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Author:
Publisher:
ISBN: 9780977978229
Category : Sepulchral monuments
Languages : en
Pages : 79
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Book Description
Author:
Publisher:
ISBN: 9780977978229
Category : Sepulchral monuments
Languages : en
Pages : 79
Get Book
Book Description
Author: Jeffrey Smith
Publisher: Lexington Books
ISBN: 1498529011
Category : History
Languages : en
Pages : 181
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Book Description
When Mount Auburn opened as the first “rural” cemetery in the United States in 1831, it represented a new way for Americans to think about burial sites. It broke with conventional notions about graveyards as places to bury and commemorate the dead. Rather, the founders of Mount Auburn and the spate of similar cemeteries that followed over the next three decades before the Civil War created institutions that they envisioned being used by the living in new ways. Cemeteries became places for leisure, communing with nature, and creating a version of collective memory. In fact, these cemeteries reflected changing values and attitudes of Americans spanning much of the nineteenth century. In the process, they became paradoxical: they were “rural” yet urban, natural yet designed, artistic yet industrial, commemorating the dead yet used by the living. The Rural Cemetery Movement: Places of Paradox in Nineteenth-Century America breaks new ground in the history of cemeteries in the nineteenth century. This book examines these “rural” cemeteries modeled after Mount Auburn that were founded between the 1830s and 1850s. As such, it provides a new way of thinking about these spaces and new paradigm for seeing and visiting them. While they fulfilled the sacred function of burial, they were first and foremost businesses. The landscape and design, regulation of gravestones, appearance, and rhetoric furthered their role as a business that provided necessary services in cities that went well beyond merely burying bodies. They provided urban green spaces and respites from urban life, established institutions where people could craft their roles in collective memory, and served as prototypes for both urban planning and city parks. These cemeteries grew and thrived in the second half of the nineteenth century; for most, the majority of their burials came before 1910. This expansion of cemeteries coincided with profound urban growth in the United States. Unlike their predecessors, founders of these burial grounds intended them to be used in many ways that reflected their views and values about nature, life and death, and relationships. Emphasis on worldly accomplishments increased with industrialization and growth in the United States, which was reflected in changing ways people commemorated their dead during the period under this study. Thus, these cemeteries are a prism through which to understand the values, attitudes, and culture of urban America from mid-century through the Progressive Era.
Author:
Publisher:
ISBN: 9780977978236
Category : Sepulchral monuments
Languages : en
Pages : 79
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Book Description
Author: James R. Cothran
Publisher: Univ of South Carolina Press
ISBN: 1611177995
Category : Gardening
Languages : en
Pages : 485
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Book Description
Growing urban populations prompted major changes in graveyard location, design, and use During the Industrial Revolution people flocked to American cities. Overcrowding in these areas led to packed urban graveyards that were not only unsightly, but were also a source of public health fears. The solution was a revolutionary new type of American burial ground located in the countryside just beyond the city. This rural cemetery movement, which featured beautifully landscaped grounds and sculptural monuments, is documented by James R. Cothran and Erica Danylchak in Grave Landscapes: The Nineteenth-Century Rural Cemetery Movement. The movement began in Boston, where a group of reformers that included members of the Massachusetts Horticultural Society were grappling with the city's mounting burial crisis. Inspired by the naturalistic garden style and melancholy-infused commemorative landscapes that had emerged in Europe, the group established a burial ground outside of Boston on an expansive tract of undulating, wooded land and added meandering roadways, picturesque ponds, ornamental trees and shrubs, and consoling memorials. They named it Mount Auburn and officially dedicated it as a rural cemetery. This groundbreaking endeavor set a powerful precedent that prompted the creation of similarly landscaped rural cemeteries outside of growing cities first in the Northeast, then in the Midwest and South, and later in the West. These burial landscapes became a cultural phenomenon attracting not only mourners seeking solace, but also urbanites seeking relief from the frenetic confines of the city. Rural cemeteries predated America's public parks, and their popularity as picturesque retreats helped propel America's public parks movement. This beautifully illustrated volume features more than 150 historic photographs, stereographs, postcards, engravings, maps, and contemporary images that illuminate the inspiration for rural cemeteries, their physical evolution, and the nature of the landscapes they inspired. Extended profiles of twenty-four rural cemeteries reveal the cursive design features of this distinctive landscape type prior to the American Civil War and its evolution afterward. Grave Landscapes details rural cemetery design characteristics to facilitate their identification and preservation and places rural cemeteries into the broader context of American landscape design to encourage appreciation of their broader influence on the design of public spaces.
