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Author: Mark Edward Perugini
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 400
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Book Description
Author: Gerald R. Lishka
Publisher: Indiana University Press
ISBN: 0253063361
Category : Music
Languages : en
Pages : 255
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Book Description
The Art of Ballet Accompaniment: A Comprehensive Guide addresses every imaginable topic and challenge that a ballet accompanist—whether a novice or a more experienced practitioner—might encounter. More than just a facile anthology of accessible music, this inclusive guide details all aspects of playing for ballet, including a complete manual for editing piano literature to accompany ballet technique classes. Author Gerald R. Lishka encourages ballet accompanists to be imaginative, creative, independent artists who can also communicate effectively with dance instructors. In addition, he clarifies the necessary balance between the use of existing musical scores and the art of improvisation. Featuring a new foreword by Kyra Nichols, an expanded section on Lishka's personal philosophy, an updated section on barre from Alison Hennessey, and over 100 music examples, The Art of Ballet Accompaniment offers invaluable advice for all levels of pianists and accompanists.
Author: Anna Paskevska
Publisher: Dance Horizons Book
ISBN:
Category : Music
Languages : en
Pages : 214
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Book Description
A technical and artistic discussion of ballet, focusing on its history, physical requirements, exercises, and training.
Author: Nancy Ellison
Publisher: Universe Publishing(NY)
ISBN:
Category : Ballet
Languages : en
Pages : 280
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Book Description
Provides photographs of members of the American Ballet Theatre demonstrating positions and includes discussion and photographs of classwork, rehearsal, choreography, and major ballets.
Author: Mary Clarke
Publisher: Random House Value Publishing
ISBN: 9780517534540
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Gretchen Ward Warren
Publisher:
ISBN: 9780813014593
Category : Music
Languages : en
Pages : 386
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Book Description
Presents profiles of noted dance teachers along with an analysis of their artistic lineages and techniques.
Author: Mark Edward Perugini
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 400
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Book Description
Author: Gerald R. Lishka
Publisher: Indiana University Press
ISBN: 0253063353
Category : Music
Languages : en
Pages : 214
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Book Description
The Art of Ballet Accompaniment: A Comprehensive Guide addresses every imaginable topic and challenge that a ballet accompanist—whether a novice or a more experienced practitioner—might encounter. More than just a facile anthology of accessible music, this inclusive guide details all aspects of playing for ballet, including a complete manual for editing piano literature to accompany ballet technique classes. Author Gerald R. Lishka encourages ballet accompanists to be imaginative, creative, independent artists who can also communicate effectively with dance instructors. In addition, he clarifies the necessary balance between the use of existing musical scores and the art of improvisation. Featuring a new foreword by Kyra Nichols, an expanded section on Lishka's personal philosophy, an updated section on barre from Alison Hennessey, and over 100 music examples, The Art of Ballet Accompaniment offers invaluable advice for all levels of pianists and accompanists.
Author: Mark Edward Perugini
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 339
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Book Description
Author: Kenneth Laws
Publisher: Oxford University Press
ISBN: 9780198033080
Category : Music
Languages : en
Pages : 264
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Book Description
Written by a physicist with professional dance training, Physics and the Art of Dance explains how dancers can achieve better, safer performances through an understanding of physics in motion. Using simple, non-technical terms, Kenneth Laws combines his knowledge of both physics and dance to describe how the laws of gravity, momentum, and energy affect dancing bodies. The book explores the natural laws that govern the subtleties of balance, the techniques of leaps and pirouettes, and the impressive lifts and turns executed by ballet partners. Finally, Laws offers insight into two current discussions in the dance world--the effect of body size on ballet technique, and the relationship between science and the art of dance. Beautiful, original stop-action photographs by Martha Swope, along with clear diagrams, illustrate the concepts described in the text. Plus, an intriguing "puzzler" at the beginning of each chapter provides an engaging entrée into the topics presented. For those who want a more advanced understanding of the physics, extensive appendices are provided. This new book combines the best features of Laws's widely acclaimed The Physics of Dance and Physics, Dance, and the Pas de Deux by Laws and Cynthia Harvey. Its expert application of the basic principles of physics to the art of dance will be an invaluable resource for dancers and dance instructors and will open a new level of appreciation for lovers of the form. It will also appeal to physicists who seek to include the arts in their scientific pursuits.
Author: Mark Edward Perugini
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 229
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Book Description
Some may possibly wonder to find here no record of Ballet in Italy, or at the Opera Houses of Madrid, Lisbon, Vienna, Buda-Pest, Berlin, Copenhagen, Stockholm, Warsaw, or St. Petersburg, not to speak of the United States and South America. This, however, would be to miss somewhat the author's purpose, which is not to trace the growth of Ballet in every capital where it has been seen. To do so effectively was hardly possible in a single volume. A whole book might well be devoted to the history of the art in Italy alone, herein only touched upon as it came to have a vital influence on France and England in the nineteenth century. We have already had numerous volumes dealing with Russian Ballet; and since the ground has been extensively enough surveyed in that direction there could be no particular advantage in devoting more space to the subject than is already given to it in this work, the purpose of which only is to present—as far as possible from contemporary sources—some leading phases of the history of the modern Art of Ballet as seen more particularly in France and England.
