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Author: Karen J. Leong
Publisher: Univ of California Press
ISBN: 9780520938632
Category : History
Languages : en
Pages : 262
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Book Description
Throughout the history of the United States, images of China have populated the American imagination. Always in flux, these images shift rapidly, as they did during the early decades of the twentieth century. In this erudite and original study, Karen J. Leong explores the gendering of American orientalism during the 1930s and 1940s. Focusing on three women who were popularly and publicly associated with China—Pearl S. Buck, Anna May Wong, and Mayling Soong—Leong shows how each negotiated what it meant to be American, Chinese American, and Chinese against the backdrop of changes in the United States as a national community and as an international power. The China Mystique illustrates how each of these women encountered the possibilities as well as the limitations of transnational status in attempting to shape her own opportunities. During these two decades, each woman enjoyed expanding visibility due to an increasingly global mass culture, rising nationalism in Asia, the emergence of the United States from the shadows of imperialism to world power, and the more assertive participation of women in civic and consumer culture.
Author: Karen J. Leong
Publisher: Univ of California Press
ISBN: 9780520938632
Category : History
Languages : en
Pages : 262
Get Book
Book Description
Throughout the history of the United States, images of China have populated the American imagination. Always in flux, these images shift rapidly, as they did during the early decades of the twentieth century. In this erudite and original study, Karen J. Leong explores the gendering of American orientalism during the 1930s and 1940s. Focusing on three women who were popularly and publicly associated with China—Pearl S. Buck, Anna May Wong, and Mayling Soong—Leong shows how each negotiated what it meant to be American, Chinese American, and Chinese against the backdrop of changes in the United States as a national community and as an international power. The China Mystique illustrates how each of these women encountered the possibilities as well as the limitations of transnational status in attempting to shape her own opportunities. During these two decades, each woman enjoyed expanding visibility due to an increasingly global mass culture, rising nationalism in Asia, the emergence of the United States from the shadows of imperialism to world power, and the more assertive participation of women in civic and consumer culture.
Author: Karen J. Leong
Publisher: Univ of California Press
ISBN: 0520244230
Category : History
Languages : en
Pages : 262
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Book Description
Focusing on three women, Pearl S. Buck, Anna May Wong & Mayling Soong, this book studies the shifting images of China in American culture, particularly during the 1930s & 40s.
Author: Karen Janis Leong
Publisher:
ISBN:
Category : China
Languages : en
Pages : 612
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Book Description
Author: Sheridan Prasso
Publisher: PublicAffairs
ISBN: 0786736321
Category : Social Science
Languages : en
Pages : 464
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Book Description
Few Westerners escape the images, expectations and misperceptions that lead us to see Asia as exotic, sensual, decadent, dangerous, and mysterious. Despite — and because of — centuries of East-West interaction, the stereotypes of Western literature, stage, and screen remain pervasive icons: the tea-pouring, submissive, sexually available geisha girl; the steely cold dragon lady dominatrix; as well as the portrayal of the Asian male as effeminate and asexual. These "Oriental" illusions color our relations and relationships in ways even well-respected professional "Asia hands" and scholars don't necessarily see. The Asian Mystique lays out a provocative challenge to see Asia and Asians as they really are, with unclouded, deeroticized eyes. It traces the origins of Western stereotypes in history and in Hollywood, examines the phenomenon of ‘yellow fever,' then goes on a reality tour of Asia's go-go bars, middle-class homes, college campuses, business districts, and corridors of power, providing intimate profiles of women's lives and vivid portraits of the human side of an Asia we usually mythologize too well to really understand. It strips away our misconceptions and stereotypes, revealing instead the fully dimensional human beings beyond our usual perceptions. The Asian Mystique is required reading for anyone with interest in or interaction with Asia or Asian-origin people, as well as any serious student or practicioner of East-West relations.
Author: Jeffrey Richards
Publisher: Bloomsbury Publishing
ISBN: 1786720647
Category : Social Science
Languages : en
Pages : 256
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Book Description
There's a folk memory of China in which numberless yellow hordes pour out of the 'mysterious East' to overwhelm the vulnerable West, accompanied by a stereotype of the Chinese as cruel, cunning and depraved. Hollywood films played their part in perpetuating these myths and stereotypes that constituted 'The Yellow Peril'. Jeffrey Richards examines in detail how and why they did it. He shows how the negative image was embodied in recurrent cinematic depictions of opium dens, tong wars, sadistic dragon ladies and corrupt warlords and how, in the 1930s and 1940s, a countervailing positive image involved the heroic peasants of The Good Earth and Dragon Seed fighting against Japanese invasion in wartime tributes to the West's ally, Nationalist China. The cinema's split level response is also traced through the images of the ultimate Oriental villain, the sinister Dr. Fu Manchu and the timeless Chinese hero, the intelligent and benevolent detective Charlie Chan.Filling a longstanding gap in Cinema and Cultural History, the book is founded in fresh research into Hollywood's shifting representations of China and its people.
