The Christian cottager's triumph in sickness and death; or, The power of divine grace exemplified. Selected from The Cottager's monthly visitor PDF Download
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Author: Henry Clissold
Publisher:
ISBN:
Category :
Languages : en
Pages : 184
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Author: Henry Clissold
Publisher:
ISBN:
Category :
Languages : en
Pages : 184
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Author: Henry CLISSOLD
Publisher:
ISBN:
Category :
Languages : en
Pages : 182
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Author: Thomas de Quincey
Publisher: Gottfried & Fritz
ISBN:
Category :
Languages : en
Pages :
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A book about opium usage and the effects of addiction on the authors life.
Author: Mary Shelley
Publisher:
ISBN: 9781096424833
Category :
Languages : en
Pages : 204
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Carefully edited for modern readers to allow for easier reading Obsessed with the secret of creation, Swiss scientist Dr. Victor Frankenstein cobbles together a body he's determined to bring to life. And one fateful night, he does. When the creature opens his eyes, the doctor is repulsed: his vision of perfection is, in fact, a hideous monster. Dr. Frankenstein abandons his creation, but the monster won't be ignored, setting in motion a chain of violence and terror that shadows Victor to his death. Mary Shelley's Frankenstein, a gripping story about the ethics of creation and the consequences of trauma, is one of the most influential Gothic novels in British literature. It is as relevant today as it is haunting.
Author: Herbert Spencer
Publisher:
ISBN:
Category : Social evolution
Languages : en
Pages : 552
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Author: Charlotte Mary Yonge
Publisher: ReadHowYouWant.com
ISBN:
Category : Europe
Languages : en
Pages : 276
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Author: Thomas De Quincey
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 222
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The Suspiria is a collection of prose poems, or what De Quincey called “impassioned prose,” erratically written and published starting in 1854. Each Suspiria is a short essay written in reflection of the opium dreams De Quincey would experience over the course of his lifetime addiction, and they are considered by some critics to be some of the finest examples of prose poetry in all of English literature. De Quincey originally planned them as a sequel of sorts to his Confessions of an English Opium-Eater, but the first set was published separately in Blackwood’s Magazine in the spring and summer of that 1854. De Quincey then published a revised version of those first Suspiria, along with several new ones, in his collected works. During his life he kept a master list of titles of the Suspiria he planned on writing, and completed several more before his death; those that survived time and fire were published posthumously in 1891.
Author: Robert G. Beghetto
Publisher: Ubiquity Press
ISBN: 1914481135
Category : Performing Arts
Languages : en
Pages : 220
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This book examines the transformation of the figure of the stranger in the literature of the modern age in terms of liminality. As a ‘spectral monster’ that has a paradoxical and liminal relationship to both the sacred and the secular, the figure of the modern stranger has played a role in both adapting and shaping a culturally determined understanding of the self and the other. With the advent of modernity, the stranger, the monster, and the spectre became interconnected. Haunting the edges of reason while also being absorbed into ‘normal’ society, all three, together with the cyborg, manifest the vulnerability of an age that is fearful of the return of the repressed. Yet these figures can also become re-appropriated as positive symbols, able to navigate between the dangerous and chaotic elements that threaten society while serving as precarious and ironic symbols of hope or sustainability. The book shows the explanatory potential of focusing on the resacralizing – in a paradoxical and liminal manner – of traditionally sacred concepts such as ‘messianic’ time and the ‘utopian,’ and the conflicts that emerged as a result of secularized modernity’s denial of its own hybridization. This approach to modern literature shows how the modern stranger, a figure that is both paradoxically immersed and removed from society, deals with the dangers of failing to be re-assimilated into mainstream society and is caught in a fixed or permanent state of liminality, a state that can ultimately lead to boredom, alienation, nihilism, and failure. These ‘monstrous’ aspects of liminality can also be rewarding in that traversing difficult and paradoxical avenues they confront both traditional and contemporary viewpoints, enabling new and fresh perspectives suspended between imagination and reality, past and future, nature and artificial. In many ways, the modern stranger as a figure of literature and the cultural imagination has become more complicated and challenging in the (post)modern contemporary age, both clashing with and encompassing people who go beyond simply the psychological or even spiritual inability to blend in and out of society. However, while the stranger may be altering once again the defining or essentializing the figure could result in the creation of other sets of binaries, and thereby dissolve the purpose and productiveness of both strangeness and liminality. The intention of “Monstrous Liminality” is to trace the liminal sphere located between the secular and sacred that has characterized modernity itself. This space has consequently altered the makeup of the stranger from something external, into a figure far more liminal, which is forced to traverse this uncanny space in an attempt to find new meanings for an age that is struggling to maintain any.
Author: George Eliot
Publisher: Library of Alexandria
ISBN: 1465558632
Category : Literary Collections
Languages : en
Pages : 476
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PREFACE. Since the death of George Eliot much public curiosity has been excited by the repeated allusions to, and quotations from, her contributions to periodical literature, and a leading newspaper gives expression to a general wish when it says that “this series of striking essays ought to be collected and reprinted, both because of substantive worth and because of the light they throw on the author’s literary canons and predilections.” In fact, the articles which were published anonymously in The Westminster Review have been so pointedly designated by the editor, and the biographical sketch in the “Famous Women” series is so emphatic in its praise of them, and so copious in its extracts from one and the least important one of them, that the publication of all the Review and magazine articles of the renowned novelist, without abridgment or alteration, would seem but an act of fair play to her fame, while at the same time a compliance with a reasonable public demand. Nor are these first steps in her wonderful intellectual progress any the less, but are all the more noteworthy, for being first steps. “To ignore this stage,” says the author of the valuable little volume to which we have just referred—“to ignore this stage in George Eliot’s mental development would be to lose one of the connecting links in her history.” Furthermore,“nothing in her fictions excels the style of these papers.” Here is all her“epigrammatic felicity,” and an irony not surpassed by Heine himself, while her paper on the poet Young is one of her wittiest bits of critical analysis. Her translation of Status’s “Life of Jesus” was published in 1840, and her translation of Feuerbach’s “Essence of Christianity” in 1854. Her translation of Spinoza’s “Ethics” was finished the same year, but remains unpublished. She was associate editor of The Westminster Reviewfrom 1851 to 1853. She was about twenty-seven years of age when her first translation appeared, thirty-three when the first of these magazine articles appeared, thirty-eight at the publication of her first story, and fifty-nine when she finished “Theophrastus Such.” Two years after she died, at the age of sixty-one. So that George Eliot’s literary life covered a period of about thirty-two years.
Author: Ellen Gould Harmon White
Publisher:
ISBN: 9781934308004
Category : Devotional calendars
Languages : en
Pages : 383
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