writing of celebrity lives. This volume is the first to bring together life writing and celebrity studies—two vibrant and innovative areas of research which are closely connected through their shared concerns with authenticity and intimacy, public and private selves, myth-making and revelation. As such it will be of interest to a wide range of scholars from across the humanities. This book was originally published as a special issue of Life Writing.
Author: Hywel Dix
Publisher: Routledge
ISBN: 1000197107
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
This volume applies the insight and methods of career construction theory to explore how autobiographical writing is used in different professional careers, from fiction and journalism to education and medicine. It draws attention to the fact that a career is a particular kind of artefact with distinctive properties and features that can be analysed and compared, and puts forward a new theory of the relationship between narrative methodology and the vocation of writing. Career construction theory emerged in the late twentieth century, when changes to the patterns of our working lives caused large numbers of people to seek new forms of vocational guidance to navigate those changes. It employs a narrative paradigm in which periods of uncertainty are treated as experiences akin to ‘writer’s block’, experiences which can be overcome first by imagining new character arcs, then by narrating them and finally by performing them. By encouraging clients to see their careers as stories of which they are both the metaphorical authors and the main protagonists, career construction counsellors enable them to envisage the next chapter in those stories. But despite the authorial metaphor, career construction theory has not been widely applied to analysis of professional careers in writing. The chapters in this volume remedy that gap and in various ways apply the insights of career construction theory to analyse the relationship between writing and professional life in diverse careers where writing is used. The chapters in this book were originally published in the journal Life Writing.
