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Author: Masako Watanabe
Publisher: Metropolitan Museum of Art
ISBN: 1588394409
Category : Emaki Jōruri (Scrolls)
Languages : en
Pages : 122
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Book Description
Presents 17 classic Japanese stories as told through 30 illustrated handscrolls ranging from the 13th to 19th centuries.
Author: Masako Watanabe
Publisher: Metropolitan Museum of Art
ISBN: 1588394409
Category : Emaki Jōruri (Scrolls)
Languages : en
Pages : 122
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Book Description
Presents 17 classic Japanese stories as told through 30 illustrated handscrolls ranging from the 13th to 19th centuries.
Author: Masako Watanabe
Publisher: Metropolitan Museum of Art New York
ISBN: 9780300175905
Category : Art
Languages : en
Pages : 112
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Book Description
Showcases the museum's collection of Japanese illustrative hand scrolls, with retellings of the stories shown on them and an essay that discusses the history of storytelling in Japan.
Author: Allen Say
Publisher: Houghton Mifflin Harcourt
ISBN: 0547345941
Category : History
Languages : en
Pages : 32
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Book Description
The Kamishibai man used to ride his bicycle into town where he would tell stories to the children and sell them candy, but gradually, fewer and fewer children came running at the sound of his clappers. They were all watching their new televisions instead. Finally, only one boy remained, and he had no money for candy. Years later, the Kamishibai man and his wife made another batch of candy, and he pedaled into town to tell one more story—his own. When he comes out of the reverie of his memories, he looks around to see he is surrounded by familiar faces—the children he used to entertain have returned, all grown up and more eager than ever to listen to his delightful tales. Using two very different yet remarkable styles of art, Allen Say tells a tale within a tale, transporting readers seamlessly to the Japan of his memories.
Author: M. W. Shores
Publisher: Cambridge University Press
ISBN: 1108912699
Category : Literary Criticism
Languages : en
Pages : 536
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Book Description
Rakugo, a popular form of comic storytelling, has played a major role in Japanese culture and society. Developed during the Edo (1600–1868) and Meiji (1868–1912) periods, it is still popular today, with many contemporary Japanese comedians having originally trained as rakugo artists. Rakugo is divided into two distinct strands, the Tokyo tradition and the Osaka tradition, with the latter having previously been largely overlooked. This pioneering study of the Kamigata (Osaka) rakugo tradition presents the first complete English translation of five classic rakugo stories, and offers a history of comic storytelling in Kamigata (modern Kansai, Kinki) from the seventeenth century to the present day. Considering the art in terms of gender, literature, performance, and society, this volume grounds Kamigata rakugo in its distinct cultural context and sheds light on the 'other' rakugo for students and scholars of Japanese culture and history.
Author: Heinz Morioka
Publisher: BRILL
ISBN: 1684172764
Category : Literary Criticism
Languages : en
Pages : 488
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Book Description
Rakugo is the traditional Japanese art of storytelling. The stories are also called rakugo, or hanashi, and they are performed by professional narrators called rakugoka or hanashika. The customary place where rakugo stories are told is the vaudeville-type variety called the yose. This book is divided into three parts, including nine chapters and an epilogue, and also includes notes, three appendices, a bibliography, glossary, and index.
Author: Khanh Trinh
Publisher: Scheidegger and Spiess
ISBN: 9783039420247
Category :
Languages : en
Pages : 328
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Book Description
A uniquely comprehensive survey of Japanese narrative art across eight centuries. The use of pictures to communicate a story has a long tradition in Japanese culture that dates back more than a thousand years. Such narrative illustrations draw on Buddhist texts, classic literature, poetry, and theatrical scenes to create rich visual imagery realized in a wide range of media and formats. Quotations from and allusions to heroic epics and romances were disseminated through exquisite paintings, woodblock prints, and in pieces of applied arts such as lacquerware or ceramics, thus becoming anchored in the collective consciousness. As story-telling art found expression in a variety of materialities, it became an integral part of daily life. A fascinating narrative space evolved that combined artistic excellence and aesthetic pleasure. Love, Fight, Feast features some one hundred paintings, woodblock prints, illustrated woodblock-printed books, as well as lacquer and metal objects, porcelain, and textiles from the thirteenth to the twentieth century, alongside scholarly essays on a range of aspects of Japanese narrative art. Published in conjunction with an exhibition at the renowned Museum Rietberg in Zurich, the book offers a unique survey of the multifaceted, colorful, and imaginative world of Japanese narrative art across eight centuries.
