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Author: Kenneth R. Bartlett
Publisher: Hackett Publishing Company
ISBN: 9781624668180
Category : HISTORY
Languages : en
Pages : 0
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Book Description
"The Italian Renaissance has come to occupy an almost mythical place in the imaginations of those who appreciate history, art, or remarkable personalities. This book will reinforce the contention that individuals with access to wealth and power can have a profound influence. They matter. And this explains why the Italian Renaissance is often perceived as elitist. Those who commissioned the works of art, often those who produced them, and many of those who appreciated them were privileged, educated, influential members of the Renaissance "one percent." This is meant in no way to denigrate modern interest in the poor and the marginalized, but merely to say that the enduring ideas and artifacts of the Renaissance arose from a highly-rarefied world of sophisticated talent and thought galvanized by individual curiosity and accomplished with practiced skill. And so it is that this book will be an exploration of the Italian Renaissance guided by particular moments and men - and a few remarkable women. It will be a large canvas with broad strokes intended to be seen at a distance for the dynamic sweep of its narrative of ideas and creative genius."
Author: Kenneth R. Bartlett
Publisher: Hackett Publishing Company
ISBN: 9781624668180
Category : HISTORY
Languages : en
Pages : 0
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Book Description
"The Italian Renaissance has come to occupy an almost mythical place in the imaginations of those who appreciate history, art, or remarkable personalities. This book will reinforce the contention that individuals with access to wealth and power can have a profound influence. They matter. And this explains why the Italian Renaissance is often perceived as elitist. Those who commissioned the works of art, often those who produced them, and many of those who appreciated them were privileged, educated, influential members of the Renaissance "one percent." This is meant in no way to denigrate modern interest in the poor and the marginalized, but merely to say that the enduring ideas and artifacts of the Renaissance arose from a highly-rarefied world of sophisticated talent and thought galvanized by individual curiosity and accomplished with practiced skill. And so it is that this book will be an exploration of the Italian Renaissance guided by particular moments and men - and a few remarkable women. It will be a large canvas with broad strokes intended to be seen at a distance for the dynamic sweep of its narrative of ideas and creative genius."
Author: Ita Mac Carthy
Publisher: Princeton University Press
ISBN: 0691175489
Category : Art
Languages : en
Pages : 262
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Book Description
"This book explores grace as a complex idea and term that at once expresses and connects the most pressing ethical, social, and aesthetic debates of the Italian Renaissance. Grace surfaced time and again in the period's discussions of the individual pursuit of the good life and in the collective quest to determine the best means to a harmonious society. It rose to prominence in theological debates about the soul's salvation and in secular debates about how best to live at court. It was absolutely central to the thinking of Reformation figures such as Erasmus and Luther, and just as central to the Counter-Reformation response. It played a pivotal role in the humanist campaign to develop a shared literary language and it featured prominently in the efforts of writers and artists to express the full potential of mankind. Grace abounded in the Italian Renaissance, yet it was as hard to define as it was ever-present. The courtier and writer, Baldassare Castiglione, for example, described it as that 'certain air' which distinguished excellent courtiers and court ladies from their mediocre counterparts, while his artist friend, Raffaello Sanzio (Raphael), saw it as that quality produced when one conceals the hard work and effort of art behind a veil of nonchalance and ease. This classically-inspired grace was used by many as a way of claiming distinction for themselves and of arguing for the pre-eminence of their chosen disciplines, but it drew criticism too from those who saw it as self-interested and superficial. Quarrels about the meaning and value of grace involved theologians, artists, writers and philosophers and intersected with the most famous debates of the time about language, society and the role of literature and the visual arts. As well as shedding light on what grace meant to those who invoked it, this book aims to trace the interdisciplinary transactions that the word made possible. Each chapter combines consideration of pivotal texts and images with interdisciplinary approaches, examining what grace meant to protagonists of the Italian Renaissance and exploring the correspondence, whether direct or indirect, between them. What emerges is a network of friendships, rivalries, agreements and disputes: a sketch of the interconnections that made the Italian Renaissance"--
Author: Peter Crack
Publisher: Flame Tree Illustrated
ISBN: 9781839641886
Category : Art
Languages : en
Pages : 0
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Book Description
The Renaissance of the 14th–16th centuries was, and forever will be, one of the most pivotal periods in the development of Western art. Its roots spread wide and deep, and much social and intellectual revitalization had begun before this revered time, but the renewed interest in ancient Greek and Roman texts and the development of expanding trade, which brought greater wealth, meant that classical and humanist thought combined with lavish patronage resulted in major breakthroughs across all spheres of human endeavour – art, architecture, music, literature, science, philosophy and more. And, while it spread across Europe, it was Italy that was to be its crucible. With 2020 marking the 500th anniversary of the death of Raphael, one of the stars of the Renaissance, this sumptuous book celebrates the prolific output of this era. From the radical perspective of Giotto di Bondone (1267–1337), breaking out of the Middles Ages, to the giants of the High Renaissance: Leonardo da Vinci, Michelangelo and Raphael, and many more, the reader will delight in the fascinating insights offered by the text accompanied by lush reproductions.
