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Author: Andrew Patrick Nelson
Publisher: University of Oklahoma Press
ISBN: 0806153024
Category : Social Science
Languages : en
Pages : 232
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Book Description
By the end of the 1960s, the Hollywood West of Tom Mix, Randolph Scott, and even John Wayne was passé—or so the story goes. Many film historians and critics have argued that movies portraying a mythic American West gave way to revisionist films that influential filmmakers such as Sam Peckinpah and Robert Altman made as violent critiques of the Western’s “golden years.” Yet rumors surrounding the death of the Western have been greatly exaggerated, says film historian Andrew Patrick Nelson. Even as the Wild Bunch and John McCabe rode forth, John Wayne remained the Western’s number one box office draw. How, then, could there have been a revisionist reckoning at a time when the Duke was still in the saddle? In Still in the Saddle, Nelson offers readers a new history of the Hollywood Western in the 1970s, a time when filmmakers tried to revive the genre by appealing to a diverse audience that included a new generation of socially conscious viewers. Nelson considers a comprehensive filmography of releases from 1969 to 1980 in light of the visual tropes and narratives developed and reworked in the genre from the 1930s to the present. In so doing, he reveals the complexity of what is probably the most interesting period in Western movie history. His incisive reevaluations of such celebrated (or infamous) films as The Wild Bunch and Heaven’s Gate and examinations of dozens of forgotten and neglected Westerns, including the final films of John Wayne, demonstrate that there was more to the 1970s Western than simple revision. Instead, we see not only important connections between canonical and lesser-known films of the period, but also continuities between these and older Westerns. Nelson believes an ongoing, cyclical process of regeneration thus transcends established divisions in the genre’s history. Among the books currently challenging the prevailing “evolutionary” account of the Western, Still in the Saddle thoroughly revises our understanding of this exciting and misunderstood period in the Western’s history and adds innovatively and substantially to our knowledge of the genre as a whole.
Author: Andrew Patrick Nelson
Publisher: University of Oklahoma Press
ISBN: 0806153024
Category : Social Science
Languages : en
Pages : 232
Get Book
Book Description
By the end of the 1960s, the Hollywood West of Tom Mix, Randolph Scott, and even John Wayne was passé—or so the story goes. Many film historians and critics have argued that movies portraying a mythic American West gave way to revisionist films that influential filmmakers such as Sam Peckinpah and Robert Altman made as violent critiques of the Western’s “golden years.” Yet rumors surrounding the death of the Western have been greatly exaggerated, says film historian Andrew Patrick Nelson. Even as the Wild Bunch and John McCabe rode forth, John Wayne remained the Western’s number one box office draw. How, then, could there have been a revisionist reckoning at a time when the Duke was still in the saddle? In Still in the Saddle, Nelson offers readers a new history of the Hollywood Western in the 1970s, a time when filmmakers tried to revive the genre by appealing to a diverse audience that included a new generation of socially conscious viewers. Nelson considers a comprehensive filmography of releases from 1969 to 1980 in light of the visual tropes and narratives developed and reworked in the genre from the 1930s to the present. In so doing, he reveals the complexity of what is probably the most interesting period in Western movie history. His incisive reevaluations of such celebrated (or infamous) films as The Wild Bunch and Heaven’s Gate and examinations of dozens of forgotten and neglected Westerns, including the final films of John Wayne, demonstrate that there was more to the 1970s Western than simple revision. Instead, we see not only important connections between canonical and lesser-known films of the period, but also continuities between these and older Westerns. Nelson believes an ongoing, cyclical process of regeneration thus transcends established divisions in the genre’s history. Among the books currently challenging the prevailing “evolutionary” account of the Western, Still in the Saddle thoroughly revises our understanding of this exciting and misunderstood period in the Western’s history and adds innovatively and substantially to our knowledge of the genre as a whole.
Author: Andrew Patrick Nelson
Publisher: University of Oklahoma Press
ISBN: 0806153032
Category : Art
Languages : en
Pages : 265
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Book Description
By the end of the 1960s, the Hollywood West of Tom Mix, Randolph Scott, and even John Wayne was passé—or so the story goes. Many film historians and critics have argued that movies portraying a mythic American West gave way to revisionist films that influential filmmakers such as Sam Peckinpah and Robert Altman made as violent critiques of the Western’s “golden years.” Yet rumors surrounding the death of the Western have been greatly exaggerated, says film historian Andrew Patrick Nelson. Even as the Wild Bunch and John McCabe rode forth, John Wayne remained the Western’s number one box office draw. How, then, could there have been a revisionist reckoning at a time when the Duke was still in the saddle? In Still in the Saddle, Nelson offers readers a new history of the Hollywood Western in the 1970s, a time when filmmakers tried to revive the genre by appealing to a diverse audience that included a new generation of socially conscious viewers. Nelson considers a comprehensive filmography of releases from 1969 to 1980 in light of the visual tropes and narratives developed and reworked in the genre from the 1930s to the present. In so doing, he reveals the complexity of what is probably the most interesting period in Western movie history. His incisive reevaluations of such celebrated (or infamous) films as The Wild Bunch and Heaven’s Gate and examinations of dozens of forgotten and neglected Westerns, including the final films of John Wayne, demonstrate that there was more to the 1970s Western than simple revision. Instead, we see not only important connections between canonical and lesser-known films of the period, but also continuities between these and older Westerns. Nelson believes an ongoing, cyclical process of regeneration thus transcends established divisions in the genre’s history. Among the books currently challenging the prevailing “evolutionary” account of the Western, Still in the Saddle thoroughly revises our understanding of this exciting and misunderstood period in the Western’s history and adds innovatively and substantially to our knowledge of the genre as a whole.