Author: Miyeko Murase
Publisher: Metropolitan Museum of Art
ISBN: 1588390683
Category : Art, Japanese
Languages : en
Pages : 210
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Book Description
This lovely catalog accompanies an exhibition of the same name held at the Metropolitan Museum of Art in New York City in 2002-2003. The exhibition features Japanese calligraphy and paintings and sculpture of Buddhist and Shinto themes. Full descriptive entries accompany the plates of each work. Three essays introduce the catalog: a history of the collection and an essay on viewing calligraphy by Barnet and Burto, and an introduction to the calligraphy in their collection by Murase (a consultant on Japanese art at the museum). Annotation copyrighted by Book News, Inc., Portland, OR
Author: Ikumi Kaminishi
Publisher: University of Hawaii Press
ISBN: 0824844491
Category : Art
Languages : en
Pages : 256
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Book Description
Early Japanese Buddhism was patronized by the literate classes and remained a prerogative of the elite until the end of the twelfth century. With the fiscal and political decline of its aristocratic patrons, the Buddhist establishment turned increasingly to lay commoners for financial support, using paintings to accommodate its new, and often subliterate, audiences. One type of preaching, known as etoki (pictorial decipherment), helped bridge the worlds of esoteric Buddhism and lay practice and reveals much about the role of art in the context of didactic storytelling and proselytization. Beginning with the provocative claim that the popularization of Buddhism in the medieval period was a phenomenon of visual culture, Explaining Pictures reexamines the history (and historiography) of medieval Japanese Buddhism. With theoretical sophistication and a full appreciation of the power of imagery to convey and control religious meaning, it investigates a range of aspects of etoki, including the particularly active role of itinerant nuns, whose performances were especially edifying to female audiences, as well as the visual hagiography of the reputed founder of Japanese Buddhism, the pictorial projections of Buddhist paradise and hell, and the explanation, through visual imagery, of sacred mountains. Part One presents the social history of etoki as it appears in a broad variety of written sources from the tenth to fifteenth centuries and investigates how etoki helped establish the cult of Shotôku Taishi. Part Two covers the period between the late twelfth and fourteenth centuries with a focus on Pure Land Buddhist propaganda and its use in etoki practice. Etoki sermons on the Taima Mandala, the visual description of the Pure Land Buddhist canons, show how envisioning the land of bliss substitutes for meditative concentration to gain enlightenment. Ikumi Kaminishi next turns to the itinerant etoki proselytes and similar performing artists between the fifteenth and the sixteenth centuries. These individuals preached on the road and through their missionary work reached out to commoners, turning etoki into an effective method of imparting religious beliefs and soliciting alms. In the late medieval period, audiences regarded itinerant preachers much like traveling artists and vendors, which has led modern scholars to conclude that etoki priests desecrated religious rituals. Kaminishi reconsiders this historiographical problem in relation to the social meaning of itinerant performing artists of the period. Finally, the she examines etoki’s effect on the popularization of sacred mountain worship (in particular Kumano and Tateyama)during the seventeen through nineteenth centuries. Chapters focus on the Kumano propaganda image used by nuns, how Christian religious imagery was exploited in seventeenth-century Buddhist propaganda, and the ways in which etoki campaigns made the remote Tateyama a popular pilgrimage site in early modern times. Explaining Pictures is an important groundbreaking work, the first book-length study devoted to the phenomenon of Buddhist art as religious propaganda and pictorial storytelling as a form of popular culture in medieval Japan. A truly interdisciplinary study, it suggests fruitful avenues of discussion between art historians and historians of Japanese Buddhism. Scholars and students with an interest in Japanese Buddhism, art, and social and cultural history will find its examination of significant issues fresh and stimulating. It will also find an appreciative audience among those concerned with the relationship between art and religion, the mechanics of proselytization, and Asian visual culture.
Author: Tracy Ann Hayes
Publisher: BRILL
ISBN: 9004396403
Category : Social Science
Languages : en
Pages : 346
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Book Description
This book focuses on storytelling and human life by exploring the possibilities of narrative approaches across numerous disciplines and in diverse contexts; stories are humanity’s oldest way of making meaning of our past, present and future.
Author: Anne McNulty
Publisher: Tuttle Publishing
ISBN: 1462920128
Category : Foreign Language Study
Languages : en
Pages : 197
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Book Description
A great story can lead a reader on a journey of discovery—especially if it's presented in two languages! Beautifully illustrated in a traditional style, Japanese Stories for Language Learners offers five compelling stories with English and Japanese language versions appearing on facing pages. Taking learners on an exciting cultural and linguistic journey, each story is followed by detailed translator's notes, Japanese vocabulary lists, and grammar points along with a set of discussion questions and exercises. The first two stories are very famous traditional Japanese folktales: Urashima Taro (Tale of a Fisherman) and Yuki Onna (The Snow Woman). These are followed by three short stories by notable 20th century authors: Kumo no Ito (The Spider's Thread) by Akutagawa Ryunosuke (1892-1927) Oborekaketa Kyodai (The Siblings Who Almost Drowned) by Arishima Takeo (1878-1923) Serohiki no Goshu (Gauche the Cellist) by Miyazawa Kenji (1896-1933) Reading these stories in the original Japanese script--and hearing native-speakers read them aloud in the accompanying free audio recording--helps students at every level deepen their comprehension of the beauty and subtlety of the Japanese language. Learn Japanese the fun way—through the country's rich literary history.