Author: Kenneth R. Bartlett
Publisher: University of Toronto Press
ISBN: 1442600144
Category : Art
Languages : en
Pages : 402
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Book Description
Award-winning lecturer Kenneth R. Bartlett applies his decades of experience teaching the Italian Renaissance to this beautifully illustrated overview. In his introductory Note to the Reader, Bartlett first explains why he chose Jacob Burckhardt's classic narrative to guide students through the complex history of the Renaissance and then provides his own contemporary interpretation of that narrative. Over seventy color illustrations, genealogies of important Renaissance families, eight maps, a list of popes, a timeline of events, a bibliography, and an index are included.
Author: Robert Sabatino Lopez
Publisher: University of Virginia Press
ISBN:
Category : Renaissance
Languages : en
Pages : 146
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Book Description
Mr. Lopez reinterprets the civilization of the High Renaissance in Italy as a dramatic succession of three ages: Youth, 1454-1494; Maturity, 1494-1527; Decline, 1527-1559. In the first period, political and economic stabilization brings forth a mood of confident expectation which expresses itself in literature, art, and philosophy, all reaching for a goal of "self-centered aesthetic harmony." In the second period, a series of foreign invasions shatters the political and economic well-being of the Indian elite but does not slow down the artistic and literary drive. Whether in hope or in sorrow, in response to shock or in escape from reality, the Renaissance attains its glorious climax. The third period is torn between conflicting tendencies. The political battle is lost but there is a second economic revival; art and literature give out despondent notes but successfully explore new channels; philosophic permissiveness comes to an end but scientific reserach comes into its own. Mr. Lopez's tripartition of an age which is usually described as a single sweep adds depth to the definition of the Italian Renaissance. It is enhanced by his fresh translations of Renaissance poems and by twenty-four illustrations which pick out from the incomparable wealth of Renaissance art a few historically significant works. All the famous names are there, from Lorenzo de'Medici to Ariosto, Machiavelli, and Cardano, from Botticelli to Leonardo, Michelangelo, and Palladio; but one also meets a large number of minor figures and anonymous people in the street. America is discovered; new diseases appear; anti-Semitism reawakens; religious unity is destroyed - these and other events form the backdrop. The sparkling narration is thoroughly grounded in contemporary sources.
Author: Paula Kay Lazrus
Publisher: UNC Press Books
ISBN: 1469653400
Category : History
Languages : en
Pages : 147
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Book Description
Building the Italian Renaissance focuses on the competition to select a team to execute the final architectural challenge of the cathedral of Santa Maria del Fiore--the erection of its dome. Although the model for the dome was widely known, the question of how this was to be accomplished was the great challenge of the age. This dome would be the largest ever built. This is foremost a technical challenge but it is also a philosophical one. The project takes place at an important time for Florence. The city is transitioning from a High Medieval world view into the new dynamics and ideas and will lead to the full flowering of what we know as the Renaissance. Thus the competition at the heart of this game plays out against the background of new ideas about citizenship, aesthetics, history (and its application to the present), and new technology. The central challenge is to expose players to complex and multifaceted situations and to individuals that animated life in Florence in the early 1400s. Humanism as a guiding philosophy is taking root and scholars are looking for ways to link the mercantile city to the glories of Rome and to the wisdom of the ancients across many fields. The aesthetics of the classical world (buildings, plastic arts and intellectual pursuits) inspired wonder, perhaps even envy, but the new approaches to the past by scholars such as Petrarch suggested that perhaps the creative classes are not simply crafts people, but men of ideas. Three teams compete for the honor to construct the dome, a project overseen by the Arte Della Lana (wool workers guild) and judged by them and a group of Florentine citizens who are merchants, aristocrats, learned men, and laborers. Their goal is to make the case for the building to live up to the ideals of Florence. The game gives students a chance to enter into the world of Florence in the early 1400s to develop an understanding of the challenges and complexity of such a major artistic and technical undertaking while providing an opportunity to grasp the interdisciplinary nature of major public works.
