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Author: Gudrun Grabher (ed)
Publisher: Univ of Massachusetts Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 496
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Book Description
HERE FOR THE first time, students of Emily Dickinson can find a single source of accurate, up-to-date information on the poet's life and works, her letters and manuscripts, the cultural climate of her times, her reception and influence, and the current state of Dickinson scholarship. Written by a distinguished group of contributors from the United States and abroad, the twenty-two essays in this volume reflect the many facets of the poet's oeuvre, as well as the principal trends in Dickinson studies. Topics include Richard Sewall on Dickinson's life, Agnieszka Salska on her letters, David Porter on themes (or the lack of them) in the poetry, Judith Farr on Dickinson and the visual arts, and Roland Hagenbuchle on the poet and literary theory. Contributions from newer scholars range from Kerstin Behnke on translation and Martha Ackmann on biography to Marietta Messmer on the poet's critical reception and Paul Crumbley on her dialogic voice. Each essay presents a historical overview of the subject under scrutiny and offers detailed discussion of the most relevant issues. The scholarship is original and exemplary, in some cases providing access to little studied areas (for example, Jonnie Guerra's essay on adaptations of the poems in the arts) and in others providing an overview of hotly debated areas of study (Suzanne Juhasz on new directions in Dickinson study, or Martha Nell Smith on editing the poems). Unlike encyclopedic entries, each essay also reflects the contributor's distinct and at times controversial point of view . As a result, the essays will prove useful not just to beginning students, but also to established scholars looking for a review of areas of Dickinson studieswith which they are less familiar.
Author: Gudrun Grabher (ed)
Publisher: Univ of Massachusetts Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 496
Get Book
Book Description
HERE FOR THE first time, students of Emily Dickinson can find a single source of accurate, up-to-date information on the poet's life and works, her letters and manuscripts, the cultural climate of her times, her reception and influence, and the current state of Dickinson scholarship. Written by a distinguished group of contributors from the United States and abroad, the twenty-two essays in this volume reflect the many facets of the poet's oeuvre, as well as the principal trends in Dickinson studies. Topics include Richard Sewall on Dickinson's life, Agnieszka Salska on her letters, David Porter on themes (or the lack of them) in the poetry, Judith Farr on Dickinson and the visual arts, and Roland Hagenbuchle on the poet and literary theory. Contributions from newer scholars range from Kerstin Behnke on translation and Martha Ackmann on biography to Marietta Messmer on the poet's critical reception and Paul Crumbley on her dialogic voice. Each essay presents a historical overview of the subject under scrutiny and offers detailed discussion of the most relevant issues. The scholarship is original and exemplary, in some cases providing access to little studied areas (for example, Jonnie Guerra's essay on adaptations of the poems in the arts) and in others providing an overview of hotly debated areas of study (Suzanne Juhasz on new directions in Dickinson study, or Martha Nell Smith on editing the poems). Unlike encyclopedic entries, each essay also reflects the contributor's distinct and at times controversial point of view . As a result, the essays will prove useful not just to beginning students, but also to established scholars looking for a review of areas of Dickinson studieswith which they are less familiar.
Author: Martha Nell Smith
Publisher: University of Texas Press
ISBN: 0292787545
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Emily Dickinson wrote a "letter to the world" and left it lying in her drawer more than a century ago. This widely admired epistle was her poems, which were never conventionally published in book form during her lifetime. Since the posthumous discovery of her work, general readers and literary scholars alike have puzzled over this paradox of wanting to communicate widely and yet apparently refusing to publish. In this pathbreaking study, Martha Nell Smith unravels the paradox by boldly recasting two of the oldest and still most frequently asked questions about Emily Dickinson: Why didn't she publish more poems while she was alive? and Who was her most important contemporary audience? Regarding the question of publication, Smith urges a reconception of the act of publication itself. She argues that Dickinson did publish her work in letters and in forty manuscript books that circulated among a cultured network of correspondents, most important of whom was her sister-in-law, Susan Huntington Gilbert Dickinson. Rather than considering this material unpublished because unprinted, Smith views its alternative publication as a conscious strategy on the poet's part, a daring poetic experiment that also included Dickinson's unusual punctuation, line breaks, stanza divisions, calligraphic orthography, and bookmaking—all the characteristics that later editors tried to standardize or eliminate in preparing the poems for printing. Dickinson's relationship with her most important reader, Sue Dickinson, has also been lost or distorted by multiple levels of censorship, Smith finds. Emphasizing the poet-sustaining aspects of the passionate bonds between the two women, Smith shows that their relationship was both textual and sexual. Based on study of the actual holograph poems, Smith reveals the extent of Sue Dickinson's collaboration in the production of poems, most notably "Safe in Their Alabaster Chambers." This finding will surely challenge the popular conception of the isolated, withdrawn Emily Dickinson. Well-versed in poststructuralist, feminist, and new textual criticism, Rowing in Eden uncovers the process by which the conventional portrait of Emily Dickinson was drawn and offers readers a chance to go back to original letters and poems and look at the poet and her work through new eyes. It will be of great interest to a wide audience in literary and feminist studies.
