Author: Yusef KomunyakaaPublisher: Macmillan
ISBN: 0374272557
Category : Poetry
Languages : en
Pages : 145
Book Description
A collection of poems in which the Pulitzer Prize-winning author examines and evaluates each of the seven deadly sins.
Talking Dirty to the Gods
Author: Yusef KomunyakaaPublisher: Macmillan
ISBN: 0374272557
Category : Poetry
Languages : en
Pages : 145
Book Description
A collection of poems in which the Pulitzer Prize-winning author examines and evaluates each of the seven deadly sins.
The Giant Book of Poetry
Author: William RoetzheimPublisher: Level4Press Inc
ISBN: 9780976800125
Category : Poetry
Languages : en
Pages : 760
Book Description
Winner or finalist in the 'Best Books' National Book Award Poetry Anthology of the Year; Benjamin Franklin Audio Book of the Year; Foreword Magazine Audio Book of the Year; and the Bill Fisher Award for Best New Fiction. Over 750 pages of poetry spanning from 4,000 BC up to the present day and including a broad cross-section of global poetry. Footnotes for each poem specify each poem's form, define unusual or archaic words, and include notes about interpretation. Multiple indexes, including an index by subject, simplify finding exactly the right poem for any situation. The poems were specifically selected to appeal to readers new to poetry, but even experienced poetry readers will find new and enjoyable poems. The poems from the book are also available on audio CD.
Flashback Through the Heart
Author: Angela M. SalasPublisher: Susquehanna University Press
ISBN: 9781575910826
Category : Literary Criticism
Languages : en
Pages : 198
Book Description
In doing so, the author seeks to convince readers that Komunyakaa has never been solely interested in dealing with the complexities of race in his work, although he does so to stunning effect in such works as Dien Cai Dau, a volume invoking the horrors of the war in Vietnam."--Jacket.
Twentieth-Century and Contemporary American Literature in Context [4 volumes]
![Twentieth-Century and Contemporary American Literature in Context [4 volumes] PDF](https://books.google.com/books/content/images/frontcover/banOEAAAQBAJ?fife=w80-h100)
Author: Linda De RochePublisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 2067
Book Description
This four-volume reference work surveys American literature from the early 20th century to the present day, featuring a diverse range of American works and authors and an expansive selection of primary source materials. Bringing useful and engaging material into the classroom, this four-volume set covers more than a century of American literary history—from 1900 to the present. Twentieth-Century and Contemporary American Literature in Context profiles authors and their works and provides overviews of literary movements and genres through which readers will understand the historical, cultural, and political contexts that have shaped American writing. Twentieth-Century and Contemporary American Literature in Context provides wide coverage of authors, works, genres, and movements that are emblematic of the diversity of modern America. Not only are major literary movements represented, such as the Beats, but this work also highlights the emergence and development of modern Native American literature, African American literature, and other representative groups that showcase the diversity of American letters. A rich selection of primary documents and background material provides indispensable information for student research.
A History of the Literature of the U.S. South: Volume 1
Author: Harilaos StecopoulosPublisher:
ISBN: 1108604625
Category : History
Languages : en
Pages : 470
Book Description
A History of the Literature of the U.S. South provides scholars with a dynamic and heterogeneous examination of southern writing from John Smith to Natasha Trethewey. Eschewing a master narrative limited to predictable authors and titles, the anthology adopts a variegated approach that emphasizes the cultural and political tensions crucial to the making of this regional literature. Certain chapters focus on major white writers (e.g., Thomas Jefferson, William Faulkner, the Agrarians, Cormac McCarthy), but a substantial portion of the work foregrounds the achievements of African American writers like Frederick Douglass, Zora Neale Hurston, and Sarah Wright to address the multiracial and transnational dimensions of this literary formation. Theoretically informed and historically aware, the volume's contributors collectively demonstrate how southern literature constitutes an aesthetic, cultural and political field that richly repays examination from a variety of critical perspectives.