Author: James R. Cothran
Publisher:
ISBN: 9781611177985
Category : Architecture
Languages : en
Pages : 0
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Book Description
Growing urban populations prompted major changes in graveyard location, design, and use During the Industrial Revolution people flocked to American cities. Overcrowding in these areas led to packed urban graveyards that were not only unsightly, but were also a source of public health fears. The solution was a revolutionary new type of American burial ground located in the countryside just beyond the city. This rural cemetery movement, which featured beautifully landscaped grounds and sculptural monuments, is documented by James R. Cothran and Erica Danylchak in Grave Landscapes: The Nineteenth-Century Rural Cemetery Movement. The movement began in Boston, where a group of reformers that included members of the Massachusetts Horticultural Society were grappling with the city's mounting burial crisis. Inspired by the naturalistic garden style and melancholy-infused commemorative landscapes that had emerged in Europe, the group established a burial ground outside of Boston on an expansive tract of undulating, wooded land and added meandering roadways, picturesque ponds, ornamental trees and shrubs, and consoling memorials. They named it Mount Auburn and officially dedicated it as a rural cemetery. This groundbreaking endeavor set a powerful precedent that prompted the creation of similarly landscaped rural cemeteries outside of growing cities first in the Northeast, then in the Midwest and South, and later in the West. These burial landscapes became a cultural phenomenon attracting not only mourners seeking solace, but also urbanites seeking relief from the frenetic confines of the city. Rural cemeteries predated America's public parks, and their popularity as picturesque retreats helped propel America's public parks movement. This beautifully illustrated volume features more than 150 historic photographs, stereographs, postcards, engravings, maps, and contemporary images that illuminate the inspiration for rural cemeteries, their physical evolution, and the nature of the landscapes they inspired. Extended profiles of twenty-four rural cemeteries reveal the cursive design features of this distinctive landscape type prior to the American Civil War and its evolution afterward. Grave Landscapes details rural cemetery design characteristics to facilitate their identification and preservation and places rural cemeteries into the broader context of American landscape design to encourage appreciation of their broader influence on the design of public spaces.
Author: Stephen Kendrick
Publisher: Beacon Press
ISBN: 080706629X
Category : History
Languages : en
Pages : 266
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Book Description
The story of one of the Boston area’s most famous attractions, the Mount Auburn Cemetery, and how its founders and “residents” have influenced American culture When Mount Auburn Cemetery was founded, in 1831, it revolutionized the way Americans mourned the dead by offering a peaceful space for contemplation. This cemetery, located not far from Harvard University, was also a place that reflected and instilled an imperative to preserve and protect nature in a rapidly industrializing culture—lessons that would influence the creation of Central Park, the cemetery at Gettysburg, and the National Parks system. Even today this urban wildlife habitat and nationally recognized hotspot for migratory songbirds continues to connect visitors with nature and serves as a model for sustainable landscape practices. Beyond Mount Auburn’s prescient focus on conservation, it also reflects the impact of Transcendentalism and the progressive spirit in American life seen in advances in science, art, and religion and in social reform movements. In The Lively Place, Stephen Kendrick celebrates this vital piece of our nation’s history, as he tells the story of Mount Auburn’s founding, its legacy, and the many influential Americans interred there, from religious leaders to abolitionists, poets, and reformers.
Author: Meg Greene
Publisher: Twenty-First Century Books
ISBN: 0822534142
Category : Juvenile Nonfiction
Languages : en
Pages : 116
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Book Description
Presents a history of cemeteries in the United States, from early burial grounds to the landcaped designs of the nineteenth century to alternative methods of burial designed for the twenty-first century.
Author: Trudy Irene Scee
Publisher: Down East Books
ISBN: 1608939081
Category : History
Languages : en
Pages : 340
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Book Description
In 1831 a new entity appeared on the American landscape: the garden cemetery. Meant to be places where the living could enjoy peace, tranquility and beauty, as well as to provide a final resting place for the dead, the garden cemeteries would forever change the culture of death and burial in the United States. The ideal cemetery would become one in which ornamental trees, bushes, flowers, and waterways graced the ever more artistic (for those who could afford them) monuments to the dead. Previous to the 1830s, the deceased were buried in church lots, in small and soon overcrowded public lots, and even, occasionally in backyards and fields. Graves were often untended, weeds and decay soon took over, and the frequently used wooden grave markers rotted away. Some turned to a movement emerging in Europe, in which horticulture was starting to become a factor in cemetery planning, at a time in which cemetery planning itself was a novel idea. New England was the first region in America to take up the new ideals. The first such cemetery, Mt. Auburn, opened in Cambridge, Massachusetts, in 1831, and Mount Hope Cemetery, in Bangor, Maine, followed in 1834. Today, these cemeteries are both beautiful places to visit and important historical sites. The author takes readers on a historical tour of eighteen of the Northeast's garden cemeteries, exploring the landscape architecture, the stunning beauty, and delving into the rich history of both the sites and of those who are buried there.
