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Author: Richard Edwards
Publisher: Hong Kong University Press
ISBN: 9888028650
Category : Art
Languages : en
Pages : 465
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Book Description
"Ma Yuan emerges as an artist who captures the reality of season, time, and mood in a dazzlingly abbreviated style that is nonetheless utterly convincing in its rendering of the natural world.---Maxwell K. Hearn Metropolitan Museum of Art ichard Edwards and Ma Yuan have something in common: both are deeply committed to the work of art and the medium of ink painting. And like Ma Yuan's brushwork, Edwards's prose couples formal restraint with expressive power. This book is a major contribution to the literature on the art of ink painting at the Southern Song court.---Robert Sharf University of California, Berkeley Ma Yuan, one of China's best-known artists, was a key figure in the period widely celebrated as the golden era of Chinese landscape painting. The Heart of Ma Yuan offers a careful discussion of Ma Yuan's painting as it emerged within the sophisticated artistic environment of Hangzhou in the late twelfth and early thirteenth centuries. Beautifully illustrated with more than 300 illustrations from leading museums and private collections around the world, the book includes discussions of Ma Yuan's family of six generations of skillful painters, his many patrons, and his distinctive style in engaging Confucian, Taoist and Buddhist genres and his superb landscapes, including animals, flowers, and detailed studies of water. Widely noted for his own keen eye and masterful stylistic analysis, Richard Edwards cultivates the art of looking for a broad readership, from general art lovers to specialists in art history. As a Western scholar exploring the significance of a highly refined Eastern culture, he draws on natural history, poetry, and relevant contemporary writing as well as the work of other artists.
Author: Richard Edwards
Publisher: Hong Kong University Press
ISBN: 9888028650
Category : Art
Languages : en
Pages : 465
Get Book
Book Description
"Ma Yuan emerges as an artist who captures the reality of season, time, and mood in a dazzlingly abbreviated style that is nonetheless utterly convincing in its rendering of the natural world.---Maxwell K. Hearn Metropolitan Museum of Art ichard Edwards and Ma Yuan have something in common: both are deeply committed to the work of art and the medium of ink painting. And like Ma Yuan's brushwork, Edwards's prose couples formal restraint with expressive power. This book is a major contribution to the literature on the art of ink painting at the Southern Song court.---Robert Sharf University of California, Berkeley Ma Yuan, one of China's best-known artists, was a key figure in the period widely celebrated as the golden era of Chinese landscape painting. The Heart of Ma Yuan offers a careful discussion of Ma Yuan's painting as it emerged within the sophisticated artistic environment of Hangzhou in the late twelfth and early thirteenth centuries. Beautifully illustrated with more than 300 illustrations from leading museums and private collections around the world, the book includes discussions of Ma Yuan's family of six generations of skillful painters, his many patrons, and his distinctive style in engaging Confucian, Taoist and Buddhist genres and his superb landscapes, including animals, flowers, and detailed studies of water. Widely noted for his own keen eye and masterful stylistic analysis, Richard Edwards cultivates the art of looking for a broad readership, from general art lovers to specialists in art history. As a Western scholar exploring the significance of a highly refined Eastern culture, he draws on natural history, poetry, and relevant contemporary writing as well as the work of other artists.
Author: Will Gatherer
Publisher: Rowman & Littlefield
ISBN: 1793609020
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
A 2023 Choice Reviews Outstanding Academic Title Ma Yuan: The Chinese Avant-Garde, Metafiction, and Post-Postmodernism in the works of Ma Yuan provides the most comprehensive study to date on one of China’s most influential contemporary authors, Ma Yuan. By engaging in close readings of narratologically complex works of metafiction, the author offers a reappraisal of the role Ma Yuan played within the rise of postmodern fiction within China and offers new interpretive possibilities for the Chinese Avant-Garde movement of the 1980s through demonstrating that rather than being predominantly ‘formalist word games’ or ‘narrative traps’, Ma Yuan’s works of metafiction functioned as Foucauldian ‘heterotopias’ which allowed for the creation of distinctly Post-modern and Post-socialist ‘possible worlds’. This book also analyses Ma Yuan’s recent post-2000 output and in doing so explores the shifting dynamics of literary self-reflexivity and the ‘Post-postmodern’ within the contemporary context of ‘Xi Jinping era modernity’. This book argues that Ma Yuan’s recent works display a distinct movement towards ‘metamodern’ aesthetics alongside a rising anthropocenic awareness and eco-consciousness which offer key insights into the post-postmodern condition within a Chinese context.