The Undiscovered Country
Author: William LoganPublisher: Columbia University Press
ISBN: 0231509928
Category : Literary Criticism
Languages : en
Pages : 531
Book Description
William Logan has been called both the "preeminent poet-critic of his generation" and the "most hated man in American poetry." For more than a quarter century, in the keen-witted and bare-knuckled reviews that have graced the New York Times Book Review, the Times Literary Supplement (London), and other journals, William Logan has delivered razor-sharp assessments of poets present and past. Logan, whom James Wolcott of Vanity Fair has praised as being "the best poetry critic in America," vividly assays the most memorable and most damning features of a poet's work. While his occasionally harsh judgments have raised some eyebrows and caused their share of controversy (a number of poets have offered to do him bodily harm), his readings offer the fresh and provocative perspectives of a passionate and uncompromising critic, unafraid to separate the tin from the gold. The longer essays in The Undiscovered Country explore a variety of poets who have shaped and shadowed contemporary verse, measuring the critical and textual traditions of Shakespeare's sonnets, Whitman's use of the American vernacular, the mystery of Marianne Moore, and Milton's invention of personality, as well as offering a thorough reconsideration of Robert Lowell and a groundbreaking analysis of Sylvia Plath's relationship to her father. Logan's unsparing "verse chronicles" present a survey of the successes and failures of contemporary verse. Neither a poet's tepid use of language nor lackadaisical ideas nor indulgence in grotesque sentimentality escapes this critic's eye. While railing against the blandness of much of today's poetry (and the critics who trumpet mediocre work), Logan also celebrates Paul Muldoon's high comedy, Anne Carson's quirky originality, Seamus Heaney's backward glances, Czeslaw Milosz's indictment of Polish poetry, and much more. Praise for Logan's previous works: Desperate Measures (2002)"When it comes to separating the serious from the fraudulent, the ambitious from the complacent, Logan has consistently shown us what is wheat and what is chaff.... The criticism we remember is neither savage nor mandarin.... There is no one in his generation more likely to write it than William Logan."—Adam Kirsch, Oxford American Reputations of the Tongue (1999)"Is there today a more stringent, caring reader of American poetry than William Logan? Reputations of the Tongue may, at moments, read harshly. But this edge is one of deeply considered and concerned authority. A poet-critic engages closely with his masters, with his peers, with those whom he regards as falling short. This collection is an adventure of sensibility."—George Steiner "William Logan's critical bedevilments-as well as his celebrations-are indispensable."—Bill Marx, Boston Globe All the Rage (1998)"William Logan's reviews are malpractice suits."—Dennis O'Driscoll, Verse "William Logan is the best practical critic around."—Christian Wiman, Poetry
Into a Light Both Brilliant and Unseen
Author: Malin PereiraPublisher: University of Georgia Press
ISBN: 082033734X
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Malin Pereira's collection of eight interviews with leading contemporary African American poets offers an in-depth look at the cultural and aesthetic perspectives of the post-Black Arts Movement generation. This volume includes unpublished interviews Pereira conducted with Wanda Coleman, Yusef Komunyakaa, Thylias Moss, Harryette Mullen, Cornelius Eady, and Elizabeth Alexander, as well as conversations with Rita Dove and Cyrus Cassells previously in print. Largely published since 1980, each of these poets has at least four books. Their influence on new generations of poets has been wide-reaching. The work of this group, says Pereira, is a departure from the previous generation's proscriptive manifestos in favor of more inclusive voices, perspectives, and techniques. Although these poets reject a rigid adherence to a specific black aesthetic, their work just as effectively probes racism, stereotyping, and racial politics. Unlike Amiri Baraka's claim in "Home" that he becomes blacker and blacker, positioning race as a defining essence, these poets imagine a plurality of ideas about the relationship between blackness and black poetry. They question the idea of an established literary canon defining black literature. For these poets, Pereira says, the idea of "home" is found both in black poetry circles and in the wider transnational community of literature. A Sarah Mills Hodge Foundation Publication.