Author: Cynthia Mills
Publisher: Smithsonian Institution
ISBN: 1935623389
Category : Art
Languages : en
Pages : 242
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Book Description
Beyond Grief explores high-style funerary sculptures and their functions during the turn of the twentieth century. Many scholars have overlooked these monuments, viewing them as mere oddities, a part of an individual artist's oeuvre, a detail of a patron's biography, or local civic cemetery history. This volume considers them in terms of their wider context and shifting use as objects of consolation, power, and multisensory mystery and wonder. Art historian Cynthia Mills traces the stories of four families who memorialized their losses through sculpture. Henry Brooks Adams commissioned perhaps the most famous American cemetery monument of all, the Adams Memorial in Washington, D.C. The bronze figure was designed by Augustus Saint-Gaudens, who became the nation’s foremost sculptor. Another innovative bronze monument featured the Milmore brothers, who had worked together as sculptors in the Boston area. Artist Frank Duveneck composed a recumbent portrait of his wife following her early death in Paris; in Rome, the aging William Wetmore Story made an angel of grief his last work as a symbol of his sheer desolation after his wife’s death. Through these incredible monuments Mills explores questions like: Why did new forms--many of them now produced in bronze rather than stone and placed in architectural settings--arise just at this time, and how did they mesh or clash with the sensibilities of their era? Why was there a gap between the intention of these elite patrons and artists, whose lives were often intertwined in a closed circle, and the way some public audiences received them through the filter of the mass media? Beyond Grief traces the monuments' creation, influence, and reception in the hope that they will help us to understand the larger story: how survivors used cemetery memorials as a vehicle to mourn and remember, and how their meaning changed over time.
Author: Greg Melville
Publisher: Abrams
ISBN: 1647003040
Category : History
Languages : en
Pages : 335
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Book Description
Journalist Greg Melville’s Over My Dead Body isan “astonishing . . . fascinating . . . powerful” (New York Times Book Review) tour through the history of US cemeteries that explores how, where, and why we bury our dead. “You hold in your hands a treasure map, a gentle, sly, and poignant presence leading us to places in America and in our lives that have been hiding in plain sight. This tale is about cemeteries, but it’s really about how beautiful is life.” —#1 New York Times bestselling author Doug Stanton The summer before his senior year in college, Greg Melville worked at the cemetery in his hometown, and thanks to hour upon hour of pushing a mower over the grassy acres, he came to realize what a rich story the place told of his town and its history. Thus was born Melville’s lifelong curiosity with how, where, and why we bury and commemorate our dead. Melville’s Over My Dead Body is a lively (pun intended) and wide-ranging history of cemeteries, places that have mirrored the passing eras in history but also have shaped it. Cemeteries have given birth to landscape architecture and famous parks, as well as influenced architectural styles. They’ve inspired and motivated some of our greatest poets and authors—Emerson, Whitman, Dickinson. They’ve been used as political tools to shift the country’s discourse and as important symbols of the United States’ ambition and reach. But they are changing and fading. Embalming and burial is incredibly toxic, and while cremations have just recently surpassed burials in popularity, they’re not great for the environment either. Over My Dead Body explores everything about cemeteries—history, sustainability, land use, and more—and what it really means to memorialize. Includes Black-and-White Photographs Locales visited in Over My Dead Body Shawsheen Cemetery – Bedford, Massachusetts; the 1607 burial ground – Historic Jamestowne, Virginia; Burial Hill – Plymouth, Massachusetts; Colonial Jewish Burial Ground – Newport, Rhode Island; Monticello’s African American graveyard – Charlottesville, Virginia; Mount Auburn Cemetery – Cambridge, Massachusetts; Green-Wood Cemetery – Brooklyn, New York; Laurel Grove Cemetery – Savannah, Georgia; Sleepy Hollow Cemetery – Concord, Massachusetts; Central Park – New York, New York; Gettysburg National Cemetery – Gettysburg, Pennsylvania; Arlington National Cemetery – Arlington, Virginia; Woodlawn Cemetery – Bronx, New York; Boothill Graveyard – Tombstone, Arizona; Forest Lawn – Glenwood, California; the Chapel of the Chimes – Oakland, California; Hollywood Forever Cemetery – Los Angeles, California; West Laurel Hill’s Nature’s Sanctuary – Philadelphia, Pennsylvania