Author: Alison Syme
Publisher: Reaktion Books
ISBN: 1780233329
Category : Nature
Languages : en
Pages : 224
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Book Description
Drooping lazily over waterways, shading gardens, guarding hedgerows—the willow tree is a poetically formed plant, but also a practical one. For millennia, the wood of the willow has been used for baskets, furniture, fences, and toys, while finding its place in the watercolors of Monet, Shakespearean tragedies, Hans Christian Andersen, and The Lord of the Rings. Telling the willow’s rich and multilayered tale, Alison Syme explores its presence in literature, art, and human history. Syme examines the manifold practical uses of the tree, discussing the application of its bark in medicines, its production as an energy crop that produces biofuel and charcoal, and its employment for soil stabilization and other environmental protection schemes. But despite all the functional uses of willows, she argues, we must also heed the lessons they teach about living, dying, and enriching our world. Looking at the roles that willows have played in folklore, religion, and art, she parses their connections to grief and joy, toil and play, necessity and ornament. Filled with one hundred images, Willow is a seamless account of the singular place the willow holds in our culture.
Author: Corey Byrnes
Publisher: Columbia University Press
ISBN: 0231547129
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
In 1994, workers broke ground on China’s Three Gorges Dam. By its completion in 2012, the dam had transformed the ecology of the Yangzi River, displaced over a million people, and forever altered a landscape immortalized in centuries of literature and art. The controversial history of the dam is well known; what this book uncovers are its unexpected connections to the cultural traditions it seems to sever. By reconsidering the dam in relation to the aesthetic history of the Three Gorges region over more than two millennia, Fixing Landscape offers radically new ways of thinking about cultural and spatial production in contemporary China. Corey Byrnes argues that this monumental feat of engineering can only be understood by confronting its status as a techno-poetic act, a form of landscaping indebted to both the technical knowledge of engineers and to the poetic legacies of the Gorges as cultural site. Synthesizing methods drawn from premodern, modern, and contemporary Chinese studies, as well as from critical geography, art history, and the environmental humanities, Byrnes offers innovative readings of eighth-century poetry, paintings from the twelfth through twenty-first centuries, contemporary film, nineteenth-century British travelogues, and Chinese and Western maps, among other sources. Fixing Landscape shows that premodern poetry and visual art have something urgent to tell us about a contemporary experiment in spatial production. Poems and paintings may not build dams, but Byrnes argues that the Three Gorges Dam would not exist as we know it without them.
Author: Li Shi
Publisher: DeepLogic
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Li Donghao
Publisher: Sellene Chardou
ISBN: 1304382893
Category : Art
Languages : en
Pages : 2814
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Book Description
Rinrin bell-get up! Rinrin bell-get up! ! " A harsh voice sounded indoors, and a humanoid creature stretched out a hand from the air-conditioned quilt to catch the alarm clock, but the running alarm clock was rolling around the room at the moment, and someone couldn't catch it at all if he didn't get up
Author: Linda Walton
Publisher: Cambridge University Press
ISBN: 1108420680
Category : History
Languages : en
Pages : 433
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Book Description
A highly readable and engaging survey of China's history from the tenth through the mid-fourteenth centuries.
Author: Ye Zhou
Publisher: Cambridge University Press
ISBN: 1108489648
Category : Mathematics
Languages : en
Pages : 611
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Book Description
The first comprehensive reference guide to turbulent mixing driven by Rayleigh-Taylor, Richtmyer-Meshkov and Kelvin-Helmholtz instabilities.
Author: Xiao CongHua
Publisher: Funstory
ISBN: 163666315X
Category : Fiction
Languages : en
Pages : 932
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Book Description
"My mother is dead. My grave will be opened six months later. I was born in her grave. I am a ghost." I was born with a yin constitution and was destined to be a Taoist my whole life. Otherwise, I would definitely not live past the age of thirteen. Don't ask me if there are any ghosts in this world. If you want to see a ghost, burn the paper, write down the name of the dead soul in your blood, and I'll have it come straight to you.
Author:
Publisher: BRILL
ISBN: 9004349375
Category : Art
Languages : en
Pages : 350
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Book Description
Eight studies examine key features of Chinese visual and material cultures, ranging from tombs and ceramics to Buddhist paintings and colophons on calligraphies. The essays connect visual materials to funeral and religious practices, drama, poetry, literati life, travel, and trade.
