The Early Black-figured Pottery of Attika in Context (ca. 630 to 570 B.C.) PDF Download
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Author: Alexandra-Fani Alexandridou
Publisher:
ISBN:
Category : Attikē (Greece)
Languages : en
Pages : 0
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Book Description
Author: Alexandra-Fani Alexandridou
Publisher:
ISBN:
Category : Attikē (Greece)
Languages : en
Pages : 0
Get Book
Book Description
Author: Alexandra Alexandridou
Publisher: BRILL
ISBN: 900419231X
Category : Art
Languages : en
Pages : 323
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Book Description
Based on the archaeological context of the vessels, this book offers an overview of the production and distribution of early Attic black-figured pottery until the end of the first quarter of the sixth century B.C., aiming at an afresh approach to early Archaic Attika.
Author: Alexandra Alexandridou
Publisher: BRILL
ISBN: 9004186042
Category : Art
Languages : en
Pages : 324
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Book Description
Based on the archaeological context of the vessels, this book offers an overview of the production and distribution of early Attic black-figured pottery until the end of the first quarter of the sixth century B.C., aiming at an afresh approach to early Archaic Attika.
Author: Nathan T. Arrington
Publisher: Princeton University Press
ISBN: 0691222665
Category : History
Languages : en
Pages : 342
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Book Description
How the interactions of non-elites influenced Athenian material culture and society The seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves. Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in unexpected directions. Network thinking provides a way to conceive of this mobility, which generated a style of pottery that was heterogeneous and dynamic. Although the elite had power, they were unable to agree on the norms of conspicuous consumption and status display. A range of social actors used objects, contributing to cultural change and to the socially mediated production of meaning. Historiography and the analysis of evidence from a wide range of contexts—cemeteries, sanctuaries, workshops, and symposia—offers the possibility to step outside the aesthetic frameworks imposed by classical Greek masterpieces and to expand the canon of Greek art. Highlighting the results of new excavations and looking at the interactions of people with material culture, Athens at the Margins provocatively shifts perspectives on Greek art and its relationship to the eastern Mediterranean.
Author: Floris van den Eijnde
Publisher: BRILL
ISBN: 9004356738
Category : History
Languages : en
Pages : 398
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Book Description
Exploring a wide array of commensal practices, Feasting and Polis Institutions shows how feasts defined religious and political institutions in the Greek polis from the Early Iron Age to the Imperial Period.
Author: Tyler Jo Smith
Publisher: University of Pennsylvania Press
ISBN: 0812252810
Category : Art
Languages : en
Pages : 480
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Book Description
"An examination of the combined subjects of ancient Greek art and religion, dealing with festivals, performance, rites of passage, and the archaeology of death, to name a few examples, to explore the visual, material, and textual dimensions of ancient Greek religion"--
Author: Carrie L. Sulosky Weaver
Publisher: University Press of Florida
ISBN: 0813055547
Category : Social Science
Languages : en
Pages : 365
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Book Description
Choice Outstanding Academic Title Sicily was among one of the first areas settled during the Greek colonization movement, making its cemeteries a popular area of study for scholars of the classical world. Yet these studies have often considered human remains and burial customs separately. In this seminal work, Carrie Sulosky Weaver synthesizes skeletal, material, and ritual data to reconstruct the burial customs, demographic trends, state of health, and ancestry of Kamarina, a city-state in Sicily. Using evidence from 258 recovered graves from the Passo Marinaro necropolis, Sulosky Weaver suggests that Kamarineans--whose cultural practices were an amalgamation of both Greek and indigenous customs--were closely linked to their counterparts in neighboring Greek cities The orientations of the graves, positions of the bodies, and the types of items buried with the dead--including Greek pottery--demonstrate that Kamarineans were full participants in the mortuary traditions of Sicilian Greeks. Likewise, cranial traits resemble those found among other Sicilian Greeks. Interestingly, evidence of cranial surgery, magic, and necrophobic activities also appeared in Passo Marinaro graves--another example of how Greek culture influenced the city. An overabundance of young adult skeletal remains, combined with the presence of cranial trauma and a variety of pathological conditions, indicates the Kamarineans may have been exposed to one or more disruptive events, such as prolonged wars and epidemic outbreaks. Despite the tumultuous nature of the times, the resulting portrait reveals that Kamarina was a place where individuals of diverse ethnicities and ancestries were united in life and death by shared culture and funerary practices.
Author: ROBIN. OSBORNE
Publisher: Oxford University Press
ISBN: 0197644422
Category : History
Languages : en
Pages : 457
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Book Description
This book introduces the history and archaeology of ancient Athens in the period from 800-500 BCE. Following the standard arrangement of the Oxford History of the Archaic Greek World series, author Robin Osborne deals successively with the sources; environmental setting; material culture (settlement pattern, burial customs, ceramic production); political, legal, and diplomatic history; economy and demography; social and religious customs; and cultural history (including history of sculpture) of archaic Athens. He provides not only a full and up-to-date guide to all these various aspects of Athenian history and archaeology, but also an integrated history which shows how all the different aspects intersect. Osborne guides the reader through an exciting story of the way in which the territory of Attica was re-occupied after the collapse of Bronze Age civilization, how Athens emerged as the dominant settlement, how the claims of family, place, and wealth were played out against one another, and how the Athenians came to place themselves both in relation to the wider Greek world and in relation to the gods. The account is illustrated with abundant maps and halftone images that bring the world of Athens to life. The political and cultural achievements of classical Athens (democracy, tragedy, the Parthenon and its sculpture) rested upon the foundations created in the archaic period, but Osborne shows that archaic Athens did not merely provide foundations for what came later but offered a fascinating history and culture of its own.
Author: Xenia Charalambidou
Publisher: Archaeopress Publishing Ltd
ISBN: 1784915734
Category : Social Science
Languages : en
Pages : 470
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Book Description
This book has its origin in a conference held at the British School at Athens in 2011 which aimed to explore the range of new archaeological information now available for the seventh century in Greek lands.
Author: Andreas P. Antonopoulos
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311072524X
Category : Literary Criticism
Languages : en
Pages : 967
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Book Description
The origins of satyr drama, and particularly the reliability of the account in Aristotle, remains contested, and several of this volume’s contributions try to make sense of the early relationship of satyr drama to dithyramb and attempt to place satyr drama in the pre-Classical performance space and traditions. What is not contested is the relationship of satyr drama to tragedy as a required cap to the Attic trilogy. Here, however, how Aeschylus, Sophocles, and Euripides (to whom one complete play and the preponderance of the surviving fragments belong) envisioned the relationship of satyr drama to tragedy in plot, structure, setting, stage action and language is a complex subject tackled by several contributors. The playful satyr chorus and the drunken senility of Silenos have always suggested some links to comedy and later to Atellan farce and phlyax. Those links are best examined through language, passages in later Greek and Roman writers, and in art. The purpose of this volume is probe as many themes and connections of satyr drama with other literary genres, as well as other art forms, putting satyr drama on stage from the sixth century BC through the second century AD. The editors and contributors suggest solutions to some of the controversies, but the volume shows as much that the field of study is vibrant and deserves fuller attention.