Author: Wendi L. Adamek
Publisher: Columbia University Press
ISBN: 0231510020
Category : Religion
Languages : en
Pages : 595
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Book Description
The Mystique of Transmission is a close reading of a late-eighth-century Chan/Zen Buddhist hagiographical work, the Lidai fabao ji (Record of the Dharma-Jewel Through the Generations), and is its first English translation. The text is the only remaining relic of the little-known Bao Tang Chan school of Sichuan, and combines a sectarian history of Buddhism and Chan in China with an account of the eighth-century Chan master Wuzhu in Sichuan. Chinese religions scholar Wendi Adamek compares the Lidai fabao ji with other sources from the fourth through eighth centuries, chronicling changes in the doctrines and practices involved in transmitting medieval Chinese Buddhist teachings. While Adamek is concerned with familiar Chan themes like patriarchal genealogies and the ideology of sudden enlightenment, she also highlights topics that make Lidai fabao ji distinctive: formless practice, the inclusion of female practitioners, the influence of Daoist metaphysics, and connections with early Tibetan Buddhism. The Lidai fabao ji was unearthed in the early twentieth century in the Mogao caves at the Silk Road oasis of Dunhuang in northwestern China. Discovery of the Dunhuang manuscripts has been compared with the discovery of the Dead Sea Scrolls, as these documents have radically changed our understanding of medieval China and Buddhism. A crucial volume for students and scholars, The Mystique of Transmission offers a rare glimpse of a lost world and fills an important gap in the timeline of Chinese and Buddhist history.
Author: Anthony B. Chan
Publisher: Scarecrow Press
ISBN: 1461670411
Category : Performing Arts
Languages : en
Pages : 348
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Book Description
Anna May Wong was an extraordinary Asian American woman who became the country's most famous film actress of Chinese descent. From small parts in silent films to starring roles in Hollywood and across the Atlantic, Wong made an impression on audiences of all persuasions. In Perpetually Cool, Anthony Chan takes the reader on a compelling journey through Wong's early years in Los Angeles and her first Hollywood pictures. Chan also examines the scope and nature of race, gender, and power and their impact on Wong's personal growth as a Chinese American. Perpetually Cool is not only the captivating story of a cinematic career, but also of roots and identity, as it recounts Wong's desire to connect with her heritage in the United States and in China. Chan provides extensive textual analyses of Wong's signature films, especially The Toll of the Sea (1922), The Thief of Bagdad (1924) with Douglas Fairbanks, and her most famous role as Hui Fei in Shanghai Express (1932), opposite Marlene Dietrich. Perpetually Cool is a fitting tribute to the influence of this Chinese American icon.
Author: Helen Hu
Publisher: Hu House Publishing International
ISBN: 1427650780
Category : Diet therapy
Languages : en
Pages : 200
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Book Description
Based on Traditional Chinese Medicine basic theory , to help people to identify own body constitution and current health condition and health problems one’s body is facing and will teach people how to chose natural food therapy specially suitable to you . By combining color, taste, temperature and the energy direction of the natural food compatible with your body constitution, your stage of life, and seasonal changes, you learn to avoid health problems in the future. And it gives brutally honest facts about the natural biological clock of our bodies in regard to many misconstrued “modern concepts” of hormone replacement therapy, vitamin and commercialized body detoxification It is based on Traditional Chinese Medicine. It explains all the 8 types of body constitutions. It also addresses seasonal changes, different life stages and food plans that balance our body.
Author: Carles Prado-Fonts
Publisher: Northwestern University Press
ISBN: 0810144786
Category : Literary Criticism
Languages : en
Pages : 349
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Book Description
This transcultural study of cultural production brings to light the ways Spanish literature imagined China by relying on English- and French-language sources. Carles Prado-Fonts examines how the simultaneous dependence on and obscuring of translation in these cross-cultural representations created the illusion of a homogeneous West. He argues that Orientalism became an instrument of hegemony not only between “the West and the rest” but also within the West itself, where Spanish writers used representations of China to connect themselves to Europe, hone a national voice, or forward ideas of political and cultural modernity. Uncovering an eclectic and surprising archive, Prado-Fonts draws on diverse cultural artifacts from popular literature, journalism, and early cinema to offer a rich account of how China was seen across the West between 1880 and 1930. Enrique Gaspar, Luis de Oteyza, Vicente Blasco Ibáñez, and lesser-known authors writing in Spanish and Catalan put themselves in dialogue with Leo Tolstoy, John Dewey, W. Somerset Maugham, Bertrand Russell, Pearl Buck, and André Malraux, as well as stereotypical figures from popular culture like Fu Manchu and Charlie Chan. Throughout, Prado-Fonts exposes translation as a technology of cultural hegemony and China as an appealing object for representation. A timely contribution to our understanding of how we create and consume knowledge about the world, Secondhand China is essential reading for scholars and students of Orientalism, postcolonial studies, translation studies, comparative literature, and cultural studies.
Author: Zheng Yangwen 鄭揚文
Publisher: Cambridge Scholars Publishing
ISBN: 1443866725
Category : History
Languages : en
Pages : 350
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Book Description
By examining how the Middle Kingdom has been portrayed by foreigners and the Chinese themselves, this volume advances a new perspective in our reading and interpretation of the Chinese past by placing these “producers” and “presenters” of China in the spotlight. The chapters probe how these figures produced or presented the country, cross-examining their backgrounds and circumstances. Their gaze upon the Middle Kingdom was dictated by religious and political conviction, but also particularly by the consumers of that gaze. Like invisible hands, “producers” and “consumers” of China continue to constrain representations of the country, looming larger than the literary, artistic or journalistic works they produce. This volume also addresses scholars of Europe and America who have overlooked what Western writers on China reveal about their own contexts – which is indeed often more than they reveal about their ostensible subject. As such, the Middle Kingdom serves as a convenient mirror to reflect European and American anxieties and ambitions.
