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Author: Mildred Newcomb
Publisher: Ohio State University Press
ISBN: 0814204821
Category : Imagination in literature
Languages : en
Pages : 263
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Book Description
Author: Mildred Newcomb
Publisher: Ohio State University Press
ISBN: 0814204821
Category : Imagination in literature
Languages : en
Pages : 263
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Book Description
Author: A. O. J. Cockshut
Publisher:
ISBN: 9780758177353
Category :
Languages : en
Pages : 192
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Book Description
Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
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Book Description
Author: Ushashi Dasgupta
Publisher: Oxford University Press
ISBN: 0192602942
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
When Dickens was nineteen years old, he wrote a poem for Maria Beadnell, the young woman he wished to marry. The poem imagined Maria as a welcoming landlady offering lodgings to let. Almost forty years later, Dickens died, leaving his final novel unfinished - in its last scene, another landlady sets breakfast down for her enigmatic lodger. These kinds of characters are everywhere in Dickens's writing. Charles Dickens and the Properties of Fiction: The Lodger World explores the significance of tenancy in his fiction. In nineteenth century Britain the vast majority of people rented, rather than owned, their homes. Instead of keeping to themselves, they shared space - renting, lodging, taking lodgers in, or simply living side-by-side in a crowded modern city. Charles Dickens explored both the chaos and the unexpected harmony to be found in rented spaces, the loneliness and sociability, the interactions between cohabitants, the complex gender dynamics at play, and the relationship between space and money. Charles Dickens and the Properties of Fiction demonstrates that a cosy, secluded home life was beyond the reach of most Victorian Londoners, and considers Dickens's nuanced conception of domesticity. Tenancy maintained an enduring hold upon his imagination, giving him new stories to tell and offering him a set of models to think about authorship. He celebrated the fact that unassuming houses brim with narrative potential: comedies, romances, and detective plots take place behind their doors. Charles Dickens and the Properties of Fiction: The Lodger World wedges these doors open.
Author: A. O. J. Cockshut
Publisher: Routledge
ISBN: 1135027692
Category : Literary Collections
Languages : en
Pages : 193
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Book Description
This book describes Charles Dickens as an ordinary man who by being perfectly tuned to the public taste developed into a master of his art. The clue to this paradox lies, in the author’s opinion, in Dickens’ obsession with such topics as money, crowds and prisons which touch the life of everyone. From the deep fears of his childhood they became the main food for his imagination. As his creative mind worried over them, so his art developed. This process provided the driving force behind his work, and is at the root of his greatness as an artist.
Author: A. O. J. Cockshut
Publisher: Routledge
ISBN: 1135027706
Category : Literary Collections
Languages : en
Pages : 208
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Book Description
This book describes Charles Dickens as an ordinary man who by being perfectly tuned to the public taste developed into a master of his art. The clue to this paradox lies, in the author’s opinion, in Dickens’ obsession with such topics as money, crowds and prisons which touch the life of everyone. From the deep fears of his childhood they became the main food for his imagination. As his creative mind worried over them, so his art developed. This process provided the driving force behind his work, and is at the root of his greatness as an artist.
Author: James E. Marlow
Publisher: Susquehanna University Press
ISBN: 9780945636489
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
"Charles Dickens: The Uses of Time clarifies the antinomies that appear in Dickens's attitudes toward the past, present, and future. To do this, author James E. Marlow follows Dickens's personal and literary development through all his novels and many of his letters and journalistic pieces. For example, toward the past Dickens reveals diametrically opposing attitudes. A part of his own childhood was so painful a memory to him that he could not bring himself to tell his wife about it after twenty years of marriage. In his novels he developed a number of ways of dealing with the awful pasts, both personal and national. From denial to anger to acceptance, Dickens tried one method after another. As each failed to relieve his anguish, and even failed to rescue human feelings, he formulated another. This is what Marlow calls Dickens's "dialectic of the past."" "Yet Dickens was also nostalgic about much of the past. He emphasized its softening quality even while trying to disarm its dehumanizing quality. With his characters Dickens discovered the necessity of an engagement with the past that entails accepting the pain as well as the joy. This is its use. The past is abused when the pain or joy is disentangled from the whole and held up as meaning in itself. This act orphans the feelings, petrifying the soul." "What is true of the past is true of the present and future as well. Just as one chapter of the book is devoted to the abuse of the past and another to its uses, a further chapter shows the way Dickens worked through the terrors of the present, dominated by an ideology that the author calls "English cannibalism." Another chapter shows the threat of moral sclerosis through dealing with the future as merely "great expectations." These chapters are paired with chapters that show the joys of the present and future. With each time period there is a dialectical process: Dickens had to work through a stance, discover its deficiencies, and then move on to another stance that promised to provide more human gain, both social and personal, from the past, present, and future. Ultimately, the very existence of three dimensions of time is the solace of man, because while the past, for example, can be used for relief of the present, the present can modify and soften the past. All is fluid, and nothing is ever finished in the process between mind and human events." "In the last chapter Marlow established the kind of material world that Dickens's dialectic of time presupposed. It is a world with moral foundations, and Dickens, like many other Victorians, discovered a plausible, scientific explanation for such a world in Charles Babbage's Ninth Bridgewater Treatise, a book that seeks to harmonize scientific knowledge with moral imperatives. This satisfies Dickens's own project perfectly, for Dickens wished to demonstrate the possibilities of engagements with each dimension of time, within the requirements of social life, that do not annihilate the moral properties necessary for the soul to harmonize with God's universe itself."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438115946
Category : Literary Criticism
Languages : en
Pages : 121
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Book Description
Charles Dickens stands as one of the first great popular novelists. Study his classic works, including David Copperfield and Great Expectations.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438112823
Category : English literature
Languages : en
Pages : 297
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Book Description
Presents a collection of critical essays on Dickens and his works.
Author: Lloyd Jones
Publisher: ReadHowYouWant.com
ISBN: 1459616359
Category : Fiction
Languages : en
Pages : 278
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Book Description
Lloyd Jones' new novel is set mainly in a small village on Bougainville, a country torn apart by civil war. Matilda attends the school set up by Mr Watts, the only white man on the island. By his own admission he's not much of a teacher and proceeds to educate the children by reading them Great Expectations. Matilda falls in love with the novel, strongly identifying with Pip. The promise of the next chapter is what keeps her going; Pip's story protects her from the horror of what is happening around her - helicopters menacing the skies above the village and rebel raids on the ground. When the rebels visit the village searching for any remaining men to join their cause, they discover the name Pip written in the sand and instigate a search for him. When Pip can't be found the soldiers destroy the book. Mr Watts then encourages the children to retell the story from their memories. Then when the rebels invade the village, the teacher tells them a story which lasts seven nights, about a boy named Pip, and a convict . . .
