Author: D. Max Moerman
Publisher: University of Hawaii Press
ISBN: 0824890051
Category : Religion
Languages : en
Pages : 369
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Book Description
From the fourteenth through the nineteenth centuries Japanese monks created hundreds of maps to construct and locate their place in a Buddhist world. This expansively illustrated volume is the first to explore the largely unknown archive of Japanese Buddhist world maps and analyze their production, reproduction, and reception. In examining these fascinating sources of visual and material culture, author D. Max Moerman argues for an alternative history of Japanese Buddhism—one that compels us to recognize the role of the Buddhist geographic imaginary in a culture that encompassed multiple cartographic and cosmological world views. The contents and contexts of Japanese Buddhist world maps reveal the ambivalent and shifting position of Japan in the Buddhist world, its encounter and negotiation with foreign ideas and technologies, and the possibilities for a global history of Buddhism and science. Moerman’s visual and intellectual history traces the multiple trajectories of Japanese Buddhist world maps, beginning with the earliest extant Japanese map of the world: a painting by a fourteenth-century Japanese monk charting the cosmology and geography of India and Central Asia based on an account written by a seventh-century Chinese pilgrim-monk. He goes on to discuss the cartographic inclusion and marginal position of Japan, the culture of the copy and the power of replication in Japanese Buddhism, and the transcultural processes of engagement and response to new visions of the world produced by Iberian Christians, Chinese Buddhists, and the Japanese maritime trade. Later chapters explore the transformations in the media and messages of Buddhist cartography in the age of print culture and in intellectual debates during the eighteenth and nineteenth centuries over cosmology and epistemology and the polemics of Buddhist science. The Japanese Buddhist World Map offers a wholly innovative picture of Japanese Buddhism that acknowledges the possibility of multiple and heterogeneous modernities and alternative visions of Japan and the world.
Author: Kären Wigen
Publisher: University of Chicago Press
ISBN: 022607305X
Category : History
Languages : en
Pages : 282
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Book Description
Introduction to Part II - Kären Wigen -- Mapping the City -- 13. Characteristics of Premodern Urban Space - Tamai Tetsuo -- 14. Evolving Cartography of an Ancient Capital - Uesugi Kazuhiro -- 15. Historical Landscapes of Osaka - Uesugi Kazuhiro -- 16. The Urban Landscape of Early Edo in an East Asian Context - Tamai Tetsuo -- 17. Spatial Visions of Status - Ronald P. Toby -- 18. The Social Landscape of Edo - Paul Waley -- 19. What Is a Street? - Mary Elizabeth Berry -- Sacred Sites and Cosmic Visions -- 20. Locating Japan in a Buddhist World - D. Max Moerman
Author: Micah L. Auerback
Publisher: University of Chicago Press
ISBN: 022628641X
Category : Religion
Languages : en
Pages : 371
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Book Description
“Auerback has produced an entirely original history of Japanese Buddhism . . . a major contribution to the field. This book is exemplary.” —D. Max Moerman, author of The Japanese Buddhist World Map Since its arrival in Japan in the sixth century, Buddhism has played a central role in Japanese culture. But the historical figure of the Buddha, the prince of ancient Indian descent who abandoned his wealth and power to become an awakened being, has repeatedly disappeared and reappeared, emerging each time in a different form and to different ends. A Storied Sage traces this transformation of concepts of the Buddha, from Japan’s ancient period in the eighth century to the end of the Meiji period in the early twentieth century. Micah L. Auerback follows the changing fortune of the Buddha through the novel uses for the Buddha’s story in high and low culture alike, often outside of the confines of the Buddhist establishment. Auerback argues for the Buddha’s continuing relevance during Japan’s early modern period and links the later Buddhist tradition in Japan to its roots on the Asian continent. Additionally, he examines the afterlife of the Buddha in hagiographic literature, demonstrating that the late Japanese Buddha, far from fading into a ghost of his former self, instead underwent an important reincarnation. Challenging many established assumptions about Buddhism and its evolution in Japan, A Storied Sage is a vital contribution to the larger discussion of religion and secularization in modernity. “The point where this study blossoms with voluminous detail is when developments in historiography made biographies of the Buddha controversial in the early modern era . . . Auerback’s coverage of these debates is exceedingly thorough.” —Journal of Japanese Studies
Author: John S. Harding
Publisher: Peter Lang
ISBN: 9781433101403
Category : Foreign Language Study
Languages : en
Pages : 176
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Book Description
The remarkable group of Japanese Buddhists who traveled to Chicago's Columbian Exposition to participate in the 1893 World's Parliament of Religions combined religious aspirations with nationalist ambitions. Their portrayal of Buddhism mirrored modern reforms in Meiji, Japan, and the historical context of cultural competition on display at the 1893 World's Fair. Japan's primary exhibit, the Hō-ō, or phoenix, Pavilion, provided an impressive display of traditional culture as well as apt symbolism: for Japan's modern rise to prominence, for Buddhist renewal succeeding devastating Meiji persecution, for Mahāyāna revitalization following withering attacks of Western critics, and for Chicago's own resurrection from the ashes of the Great Fire. This book examines the Japanese delegates' portrayal of Mahāyāna Buddhism as authentically ancient, pragmatically modern, scientifically consistent, and universally salvific. The Japanese delegates were active, and relatively successful agents who seized the opportunity of the 1893 forum to further their own objectives of promoting Japan and its Buddhism to the West, repairing negative evaluations of the «great vehicle» of Buddhism, differentiating Japanese Buddhism from the Buddhism of other countries, distinguishing their tradition as the evolutionary culmination of all religions, and shaping modern Buddhism in Asia and the West.