Southern Crossings
Author: Daniel Cross TurnerPublisher: Univ. of Tennessee Press
ISBN: 1572338946
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
“Daniel Cross Turner has made a key contribution to the critical study and appreciation of the diverse field of contemporary Southern poetics. “Southern Crossings” crosses a gulf in contemporary poetry criticism while using the idea—or ideas, many and contrary—of “Southernness” to appraise poetries created from the profuse, tangled histories of the region. Turner’s close readings are dynamic, even lyrical. He offers a new understanding of rhythm’s central place in contemporary poetry while considering the work of fifteen poets. Through his focus on varied yet interwoven forms of cultural memory, Turner also shows that memory is not, in fact, passé. The way we remember has as much to say about our present as our past: memory is living, shifting, culturally formed and framed. This is a valuable and important book that entwines new visions of poetic forms with forms of regional remembrance and identity.”—Natasha Trethewey, Pulitzer Prize winner and author of Native Guard: Poems Offering new perspectives on a diversity of recent and still-practicing southern poets, from Robert Penn Warren and James Dickey to Betty Adcock, Charles Wright, Yusef Komunyakaa, Natasha Trethewey, and others, this study brilliantly illustrates poetry’s value as a genre well suited to investigating historical conditions and the ways in which they are culturally assimilated and remembered. Daniel Cross Turner sets the stage for his wide-ranging explorations with an introductory discussion of the famous Fugitive poets John Crowe Ransom, Allen Tate, and Donald Davidson and their vision of a “constant southerness” that included an emphasis on community and kinship, remembrance of the Civil War and its glorified pathos of defeat, and a distinctively southern (white) voice. Combining poetic theory with memory studies, he then shows how later poets, with their own unique forms of cultural remembrance, have reimagined and critiqued the idealized view of the South offered by the Fugitives. This more recent work reflects not just trauma and nostalgia but makes equally trenchant uses of the past, including historiophoty (the recording of history through visual images) and countermemory (resistant strains of cultural memory that disrupt official historical accounts). As Turner demonstrates, the range of poetries produced within and about the American South from the 1950s to the present helps us to recalibrate theories of collective remembrance on regional, national, and even transnational levels. With its array of new insights on poets of considerable reputation—six of the writers discussed here have won at least one Pulitzer Prize for poetry—Southern Crossings makes a signal contribution to the study of not only modern poetics and literary theory but also of the U.S. South and its place in the larger world. Daniel Cross Turner is an assistant professor of English at Coastal Carolina University. His articles, which focus on regional definition in national and global contexts and on aesthetic forms’ potential to record historical transitions, appear in edited collections as well as journals including Genre, Mosaic, the Southern Literary Journal, the Southern Quarterly, and the Mississippi Quarterly.
The New York Times Book Reviews 2000
Author: New York Times StaffPublisher: Taylor & Francis
ISBN: 9781579580582
Category : Literary Criticism
Languages : en
Pages : 1284
Book Description
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
Wildness
Author: Gavin Van HornPublisher: University of Chicago Press
ISBN: 022644483X
Category : Nature
Languages : en
Pages : 295
Book Description
Introduction: into the wildness / Gavin Van Horn -- Wisdom of the wild. Wildfire news / Gary Snyder ; Conundrum and continuum: one man's wilderness, from a ditch to the dark divide / Robert Michael Pyle ; No word / Enrique Salmón ; The edge of anomaly / Curt Meine ; Order versus wildness / Joel Salatin ; Biomimicry: business from the wild / Margo Farnsworth ; Notes on "up at the basin" / David J. Rothman -- Working wild. Listening to the forest / Jeff Grignon and Robin Wall Kimmerer ; The working wilderness / Courtney White ; The hummingbird and the redcap / Devon G. Peña ; Losing wildness for the sake of wilderness: the removal of Drakes Bay Oyster Company / Laura Alice Watt ; Inhabiting the Alaskan wild / Margot Higgins ; Wilderness in four parts, or why we cannot mention my great-grandfather's name / Aaron Abeyta -- Urban wild. Wild black margins / Mistinguette Smith ; Healing the urban wild / Gavin Van Horn ; Building the civilized wild / Seth Magle ; Cultivating the wild on Chicago's South Side: stories of people and nature at Eden Place Nature Center / Michael Bryson and Michael Howard ; Toward an urban practice of the wild / John Tallmadge -- Planetary wild. The whiskered god of filth / Rob Dunn ; The akiing ethic: seeking ancestral wildness beyond Aldo Leopold's wilderness / John Hausdoerffer ; On the wild edge in Iceland / Brooke Hecht ; The story isn't over / Julianne Lutz Warren ; Cultivating the wild / Vandana Shiva ; Earth island: prelude to a eutopian history / Wes Jackson ; Epilogue: Wild partnership: a conversation with Roderick Frazier Nash / John Hausdoerffer.
