Structural Functions in Music

Structural Functions in Music PDF Author: Wallace Berry
Publisher: Courier Corporation
ISBN: 9780486253848
Category : Music
Languages : en
Pages : 482

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Book Description
A brilliant investigation into musical structure through a systematic exploration of tonality, melody, harmony, texture, and rhythm. Discusses early madrigals and Gregorian chants through Bach, Beethoven, and Brahms to Ravel, Bartok, and Berg."

Structural Functions in Music

Structural Functions in Music PDF Author: Wallace Berry
Publisher: Courier Corporation
ISBN: 9780486253848
Category : Music
Languages : en
Pages : 482

Get Book

Book Description
A brilliant investigation into musical structure through a systematic exploration of tonality, melody, harmony, texture, and rhythm. Discusses early madrigals and Gregorian chants through Bach, Beethoven, and Brahms to Ravel, Bartok, and Berg."

Structural Functions of Harmony

Structural Functions of Harmony PDF Author: Arnold Schoenberg
Publisher: W. W. Norton & Company
ISBN: 9780393004786
Category : Music
Languages : en
Pages : 226

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Book Description
This book is Schoenberg's last completed theoretical work and represents his final thoughts on the subject of classical and romantic harmony. The earlier chapters recapitulate in condensed form the principles laid down in his 'Theory of Harmony'; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of whole movements and affirm the principle of 'monotonality, ' showing how all modulations within a movement are merely deviations from, and not negations of, its main tonality.

A Practical Approach to the Study of Form in Music

A Practical Approach to the Study of Form in Music PDF Author: Peter Spencer
Publisher: Waveland Press
ISBN: 1478610352
Category : Music
Languages : en
Pages : 224

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Book Description
Learning musics organizing principles . . . Approaching the study of form as an exercise in perceiving the interaction of a number of discrete musical events, Spencer and Temkos book embodies much more than a search for visual clues. Students of form develop perceptual tools that allow them to proceed from the aural experience to an understanding of the arch-principles upon which music is organized. The authors hold that the organizing principles of a given piece of music may be gleaned from studying the internal attributes that give a section its specific identity, the functional relations between sections, and the ordering of those sections.

Structural Hearing

Structural Hearing PDF Author: Felix Salzer
Publisher: Courier Corporation
ISBN: 0486222756
Category : Music
Languages : en
Pages : 687

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Book Description
Written by a pupil of Heinrich Schenker, this outstanding work develops and extends Schenker's approach. More than 500 examples of music from the Middle Ages to the 20th century complement the detailed discussions and analyses.

Classical Form

Classical Form PDF Author: William E. Caplin
Publisher: Oxford University Press
ISBN: 0199881758
Category : Music
Languages : en
Pages : 320

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Book Description
Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.

Music of the Twentieth Century

Music of the Twentieth Century PDF Author: Ton de Leeuw
Publisher: Amsterdam University Press
ISBN: 9053567658
Category : Music
Languages : en
Pages : 223

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Book Description
Ton de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.

Structural Functions of 'musical Gesture' as Heard in Selected Instrumental Compositions of the Twentieth Century

Structural Functions of 'musical Gesture' as Heard in Selected Instrumental Compositions of the Twentieth Century PDF Author: Richard Brooks
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 964

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Book Description


Structural Functions of Harmony

Structural Functions of Harmony PDF Author: Arnold Schönberg
Publisher:
ISBN:
Category :
Languages : en
Pages : 203

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Book Description


Musical Structure and Performance

Musical Structure and Performance PDF Author: Wallace Berry
Publisher: New Haven, [Conn.] : Yale University Press
ISBN: 9780300043273
Category : Music
Languages : en
Pages : 240

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Book Description


Structural and Ornamental Diatonic Harmony in Western Music, c.1700 – 1880

Structural and Ornamental Diatonic Harmony in Western Music, c.1700 – 1880 PDF Author: Zelda Potgieter
Publisher: Cambridge Scholars Publishing
ISBN: 1527563243
Category : Music
Languages : en
Pages : 243

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Book Description
This book provides first-year university students majoring in western art music with a thorough study of both structural and ornamental diatonic harmony in the Common Practice Period (c.1700 until the late 1800s). It provides one of the most comprehensive coverages of the topic of ornamental diatonic harmony published to date, and offers ample musical examples to illustrate the concepts explained, as well as exercises in creative four-part writing, analysis, aural development and keyboard harmony to practice the application of these concepts. Understanding the difference between the way chords act at the structural level and the ornamental level explains why rules that apply to one do not necessarily apply to the other, providing novel insights into the interplay between harmony and melody and renewed appreciation for the ingenious ways in which composers throughout the Common Practice Period exploited these techniques.