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Author: David Leatherbarrow
Publisher: MIT Press
ISBN: 9780262621946
Category : Architecture
Languages : en
Pages : 294
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Book Description
A study of the building surface, architecture's primary instrument of identity and engagement with its surroundings. Visually, many contemporary buildings either reflect their systems of production or recollect earlier styles and motifs. This division between production and representation is in some ways an extension of that between modernity and tradition. In this book, David Leatherbarrow and Mohsen Mostafavi explore ways that design can take advantage of production methods such that architecture is neither independent of nor dominated by technology. Leatherbarrow and Mostafavi begin with the theoretical and practical isolation of the building surface as the subject of architectural design. The autonomy of the surface, the "free facade," presumes a distinction between the structural and nonstructural elements of the building, between the frame and the cladding. Once the skin of the building became independent of its structure, it could just as well hang like a curtain, or like clothing. The focus of the relationship between structure and skin is the architectural surface. In tracing the handling of this surface, the authors examine both contemporary buildings and those of the recent past. Architects discussed include Albert Kahn, Ludwig Mies van der Rohe, Alison and Peter Smithson, Alejandro de la Sota, Robert Venturi, Jacques Herzog, and Pierre de Meuron. The properties of a building's surface—whether it is made of concrete, metal, glass, or other materials—are not merely superficial; they construct the spatial effects by which architecture communicates. Through its surfaces a building declares both its autonomy and its participation in its surroundings.
Author: David Leatherbarrow
Publisher: MIT Press
ISBN: 9780262621946
Category : Architecture
Languages : en
Pages : 294
Get Book
Book Description
A study of the building surface, architecture's primary instrument of identity and engagement with its surroundings. Visually, many contemporary buildings either reflect their systems of production or recollect earlier styles and motifs. This division between production and representation is in some ways an extension of that between modernity and tradition. In this book, David Leatherbarrow and Mohsen Mostafavi explore ways that design can take advantage of production methods such that architecture is neither independent of nor dominated by technology. Leatherbarrow and Mostafavi begin with the theoretical and practical isolation of the building surface as the subject of architectural design. The autonomy of the surface, the "free facade," presumes a distinction between the structural and nonstructural elements of the building, between the frame and the cladding. Once the skin of the building became independent of its structure, it could just as well hang like a curtain, or like clothing. The focus of the relationship between structure and skin is the architectural surface. In tracing the handling of this surface, the authors examine both contemporary buildings and those of the recent past. Architects discussed include Albert Kahn, Ludwig Mies van der Rohe, Alison and Peter Smithson, Alejandro de la Sota, Robert Venturi, Jacques Herzog, and Pierre de Meuron. The properties of a building's surface—whether it is made of concrete, metal, glass, or other materials—are not merely superficial; they construct the spatial effects by which architecture communicates. Through its surfaces a building declares both its autonomy and its participation in its surroundings.
Author: Marcio Rodrigues
Publisher: Frontiers Media SA
ISBN: 2889190323
Category :
Languages : en
Pages : 81
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Book Description
Surface components in fungal cells include cell wall molecules and, in certain cases, capsular structures. In pathogens, these components are responsible for key events during interaction with the host. These events include recognition of pathogens by the immune system and generation of damage to host cells and tissues. The molecular nature of surface structures in fungi is vast and may include (glyco)proteins, polysaccharides, lipids and pigments. Many of them have been strictly associated with the antifungal immune response, as well as with steps of fungal adhesion and dissemination during interaction with host cells. For many fungal pathogens, surface composition and architecture are determinant for either disease progression or control. The diversity of the composition of the cell surface and its molecular architecture are believed to include targets for the action of new antifungals, as well as immunogens with potential to interfere with fungal diseases in favor of the host.
Author: Ben Pell
Publisher: Walter de Gruyter
ISBN: 3034612168
Category : Architecture
Languages : de
Pages : 200
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Book Description
Ornament is currently acquiring a renewed status in architecture. As contemporary technologies of design and fabrication introduce unprecedented opportunities to intertwine the constructive logics and expressive articulations of buildings, ornament has re-emerged as a means to explore the interactions between function and decoration, volume and surface, structure and envelope. This book gives a systematic account of the technologies employed in the production of ornament and the strategies of its application today, examining a range of international built examples. Architects with particularly advanced approaches to the question of ornament contribute reports and reflections on their experiences: Sam Jacob of Fashion Architecture Taste (FAT), London; Andreas Hild of Hild und K Architekten, Munich; and Alejandro Zaera-Polo of Foreign Office Architects (FOA), London.
Author: Martin Bechthold
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 244
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Book Description
This indispensable reference is an in-depth introduction to the fundamentals of the design of surface structures. It looks at some of the most innovative structures and technologies to date, demonstrating their use of materials in creating successful surface architecture.