Author: Fabio Rambelli
Publisher: Bloomsbury Publishing
ISBN: 1350062871
Category : Religion
Languages : en
Pages : 296
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Book Description
The Sea and the Sacred in Japan is the first book to focus on the role of the sea in Japanese religions. While many leading Shinto deities tend to be understood today as unrelated to the sea, and mountains are considered the privileged sites of sacredness, this book provides new ways to understand Japanese religious culture and history. Scholars from North America, Japan and Europe explore the sea and the sacred in relation to history, culture, politics, geography, worldviews and cosmology, space and borders, and ritual practices and doctrines. Examples include Japanese indigenous conceptualizations of the sea from the Middle Ages to the 20th century; ancient sea myths and rituals; sea deities and sea cults; the role of the sea in Buddhist cosmology; and the international dimension of Japanese Buddhism and its maritime imaginary.
Author: Kevin Gray Carr
Publisher: University of Hawaii Press
ISBN: 0824865723
Category : History
Languages : en
Pages : 262
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Book Description
Plotting the Prince traces the development of conceptual maps of the world created through the telling of stories about Prince Shōtoku (573?–622?), an eminent statesman who is credited with founding Buddhism in Japan. It analyzes his place in the sacred landscape and the material relics of the cult of personality dedicated to him, focusing on the art created from the tenth to fourteenth centuries. The book asks not only who Shōtoku was, but also how images of his life served the needs of devotees in early medieval Japan. Even today Shōtoku evokes images of a half-real, half-mythical figure who embodied the highest political, social, and religious ideals. Taking up his story about four centuries after his death, this study traces the genesis and progression of Shōtoku’s sacred personas in art to illustrate their connection to major religious centers such as Shitenno-ji and Hōryū-ji. It argues that mapping and storytelling are sister acts—both structuring the world in subtle but compelling ways—that combined in visual narratives of Shōtoku’s life to shape conceptions of religious legitimacy, communal history, and sacred geography. Plotting the Prince introduces much new material and presents provocative interpretations that call upon art historians to rethink fundamental conceptions of narrative and cultic imagery. It offers social and political historians a textured look at the creation of communal identities on both local and state levels, scholars of religion a substantially new way of understanding key developments in doctrine and practice, and those studying the past in general a clear instance of visual hagiography taking precedence over the textual tradition.
Author: Laura Hostetler
Publisher: BRILL
ISBN: 9004684786
Category : History
Languages : en
Pages : 429
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Book Description
How did Asia come to be represented on European World maps? When and how did Asian Countries adopt a continental system for understanding the world? How did countries with disparate mapping traditions come to share a basic understanding and vision of the globe? This series of essays organized into sections on Jesuit Circuits of Communication and Publication; Jesuit World Maps in Chinese; Reverberations of Matteo Ricci's Maps in East Asia; and Reflections on the Curation of Cartographic Knowledge, go a long way toward answering these questions about the shaping of our modern understandings of the world.
