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Author: John Canemaker
Publisher: Turner Publications Incorporated
ISBN:
Category : Art
Languages : en
Pages : 226
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Book Description
Such as Who Framed Roger Rabbit and The Mask, as well as in television. Although warmly admired as a film genius by colleagues in the industry and adored by the international cartoon cognoscenti, Avery never shared in the tremendous expansion of the animation industry into television or feature films in a studio of his own, nor did he own the licensing/merchandising rights to the cartoon characters he created and brought to vital life. Original storyboards, character.
Author: John Canemaker
Publisher: Turner Publications Incorporated
ISBN:
Category : Art
Languages : en
Pages : 226
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Book Description
Such as Who Framed Roger Rabbit and The Mask, as well as in television. Although warmly admired as a film genius by colleagues in the industry and adored by the international cartoon cognoscenti, Avery never shared in the tremendous expansion of the animation industry into television or feature films in a studio of his own, nor did he own the licensing/merchandising rights to the cartoon characters he created and brought to vital life. Original storyboards, character.
Author: Floriane Place-Verghnes
Publisher: Indiana University Press
ISBN: 9780861966592
Category : Art
Languages : en
Pages : 232
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Book Description
Written by Floriane Place-Verghnes, this is a study of the work of the great animator Tex Avery.
Author: Jeff Lenburg
Publisher: Facts On File
ISBN: 9781604138351
Category : Animators
Languages : en
Pages : 0
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Book Description
Tex Avery, considered the father of screwball animation, was one of the most influential animators of the 1930s, 1940s, and 1950s. Creator of such classic characters as Bugs Bunny, Daffy Duck, and Droopy, he directed many cartoons for Warner Bros., MGM, and Walter Lantz Productions and was nominated for six Academy Awards. Avery did much of his groundbreaking work in Hollywood, running the famous ""Termite Terrace"" animation studio. There, with a team that included fellow innovators Chuck Jones and Bob Clampett, Avery developed an animation style based on the idea that the artist could do anything in a cartoon and didn't need to base it in reality. Although Avery was blind in one eye, he did not let it hold him back. Known for his inventiveness and comic timing, he forged a legacy that influences animators today. Tex Avery illustrates this animation pioneer's life, his inspiration, and his lasting effect on the animation world.
Author: Joe Adamson
Publisher: Da Capo Press
ISBN: 9780306802485
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
As the creator of Bugs Bunny, Daffy Duck, Porky Pig and the director of many of the Looney Tunes cartoons, Tex Avery has had an enormous influence of American animation and comedy. Joe Adamsom guides the reader around Avery's flipped-out universe - surreal, violent and erotic. Through interviews with Avery's gagmen and script writers, together with sensitive analyses of such classics as Kingsize Canary and Red Hot Riding Hood, and with dozens of original sketches and a filmography, the book provides a comprehensive study of an important pioneer of animation.
Author: Martha Sigall
Publisher: Univ. Press of Mississippi
ISBN: 9781578067497
Category : Art
Languages : en
Pages : 268
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Book Description
An insider's account of the wild and wacky teams that created cartoon classics for Warner Bros. and MGM Animation
Author: Chuck Jones
Publisher: Macmillan
ISBN: 9780374526207
Category : Biography & Autobiography
Languages : en
Pages : 316
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Book Description
Academy Award winning animator Chuck Jones looks back on his life and career, and explains how he and his fellow animators created cartoon characters.
Author: Kevin S. Sandler
Publisher: Rutgers University Press
ISBN: 9780813525389
Category : Art
Languages : en
Pages : 292
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Book Description
On cartoon animation
Author: P. Wells
Publisher: Springer
ISBN: 1137027630
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
Animation, Sport and Culture is a wide-ranging study of both sport and animated films. From Goofy to Goalkeepers, Wallace and Gromit to Tiger Woods, Mickey Mouse to Messi, and Nike to Nationhood, this Olympic-sized analysis looks at the history, politics, aesthetics and technologies of sport and animation from around the globe.
Author: Karl F. Cohen
Publisher: McFarland
ISBN: 9780786420322
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Tweety Bird was colored yellow because censors felt the original pink made the bird look nude. Betty Boop's dress was lengthened so that her garter didn't show. And in recent years, a segment of Mighty Mouse was dropped after protest groups claimed the mouse was actually sniffing cocaine, not flower petals. These changes and many others like them have been demanded by official censors or organized groups before the cartoons could be shown in theaters or on television. How the slightly risque gags in some silent cartoons were replaced by rigid standards in the sound film era is the first misadventure covered in this history of censorship in the animation industry. The perpetuation of racial stereotypes in many early cartoons is examined, as are the studios' efforts to stop producing such animation. This is followed by a look at many of the uncensored cartoons, such as Lenny Bruce's Thank You Mask Man and Ralph Bakshi's Fritz the Cat. The censorship of television cartoons is next covered, from the changes made in theatrical releases shown on television to the different standards that apply to small screen animation. The final chapter discusses the many animators who were blacklisted from the industry in the 1950s for alleged sympathies to the Communist Party.
Author: Jonathan Lyons
Publisher: CRC Press
ISBN: 1317679555
Category : Art
Languages : en
Pages : 200
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Book Description
While comedy writers are responsible for creating clever scripts, comedic animators have a much more complicated problem to solve: What makes a physical character funny? Comedy for Animators breaks down the answer by exploring the techniques of those who have used their bodies to make others laugh. Drawing from traditions such as commedia dell’arte, pantomime, Vaudeville, the circus, and silent and modern film, animators will learn not only to create funny characters, but also how to execute gags, create a comic climate, and use environment as a character. Whether you’re creating a comic villain or a bumbling sidekick, this is the one and only guide you need to get your audience laughing! Explanation of comedic archetypes and devices will both inspire and inform your creative choices Exploration of various modes of storytelling allows you to give the right context for your story and characters Tips for creating worlds, scenarios, and casts for your characters to flourish in Companion website includes example videos and further resources to expand your skillset--check it out at www.comedyforanimators.com! Jonathan Lyons delivers simple, fun, illustrated lessons that teach readers to apply the principles of history’s greatest physical comedians to their animated characters. This isn’t stand-up comedy—it’s the falling down and jumping around sort!