Author: Thomas L. Schumacher
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 304
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Book Description
Author: Peta Carlin
Publisher: Routledge
ISBN: 1317085809
Category : Architecture
Languages : en
Pages : 174
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Book Description
On Surface and Place is a rich and poetic exploration of surfaces which foregrounds their significance in our understanding and experience of place. Adopting weaving as its overarching metaphor, it departs from Gottfried Semper’s discussion of correspondences between architecture and textiles, and emerges from the reading of photographs, a swatch of Harris Tweed and curtain wall façade juxtaposed. In juxtaposing the fabric of the city with the weave of Harris Tweed the book charts an original course across a range of connected ideas and questions, combining many different themes, writers and disciplines. It presents integrated and innovative rethinkings on a number of fundamental relationships, including correlations between body and building, word and image, and between the rural and the metropolitan, and the hand-crafted and the mass-reproduced. In doing so, it seeks to foreground the very interrelationship of surface and place, as it makes a claim for the relational nature of the world in which we live.
Author: Giuliana Bruno
Publisher: University of Chicago Press
ISBN: 022611483X
Category : Art
Languages : en
Pages : 312
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Book Description
What is the place of materiality—the expression or condition of physical substance—in our visual age of rapidly changing materials and media? How is it fashioned in the arts or manifested in virtual forms? In Surface, cultural critic and theorist Giuliana Bruno deftly explores these questions, seeking to understand materiality in the contemporary world. Arguing that materiality is not a question of the materials themselves but rather the substance of material relations, Bruno investigates the space of those relations, examining how they appear on the surface of different media—on film and video screens, in gallery installations, or on the skins of buildings and people. The object of visual studies, she contends, goes well beyond the image and engages the surface as a place of contact between people and art objects. As Bruno threads through these surface encounters, she unveils the fabrics of the visual—the textural qualities of works of art, whether manifested on canvas, wall, or screen. Illuminating the modern surface condition, she notes how façades are becoming virtual screens and the art of projection is reinvented on gallery walls. She traverses the light spaces of artists Robert Irwin, James Turrell, Tacita Dean, and Anthony McCall; touches on the textured surfaces of Isaac Julien’s and Wong Kar-wai’s filmic screens; and travels across the surface materiality in the architectural practices of Diller Scofidio + Renfro and Herzog & de Meuron to the art of Doris Salcedo and Rachel Whiteread, where the surface tension of media becomes concrete. In performing these critical operations on the surface, she articulates it as a site in which different forms of mediation, memory, and transformation can take place. Surveying object relations across art, architecture, fashion, design, film, and new media, Surface is a magisterial account of contemporary visual culture.
Author: Christy Anderson
Publisher: Aldershot, England : Ashgate
ISBN:
Category : Architecture
Languages : en
Pages : 360
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Book Description
Since antiquity through to the present, architecture and the pictorial arts (paintings, photography, graphic arts) have not been rigidly separated but interrelated - the one informing the other, and establishing patterns of creation and reception. In the Classical tradition, the education of the architect and artist has always stressed this relationship between the arts, although modern scholarship has too often treated them as separate disciplines.
Author: Michael Manfredi
Publisher: Princeton Architectural Press
ISBN: 9781568987330
Category : Architecture
Languages : en
Pages : 216
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Book Description
For nearly two decades the architecture firm Weiss/Manfredi has practiced outside the traditional boundaries of architecture. Their work with complex sites and programs benefits from an interdisciplinary approach and a dynamic integration of architecture, art, infrastructure, and landscape design. Surface/Subsurface presents nine major projects that have been completed since their first monograph Site Specific, published in 2000. Their design processexemplary of the best contemporary architectural practicesreveals potential in subsurface conditions with the goal of generating an entirely new language for the surface. Projects include the Olympic Sculpture Park in Seattle, which wanders over a highway and train lines; the Museum of the Earth in Ithaca, New York, which manipulates the movement of water, cars, and visitors; and the Smith College Campus Center in Northampton, Massachusetts, whichtransforms the brick campus into a luminous terracotta surface. Each project is fully documented through project photographs, drawings, details, and texts.
Author: Ed Melet
Publisher: Nai010 Publishers
ISBN:
Category : Architecture
Languages : en
Pages : 212
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Book Description
The land in big cities has be used more intensively, but the possibilities are limited. One of the leading options for the future is the use of the flat roofs of residential buildings and office blocks as a building site. Rooftop buildings can intensify the existing city, inject it with new vitality and break through the monofunctionality of a neighbourhood. So far the exploitation of rooftop space has been incidental. This book analyses and describes the opportunities for realizing projects of this kind, as well as the potential difficulties, using interesting examples of construction on top of existing buildings in the Netherlands and abroad. It will therefore be influential in establishing a benchmark for architecture and urban planning that is a necessity if rooftop architecture is to have a serious future.