Author: Paul F. Grendler
Publisher: JHU Press
ISBN: 9780801880551
Category : Education
Languages : en
Pages : 622
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Book Description
Winner of the Howard R. Marraro Prize for Italian History from the American Historical AssociationSelected by Choice Magazine as an Outstanding Academic Title for 2003 Italian Renaissance universities were Europe's intellectual leaders in humanistic studies, law, medicine, philosophy, and science. Employing some of the foremost scholars of the time—including Pietro Pomponazzi, Andreas Vesalius, and Galileo Galilei—the Italian Renaissance university was the prototype of today's research university. This is the first book in any language to offer a comprehensive study of this most influential institution. In this magisterial study, noted scholar Paul F. Grendler offers a detailed and authoritative account of the universities of Renaissance Italy. Beginning with brief narratives of the origins and development of each university, Grendler explores such topics as the number of professors and their distribution by discipline, student enrollment (some estimates are the first attempted), famous faculty members, budget and salaries, and relations with civil authority. He discusses the timetable of lectures, student living, foreign students, the road to the doctorate, and the impact of the Counter Reformation. He shows in detail how humanism changed research and teaching, producing the medical Renaissance of anatomy and medical botany, new approaches to Aristotle, and mathematical innovation. Universities responded by creating new professorships and suppressing older ones. The book concludes with the decline of Italian universities, as internal abuses and external threats—including increased student violence and competition from religious schools—ended Italy's educational leadership in the seventeenth century.
Author: Angela Nuovo
Publisher: BRILL
ISBN: 9004208496
Category : History
Languages : en
Pages : 492
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Book Description
This work offers the first English-language survey of the book industry in Renaissance Italy. Whereas traditional accounts of the book in the Renaissance celebrate authors and literary achievement, this study examines the nuts and bolts of a rapidly expanding trade that built on existing economic practices while developing new mechanisms in response to political and religious realities. Approaching the book trade from the perspective of its publishers and booksellers, this archive-based account ranges across family ambitions and warehouse fires to publishers' petitions and convivial bookshop conversation. In the process it constructs a nuanced picture of trading networks, production, and the distribution and sale of printed books, a profitable but capricious commodity. Originally published in Italian as Il commercio librario nell’Italia del Rinascimento (Milan: Franco Angeli, 1998; second, revised ed., 2003), this present English translation has not only been updated but has also been deeply revised and augmented.
Author: Jill Kraye
Publisher: Cambridge University Press
ISBN: 9780521436243
Category : History
Languages : en
Pages : 350
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Book Description
From the fourteenth to the seventeenth century, humanism played a key role in European culture. Beginning as a movement based on the recovery, interpretation and imitation of ancient Greek and Roman texts and the archaeological study of the physical remains of antiquity, humanism turned into a dynamic cultural programme, influencing almost every facet of Renaissance intellectual life. The fourteen essays in this 1996 volume deal with all aspects of the movement, from language learning to the development of science, from the effect of humanism on biblical study to its influence on art, from its Italian origins to its manifestations in the literature of More, Sidney and Shakespeare. A detailed biographical index, and a guide to further reading, are provided. Overall, The Cambridge Companion to Renaissance Humanism provides a comprehensive introduction to a major movement in the culture of early modern Europe.
Author: Paolo Galluzzi
Publisher: Harvard University Press
ISBN: 0674242327
Category : History
Languages : en
Pages : 297
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Book Description
The Renaissance was not just a rebirth of the mind. It was also a new dawn for the machine. When we celebrate the achievements of the Renaissance, we instinctively refer, above all, to its artistic and literary masterpieces. During the fifteenth and sixteenth centuries, however, the Italian peninsula was the stage of a no-less-impressive revival of technical knowledge and practice. In this rich and lavishly illustrated volume, Paolo Galluzzi guides readers through a singularly inventive period, capturing the fusion of artistry and engineering that spurred some of the Renaissance’s greatest technological breakthroughs. Galluzzi traces the emergence of a new and important historical figure: the artist-engineer. In the medieval world, innovators remained anonymous. By the height of the fifteenth century, artist-engineers like Leonardo da Vinci were sought after by powerful patrons, generously remunerated, and exhibited in royal and noble courts. In an age that witnessed continuous wars, the robust expansion of trade and industry, and intense urbanization, these practitioners—with their multiple skills refined in the laboratory that was the Renaissance workshop—became catalysts for change. Renaissance masters were not only astoundingly creative but also championed a new concept of learning, characterized by observation, technical know-how, growing mathematical competence, and prowess at the draftsman’s table. The Italian Renaissance of Machines enriches our appreciation for Taccola, Giovanni Fontana, and other masters of the quattrocento and reveals how da Vinci’s ambitious achievements paved the way for Galileo’s revolutionary mathematical science of mechanics.