Author: Cristanne Miller
Publisher: Oxford University Press
ISBN: 0198833938
Category : Literary Criticism
Languages : en
Pages : 657
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Book Description
"Includes new historical research that provides the most thorough nineteenth-century contextualization of Dickinson in relation to religion, race, gender, sexuality, age, class, ecology, and place, and historically grounded contexts for thinking about publication, media, education, and reading practices. Features original interpretations of Dickinson's compositional practices, reception, and influence including chapters on translations of Dickinson's work into visual arts, musical composition, international cultural practices, popular culture, and other languages. Considers Dickinson's composition and circulation of poems, her environmental ecology, her responses to the Civil War, and her relation to publishing and media." --
Author: Domhnall Mitchell
Publisher:
ISBN: 9781558497764
Category : Community life in literature
Languages : en
Pages : 0
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Book Description
Emily Dickinson has often been pictured as a sensitive but isolated poet--someone who published very little in her lifetime and limited herself to lyrics, considered to be the kind of poems most removed from social and political life. In recent years, scholars have challenged that view, and this book extends the discussion in valuable new directions. Domhnall Mitchell begins by focusing on three historical phenomena--the railroad, the Dickinson homestead, and horticulture--and argues that poems about trains, home, and flowers engage with thei meanings in ways that extend beyond the confines of the aesthetic. He shows how Dickinson's poems and letters reveal the full complexity of her position as a woman situated within a larger social and economic class. In the second half of the book, Mitchell considers the ideological, textual, and editorial implications of Dickinson's strategic privatization of her art. He relates the particular forms of her manuscripts' appearance, distribution, and collation to aspects of her social as well as her literary consciousness. In a chapter that is certain to provoke debate, he explores what it means to read individual poems and letters in manuscript versions rather than in printed editions. By paying close attention to textual evidence, he makes the case that various features of the manuscripts are actually matters of accident or immediate convenience rather than the visual markers of a new aestheic principle. Mitchell closes by using the theories of Mikhail Bakhtin to explore the contradictions of a "private" poetry that engages verbally in multiple areas of nineteenth-century life and discourse. By attending to the contemporaneous particularities of recurrent words and images, he demonstrates that Dickinson could stay at home and still be at home in history, too.
Author: Cristanne Miller
Publisher: Univ of Massachusetts Press
ISBN: 1558499512
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
This book provides new information about Emily Dickinson as a writer and new ways of situating this poet in relation to nineteenth-century literary culture, examining how we read her poetry and how she was reading the poetry of her own day. Cristanne Miller argues both that Dickinson's poetry is formally far closer to the verse of her day than generally imagined and that Dickinson wrote, circulated, and retained poems differently before and after 1865. Many current conceptions of Dickinson are based on her late poetic practice. Such conceptions, Miller contends, are inaccurate for the time when she wrote the great majority of her poems. Before 1865, Dickinson at least ambivalently considered publication, circulated relatively few poems, and saved almost everything she wrote in organized booklets. After this date, she wrote far fewer poems, circulated many poems without retaining them, and took less interest in formally preserving her work. Yet, Miller argues, even when circulating relatively few poems, Dickinson was vitally engaged with the literary and political culture of her day and, in effect, wrote to her contemporaries. Unlike previous accounts placing Dickinson in her era, Reading in Time demonstrates the extent to which formal properties of her poems borrow from the short-lined verse she read in schoolbooks, periodicals, and single-authored volumes. Miller presents Dickinson's writing in relation to contemporary experiments with the lyric, the ballad, and free verse, explores her responses to American Orientalism, presents the dramatic lyric as one of her preferred modes for responding to the Civil War, and gives us new ways to understand the patterns of her composition and practice of poetry.
Author: Frederick Hills Hitchcock
Publisher:
ISBN:
Category : Amherst (Mass.)
Languages : en
Pages : 214
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Book Description
Author: Sister Mary James Power
Publisher: Biblo & Tannen Publishers
ISBN: 9780819602664
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
Author: Emily 1830-1886 Dickinson
Publisher: Wentworth Press
ISBN: 9781360657677
Category : History
Languages : en
Pages : 218
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Martha Nell Smith
Publisher: John Wiley & Sons
ISBN: 9781118492161
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
This companion to America?s greatest woman poet showcases the diversity and excellence that characterize the thriving field of Dickinson studies. Covers biographical approaches of Dickinson, the historical, political and cultural contexts of her work, and its critical reception over the years Considers issues relating to the different formats in which Dickinson?s lyrics have been published ? manuscript, print, halftone and digital facsimile Provides incisive interventions into current critical discussions, as well as opening up fresh areas of critical inquiry Features new work being done in the critique of nineteenth-century American poetry generally, as well as new work being done in Dickinson studies Designed to be used alongside the Dickinson Electronic Archives, an online resource developed over the past ten years
Author: Sharon Leiter
Publisher: Infobase Publishing
ISBN: 1438108435
Category : Poets, American
Languages : en
Pages : 465
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Book Description
Critical Companion to Emily Dickinson is an encyclopedic guide to the life and works of Emily Dickinson, one of the most famous and widely studied American poets of the 19th century.
