Structural Film Anthology PDF Download
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Author: Peter Gidal
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 156
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Book Description
Author: Peter Gidal
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 156
Get Book
Book Description
Author: Peter Gidal
Publisher: Routledge
ISBN: 1317917510
Category : Performing Arts
Languages : en
Pages : 207
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Book Description
A polemical introduction to the avant-garde and experimental in film (including making and viewing), Materialist Film is a highly original, thought-provoking book. Thirty-seven short chapters work through a series of concepts which will enable the reader to deal imaginatively with the contradictory issues produced by experimental film. Each concept is explored in conjunction with specific films by Andy Warhol, Malcolm LeGrice, Lis Rhodes, Jean-Luc Goddard, Rose Lowder, Kurt Kren, and others. Peter Gidal draws on important politico-aesthetic writings, and uses some of his own previously published essays from Undercut, Screen, October, and Millennium Film Journal to undertake this concrete process of working through abstract concepts. Originally published in 1989.
Author: Catherine Russell
Publisher: Duke University Press
ISBN: 9780822323198
Category : Performing Arts
Languages : en
Pages : 422
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Book Description
A sophisticated theoretical consideration of the related aesthetics and histories of ethnographic and experimental non-fiction films.
Author: P. Gaal-Holmes
Publisher: Springer
ISBN: 1137369388
Category : Performing Arts
Languages : en
Pages : 231
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Book Description
This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking, acting as a form of reclamation for films and filmmakers marginalized within established histories. An indispensable book for practitioners, historians and critics alike, it provides new interpretations of this rich and diverse history.
Author: Martin Lefebvre
Publisher: Routledge
ISBN: 1136334866
Category : Performing Arts
Languages : en
Pages : 362
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Book Description
First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Paul Arthur
Publisher: U of Minnesota Press
ISBN: 9780816642656
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
Arthur (English and film studies, Montclair State U.) balances close analysis of major and lesser-known films with detailed examinations of their production, distribution and exhibition. He addresses the avant-garde's cultural significance and reexamines accepted critical categories and artistic options. Rather than treating American avant-garde ci
Author: Jeffrey Skoller
Publisher: U of Minnesota Press
ISBN: 0816642311
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
Demonstrates how avant-garde films better reflect the complexity of history than conventional film.
Author: Annette Kuhn
Publisher: Oxford University Press, USA
ISBN: 0199587264
Category : Performing Arts
Languages : en
Pages : 530
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Book Description
This volume covers all aspects of film studies, including critical terms, concepts, movements, national and international cinemas, film history, genres, organizations, practices, and key technical terms and concepts. It is an ideal reference for students and teachers of film studies and anyone with an interest in film studies and criticism.
Author: Jonathan Walley
Publisher: Oxford University Press
ISBN: 0190938668
Category : Performing Arts
Languages : en
Pages : 577
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Book Description
Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it. Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's unique aesthetic terrain - its ontology, its independence, its identity. In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change.
Author: Joy I. Payne
Publisher: AuthorHouse
ISBN: 150494626X
Category : History
Languages : en
Pages : 249
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Book Description
The London FilmMakers Cooperative was founded in 1966 by a group of artists who sought to explore the possibilities of the moving image whilst maintaining autonomy over the production, distribution, and exhibition of their work. Although their films were not overtly political, artists nevertheless expressed their political attitudes by creating nonnarrative films, thereby rejecting conventional narrative structures associated with mainstream, commercial cinema, which they perceived as supporting the dominant ideology in society. A return to narrative in the 1980s coincided with the introduction of British Art Cinema and the art-house films of Derek Jarman, Peter Greenaway, and Sally Potter, all of whom made experimental films in the early days of the London Co-op.
