The Ends of Allegory PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Ends of Allegory PDF full book. Access full book title The Ends of Allegory by Sayre N. Greenfield. Download full books in PDF and EPUB format.
Author: Sayre N. Greenfield
Publisher: University of Delaware Press
ISBN: 9780874136708
Category : Literary Criticism
Languages : en
Pages : 204
Get Book
Book Description
This book proposes that allegory is not a species of literature but a structure of reading applied to uncomfortable juxtapositions within literary texts. Examples from centuries of response to English Renaissance narrative poetry show not what poems mean but how they may be read and what cultural conditions encourage allegorical or nonallegorical readings. The study also encompasses interpretations of classical verse, biblical parable, Jacobean masque, modern lyric, and television advertising to explore how texts move in and out of the category of allegory.
Author: Sayre N. Greenfield
Publisher: University of Delaware Press
ISBN: 9780874136708
Category : Literary Criticism
Languages : en
Pages : 204
Get Book
Book Description
This book proposes that allegory is not a species of literature but a structure of reading applied to uncomfortable juxtapositions within literary texts. Examples from centuries of response to English Renaissance narrative poetry show not what poems mean but how they may be read and what cultural conditions encourage allegorical or nonallegorical readings. The study also encompasses interpretations of classical verse, biblical parable, Jacobean masque, modern lyric, and television advertising to explore how texts move in and out of the category of allegory.
Author: Milo Sweedler
Publisher: John Hunt Publishing
ISBN: 1785358634
Category : Performing Arts
Languages : en
Pages : 177
Get Book
Book Description
In Allegories of the End of Capitalism, Milo Sweedler examines how filmmakers from six different countries, across four continents, give narrative and audio-visual form to the frustration and anger that burst into public view in 2011, the ongoing class war between the super-rich and the rest of the world's population, and the insurrection that it yet to come. Films examined include Melancholia, Cosmopolis, Suffragette, Django Unchained, Elysium and Snowpiercer. "Allegories of the End of Capitalism ventures beyond the typical ambit of Hollywood Left productions to provide astute readings of six films from around the globe that agitate for revolution.' - Kirk Boyle, co-editor of The Great Recession in Fiction, Film, and Television
Author: Marco Nievergelt
Publisher: Oxford University Press
ISBN: 0192665839
Category : Philosophy
Languages : en
Pages : 577
Get Book
Book Description
In Medieval Allegory as Epistemology, Marco Nievergelt argues that late medieval dream-poetry was able to use the tools of allegorical fiction to explore a set of complex philosophical questions regarding the nature of human knowledge. The focus is on three of the most widely read and influential poems of the later Middle Ages: Jean de Meun's Roman de la Rose; the Pélerinages trilogy of Guillaume de Deguileville; and William Langland's vision of Piers Plowman in its various versions. All three poets grapple with a collection of shared, closely related epistemological problems that emerged in Western Europe during the thirteenth century, in the wake of the reception of the complete body of Aristotle's works on logic and the natural sciences. This study therefore not only examines the intertextual and literary-historical relations linking the work of the three poets, but takes their shared interest in cognition and epistemology as a starting point to assess their wider cultural and intellectual significance in the context of broader developments in late medieval philosophy of mind, knowledge, and language. Vernacular literature more broadly played an extremely important role in lending an enlarged cultural resonance to philosophical ideas developed by scholastic thinkers, but it is also shown that allegorical narrative could prompt philosophical speculation on its own terms, deliberately interrogating the dominance and authority of scholastic discourses and institutions by using first-person fictional narrative as a tool for intellectual speculation.
Author: Cristelle Baskins
Publisher: Routledge
ISBN: 1351568957
Category : Art
Languages : en
Pages : 317
Get Book
Book Description
The first book in over twenty-five years devoted solely to allegory and personification in art history, this anthology complements current literary and cultural studies of allegory. The volume re-examines early modern allegorical imagery in light of crucial material, contextual and methodological questions: how are allegories conceived; for whom; and for what purposes? Contributors consider a wide range of allegorical representations in the visual arts and material culture, of both early modern Europe and the colonial "New World" 1400-1800. Essays included here examine paintings, sculpture, prints, architecture and the spaces of public ritual while discussing the process and theory of interpretation, formation of audiences, reception history, appropriation and censorship. A special focus on the medium of the body in visual allegory unites the volume's diverse materials and methods.
Author: Roger Travis
Publisher: Rowman & Littlefield
ISBN: 9780847696093
Category : Drama
Languages : en
Pages : 262
Get Book
Book Description
In this book, Roger Travis brings together poetics and psychology to study the tragic chorus in Sophocles' Oedipus at Colonus. Beginning from Quintilian's definition of allegory as extended metaphor, Travis argues that in Oedipus at Colonus the chorus of old men forms an allegorical relationship with the aged Oedipus, which depends in turn upon the chorus's own likeness to the Athenian audience. The play relates Oedipus allegorically to the audience through the tragic chorus and transforms Oedipus' relation to the body of his mother Jocasta into a new relation to the land of Attica. Corresponding readings of Aeschylus' Suppliants and Euripides' Bacchea further explore the chorus's role in expressing the relation of the individual to the maternal body. Employing a flexible combination of Lacanian and object-relations psychoanalytic theory, Travis investigates the tragic text's conception of the problems of human existence. The introduction provides a useful survey of the advantages and disadvantages of various psychological approaches to tragedy, making this an important volume for students and scholars alike.
