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Author: Robert E. Bjork
Publisher: Routledge
ISBN: 1134980213
Category : Literary Criticism
Languages : en
Pages : 383
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Book Description
The Cynewulf Reader is a collection of classic and original essays presenting a comprehensive view of the elusive Anglo-Saxon poet Cynewulf, his language, and his work.
Author: Robert E. Bjork
Publisher: Routledge
ISBN: 1134980213
Category : Literary Criticism
Languages : en
Pages : 383
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Book Description
The Cynewulf Reader is a collection of classic and original essays presenting a comprehensive view of the elusive Anglo-Saxon poet Cynewulf, his language, and his work.
Author: Robert E. Bjork
Publisher: Routledge
ISBN: 1134980280
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
The Cynewulf Reader is a collection of classic and original essays presenting a comprehensive view of the elusive Anglo-Saxon poet Cynewulf, his language, and his work.
Author: Robert E. Bjork
Publisher: Psychology Press
ISBN: 9780815317586
Category : Literary Collections
Languages : en
Pages : 394
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Book Description
Two original essays and 16 published since 1950 offer a comprehensive view of Cynewulf, his language, and his poetry. The collection contains important new statements on dates, provenance, and canon by R.D. Fulk and Patrick W. Conner, four influential essays that thoroughly explore Cynewulf's runic signature and poetic style, and major contributions to our understanding of the four signed poems of Cynewulf, "Fates of the Apostles, Christ II, Juliana, and Elene." Three essays are devoted to each of these poems, and the essays themselves exemplify a broad range of approaches to this highly elusive Anglo-Saxon poet. Representative essays include J.E. Cross, "Cynewulf's Traditions about the Apostles in The Fates of the Apostles," George Hardin Brown, "The Descent-Ascent Motif in "Christ II" of Cynewulf," Donald G. Bzdyl, "Juliana: Cynewulf's Dispeller of Delusion," Catharine A. Regan, "Evangelicism as the Informing Principle of Cynewulf's "Elene,"" and Dolores Warwick Frese, "The Art of Cynewulf's Runic Signatures." The volume complements existing book-length treatments of the subject and will be welcome to scholars and students who need the foundations of Cynewulf scholarship at their fingertips. Index.
Author: Thomas Birkett
Publisher: Taylor & Francis
ISBN: 1317070992
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
Reading the Runes in Old English and Old Norse Poetry is the first book-length study to compare responses to runic heritage in the literature of Anglo-Saxon England and medieval Iceland. The Anglo-Saxon runic script had already become the preserve of antiquarians at the time the majority of Old English poetry was written down, and the Icelanders recording the mythology associated with the script were at some remove from the centres of runic practice in medieval Scandinavia. Both literary cultures thus inherited knowledge of the runic system and the traditions associated with it, but viewed this literate past from the vantage point of a developed manuscript culture. There has, as yet, been no comprehensive study of poetic responses to this scriptural heritage, which include episodes in such canonical texts as Beowulf, the Old English riddles and the poems of the Poetic Edda. By analysing the inflection of the script through shared literary traditions, this study enhances our understanding of the burgeoning of literary self-awareness in early medieval vernacular poetry and the construction of cultural memory, and furthers our understanding of the relationship between Anglo-Saxon and Norse textual cultures. The introduction sets out in detail the rationale for examining runes in poetry as a literary motif and surveys the relevant critical debates. The body of the volume is comprised of five linked case studies of runes in poetry, viewing these representations through the paradigm of scriptural reconstruction and the validation of contemporary literary, historical and religious sensibilities.
Author: Albert Stanburrough Cook
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 144
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Book Description
Author: Richard Marsden
Publisher: Cambridge University Press
ISBN: 110705530X
Category : Literary Criticism
Languages : en
Pages : 615
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Book Description
This groundbreaking reader of Old English prose and verse has been extensively revised for the second edition.
Author: David Scott Kastan
Publisher:
ISBN: 0195169212
Category : Literary Collections
Languages : en
Pages : 2648
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Book Description
A comprehensive reference presents over five hundred full essays on authors and a variety of topics, including censorship, genre, patronage, and dictionaries.
Author: Samantha Zacher
Publisher: University of Toronto Press
ISBN: 1442659610
Category : Literary Criticism
Languages : en
Pages : 464
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Book Description
The late tenth-century Vercelli Book (Vercelli, Biblioteca Capitolare CXVII) contains one of the earliest surviving collections of homilies and poetry in the English language. The manuscript's combination of poetry and homiletic prose has generated intense scholarly debate, and there is no consensus concerning the original purpose of the compiler. New Readings in the Vercelli Book addresses central questions concerning the manuscript's intended use, mode of compilation, and purpose, and offers a variety of approaches on such topics as orthography, style, genre, theme, and source-study. The contributors include some of the foremost Vercelli experts, as well as the two most recent editors of the homilies. The remarkable essays in this volume offer the first sustained literary analysis of both the poetry and prose texts of the Vercelli Book, providing important new perspectives on a dynamic and valuable historical document.
Author: Cynewulf
Publisher: Palala Press
ISBN: 9781342692153
Category :
Languages : en
Pages : 184
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Victoria Symons
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110492776
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
This book presents the first comprehensive study of Anglo-Saxon manuscript texts containing runic letters. To date there has been no comprehensive study of these works in a single volume, although the need for such an examination has long been recognized. This is in spite of a growing academic interest in the mise-en-page of early medieval manuscripts. The texts discussed in this study include Old English riddles and elegies, the Cynewulfian poems, charms, Solomon and Saturn I, and the Old English Rune Poem. The focus of the discussion is on the literary analysis of these texts in their palaeographic and runological contexts. Anglo-Saxon authors and scribes did not, of course, operate within a vacuum, and so these primary texts are considered alongside relevant epigraphic inscriptions, physical objects, and historical documents. Victoria Symons argues that all of these runic works are in various ways thematically focused on acts of writing, visual communication, and the nature of the written word. The conclusion that emerges over the course of the book is that, when encountered in the context of Anglo-Saxon manuscripts, runic letters consistently represent the written word in a way that Roman letters do not.