Author: Samer Akkach
Publisher: BRILL
ISBN: 9004687386
Category : Art
Languages : en
Pages : 414
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Book Description
Numinous Fields has its roots in a phenomenological understanding of perception. It seeks to understand what, beyond the mere sensory data they provide, landscape, nature, and art, both separately and jointly, may mean when we experience them. It focuses on actual or potential experiences of the numinous, or sacred, that such encounters may give rise to. This volume is multi-disciplinary in scope. It examines perceptions of place, space, nature, and art as well as perceptions of place, space, and nature in art. It includes chapters written by art curators, and historians and scholars in the fields of landscape, architecture, cultural geography, religious studies, philosophy, and art. Its chapters examine ideas, objects, and practices from the ancient time of Aboriginal Australians’ Dreaming through to the present. The volume is also multi-cultural in scope and includes chapters focussed on manifestations of the sacred in indigenous culture, in cultures influenced by each of the world’s major religions, and in the secular, contemporary world. Foreword by Jeff Malpas Contributors: Samer Akkach, James Bennett, Veronica della Dora, Alasdair Forbes, Virginia Hooker, Philip Jones, Russell Kelty, Muchammadun,Tracey Lock, Ellen Philpott-Teo, John Powell, Rebekah Pryor, Wendy Shaw.
Author: Mario Cams
Publisher: University of Hawaii Press
ISBN: 0824895053
Category : History
Languages : en
Pages : 329
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Book Description
When European missionaries arrived in East Asia in the sixteenth century, they entered ongoing conversations about cosmology and world geography. Soon after, intellectuals in Ming China, Edo Japan, and Joseon Korea selectively encompassed elements of the late Renaissance worldview, leading to the creation of new artifacts that mitigated old and new knowledge in creative ways. Simultaneously, missionaries and their collaborators transcribed, replicated, and recombined from East Asian artifacts and informed European audiences about the newly discovered lands known as the “Far East.” All these new artifacts enjoyed long afterlives that ensured the continuous remapping of the world in the following decades and centuries. Focusing on artifacts, this expansively illustrated volume tells the story of a meeting of worldviews. Tracing the connections emanating from each artifact, the authors illuminate how every map, globe, or book was shaped by the intellectual, social, and material cultures of East Asia, while connecting multiple global centers of learning and print culture. Crossing both historical and historiographical boundaries reveals how this series of artifacts embody a continuous and globally connected process of mapping the world, rather than a grand encounter between East and West. As such, this book rewrites the narrative surrounding the so-called “Ricci Maps,” which assumes that one Jesuit missionary brought scientific cartography to East Asia by translating and adapting a Renaissance world map. It argues for a revision of that narrative by emphasizing process and connectivity, displacing the European missionary and “his map” as central actors that supposedly bridged a formidable civilizational divide between Europe and China. Rather than a single map authored by a European missionary, a series of materially different artifacts were created as a result of discussions between the Jesuit Matteo Ricci and his Chinese contacts during the last decades of Ming rule. Each of these gave rise to the production of new artifacts that embodied broader intellectual conversations. By presenting eleven original chapters by Asian, European, and American scholars, this work covers an extensive range of artifacts and crosses boundaries between China, Japan, Korea, and the global pathways that connected them to the other end of the Eurasian landmass.
Author: Joshua Schlachet
Publisher: Taylor & Francis
ISBN: 1040050107
Category : History
Languages : en
Pages : 277
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Book Description
Interdisciplinary Edo brings together scholars from across the methodological spectrum to explore new approaches to innovative humanistic research on early modern Japan (1603–1868). It makes an intervention in the field by thinking across conventional disciplinary boundaries toward a holistic and cohesive approach to Japan’s early modern period. By taking historical, religious, literary, and art historical analyses into account, the contributors hope to begin a new, transdisciplinary conversation on political formation, social interaction, and cultural proliferation under the “Great Peace” of the Tokugawa regime. This book comprises 14 essays by specialists of history, literature, religious studies, and art history. Major topics include Edo-period Japan’s cultural, intellectual, and economic connections to the early modern world; environmental humanities and material culture; popular culture and aesthetics; and the question of how contemporary academic demarcation lines impact the current study of Tokugawa Japan. Individual essays range in scale from individual paintings and works of prose fiction to the tectonic plates underlying the Yamashiro basin and span topics from overseas medicinal exchange and premodern cartography to the history of intoxication. Interdisciplinary Edo will be of immediate interest to all scholars focusing on the early modern period, as well as to researchers studying other periods of Japanese studies. As part of an ongoing and inclusive process of pluralizing and deprovincializing global conceptions of early modernity, this book will contribute to historiographical interventions outside Japan studies as well.