Author: Maureen Quilligan
Publisher: Cornell University Press
ISBN: 1501724487
Category : Literary Criticism
Languages : en
Pages : 312
Get Book
Book Description
This lively and innovative work treats a body of literature not previously regarded as a unified genre. Offering comparative readings of a number of texts that are traditionally called allegories and that cover a wide time span, Maureen Quilligan formulates a vocabulary for talking about the distinctive generic elements they share. The texts she considers range from the twelfth-century De planctu naturae to Pynchon's Gravity's Rainbow, and include such works as Le Roman de la Rose, Langland's Piers Plowman, Hawthorne's Scarlet Letter, Melville's Confidence Man, and Spenser's Faerie Queene. Whether or not readers agree with this book, they will enjoy and profit from it.
Author: Vladimir Brljak
Publisher: Routledge
ISBN: 1000403726
Category : Literary Criticism
Languages : en
Pages : 209
Get Book
Book Description
Allegory Studies: Contemporary Perspectives collects some of the most compelling current work in allegory studies, by an international team of researchers in a range of disciplines and specializations in the humanities and cognitive sciences. The volume tracks the subject across disciplinary, cultural, and period-based divides, from its shadowy origins to its uncertain future, and from the rich variety of its cultural and artistic manifestations to its deep cognitive roots. Allegory is everything we already know it to be: a mode of literary and artistic composition, and a religious as well as secular interpretive practice. As this volume attests, however, it is much more than that—much more than a sum of its parts. Collectively, the phenomena we now subsume under this term comprise a dynamic cultural force which has left a deep imprint on our history, whose full impact we are only beginning to comprehend, and which therefore demands precisely such dedicated cross-disciplinary examination as this book seeks to provide.
Author: Brenda Machosky
Publisher: Fordham Univ Press
ISBN: 0823242846
Category : Literary Criticism
Languages : en
Pages : 273
Get Book
Book Description
Structures of Appearing: Allegory and the Work of Literature is an interdisciplinary study that revises the history of allegory through a phenomenological approach. The book also takes on the history of aesthetics as an ideology that has long subjugated literature (and art generally) to criteria of judgment that are philosophical rather than literary.
Author: Jane K. Brown
Publisher: University of Pennsylvania Press
ISBN: 0812201477
Category : Literary Criticism
Languages : en
Pages : 306
Get Book
Book Description
In an impressively comparative work, Jane K. Brown explores the tension in European drama between allegory and neoclassicism from the sixteenth through the nineteenth century. Imitation of nature is generally thought to triumph over religious allegory in the Elizabethan and French classical theater, a shift attributable to the recovery of Aristotle's Poetics in the Renaissance. But if Aristotle's terminology was rapidly assimilated, Brown demonstrates that change in dramatic practice took place only gradually and partially and that allegory was never fully cast off the stage. The book traces a complex history of neoclassicism in which new allegorical forms flourish and older ones are constantly revitalized. Brown reveals the allegorical survivals in the works of such major figures as Shakespeare, Calderón, Racine, Vondel, Metastasio, Goethe, and Wagner and reads tragedy, comedy, masque, opera, and school drama together rather than as separate developments. Throughout, she draws illuminating parallels to modes of representation in the visual arts. A work of broad interest to scholars, teachers, and students of theatrical form, The Persistence of Allegory presents a fundamental rethinking of the history of European drama.
Author: Nicolette Zeeman
Publisher: Oxford University Press
ISBN: 0192604104
Category : Literary Criticism
Languages : en
Pages : 449
Get Book
Book Description
The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue - in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science - but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. The Arts of Disruption: Allegory and Piers Plowman offers a series of new readings of the allegorical poem Piers Plowman: but it is also a book about allegory. It argues not just that there are distinctively disruptive 'arts' that occur in allegory, but that allegory, because it is interested in the difficulty of making meaning, is itself a disruptive art. The book approaches this topic via the study of five medieval allegorical narrative structures that exploit diegetic conflict and disruption. Although very different, they all bring together contrasting descriptions of spiritual process, in order to develop new understanding and excite moral or devotional change. These five structures are: the paradiastolic 'hypocritical figure' (such as vices masked by being made to look like 'adjacent' virtues), personification debate, violent language and gestures of apophasis, narratives of bodily decline, and grail romance. Each appears in a range of texts, which the book explores, along with other connected materials in medieval rhetoric, logic, grammar, spiritual thought, ethics, medicine, and romance iconography. These allegorical narrative structures appear radically transformed in Piers Plowman, where the poem makes further meaning out of the friction between them. Much of the allegorical work of the poem occurs at the points of their intersection, and within the conceptual gaps that open up between them. Ranging across a wide variety of medieval allegorical texts, the book shows from many perspectives allegory's juxtaposition of the heterogeneous and its questioning of supposed continuities.