Author: Andrew Patrick Nelson
Publisher: Scarecrow Press
ISBN: 081089257X
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
Though one of the most popular genres for decades, the western started to lose its relevance in the 1960s and 1970s, and by the early 1980s it had ridden into the sunset on screens both big and small. The genre has enjoyed a resurgence, however, and in the past few decades some remarkable westerns have appeared on television and in movie theaters. From independent films to critically acclaimed Hollywood productions and television series, the western remains an important part of American popular culture. Running the gamut from traditional to revisionist, with settings ranging from the old West to the “new Wests” of the present day and distant future, contemporary westerns continue to explore the history, geography, myths, and legends of the American frontier. In Contemporary Westerns: Film and Television since 1990, Andrew P. Nelson has collected essays that examine the trends and transformations in this underexplored period in Western film and television history. Addressing the new Western, they argue for the continued relevance and vibrancy of the genre as a narrative form. The book is organized into two sections: “Old West, New Stories” examines Westerns with common frontier locales, such as Dances with Wolves, Unforgiven, Deadwood, and True Grit. “New Wests, Old Stories” explores works in which familiar Western narratives, characters, and values are represented in more modern—and in one case futuristic—settings. Included are the films No Country for Old Men and There Will Be Blood, as well as the shows Firefly and Justified. With a foreword by Edward Buscombe, as well as an introduction that provides a comprehensive overview, this volume offers readers a compelling argument for the healthy survival of the Western. Written for scholars as well as educated viewers, Contemporary Westerns explores the genre’s evolving relationship with American culture, history, and politics.
Author: Joyce Harman
Publisher: Trafalgar Square Books
ISBN: 1570768935
Category : Sports & Recreation
Languages : en
Pages : 502
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Book Description
When your horse suddenly develops a performance problem or a bad attitude and neither seem to be remedied by new training techniques or medical care, you often face months—even years—of frustration and career limitation. Dr. Joyce Harman, veterinarian and respected saddle-fitting expert, states that 75 percent of horses with such issues are simply reacting to pain caused by ill-fitting saddles. And, as she explains in this thorough and highly illustrated book, poor saddle fit can be corrected with patience and know-how.
Author: Edward Buscombe
Publisher: British Film Institute
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 236
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Book Description
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Author: Bonnie Bryant
Publisher: Skylark
ISBN: 0307825264
Category : Juvenile Fiction
Languages : en
Pages : 101
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Book Description
Kate Devine, an out-of-town member of the Saddle Club, has invited Carole, Lisa, and Stevie out West to visit her family's dude ranch. This time the girls' parents are coming along, and the Saddle Club is looking forward to showing them how much fun riding can be—as well as how much work and skill are involved. But out West, the family vacation doesn't go exactly as planned. Lisa's mom is acting like a total snob, and Carole's dad embarrasses her by dressing like a real Eastern dude. What's worse, none of the parents seems to be taking horseback riding very seriously. Soon the girls are wishing that their parents—or the "Saddlebags"—had stayed home where they belong. Then, during an overnight cattle drive, a terrible rainstorm breaks out while the parents are off exploring an arroyo. The Saddle Club knows the "Saddlebags" are in grave danger—but can they rescue them in time?
Author: Catherine Hapka
Publisher: Harper Collins
ISBN: 0062113704
Category : Juvenile Fiction
Languages : en
Pages : 32
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Book Description
Annie can hardly wait until Surprise, Jill′s one-month-old foal, is big enough to ride. But when Annie falls off Splash during a riding lesson, the rattled Pony Scout has to decide whether or not to get back in the saddle. Features read-to-me audio, perfect for sharing.
Author: Bonnie Bryant
Publisher: Delacorte Press
ISBN: 0307824934
Category : Juvenile Fiction
Languages : en
Pages : 145
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Book Description
Lisa love being a member of the Saddle Club. But lately, Stevie and Carole haven't had time for her or their friendship. And if she can'tconvince her friends that their club is just as important, she may have to find new members to replace them. . . .
Author: Rebekah Weatherspoon
Publisher: Dafina
ISBN: 149672545X
Category : Fiction
Languages : en
Pages : 320
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Book Description
An Entertainment Weekly Best Romance of Fall Award-winning author Rebekah Weatherspoondelivers a charming contemporary tale about a brawny rancher, a brainy beauty—and a beast of a predicament . . . Ranch owner Jesse Pleasant always felt too big for his desert town—literally—and too brutish to fit in with his charming, cowboy brothers. After his temper gets the best of him one time too many, he’s ready to accept the truth: he’s cursed to be alone. But when the Senate selection committee comes looking for a man of his public standing, he knows this might be his chance to prove to his family and friends that he can keep his cool, all while giving back to his community. There’s only one problem. While Jesse definitely has a mind for business, his people skills are more than lacking. Former tech consultant Lily-Grace Leroux has had it up to her hat with hot-tempered men who think they know what’s best, especially a big headed rancher set on keeping her widowed father from dating his grandmother. But after Lily-Grace learns of Jesse’s softer side during a painfully awkward showing at a community date auction, one thing becomes clear; while Jesse Pleasant is not ready to run for public office, he might be ready for love. Against her better judgement and despite their rocky start, Lily-Grace warms to the sparks flying between them. She never dreamed they would build their own connection, one destined for its own happily ever after . . . Praise for Cowboys of California “A gorgeous country setting, engaging multicultural characters, and sweet but passionate love scenes makes this a charming start.” —Booklist STARRED REVIEW for A Cowboy to Remember “This steamy fairy tale shines by serving realistic conflict alongside swoon-worthy romance.” —Publishers Weekly STARRED REVIEW for If the Boot Fits
Author: Jill Krementz
Publisher: Dreamhouse Publishing, Incorporated
ISBN: 9780975551622
Category : Horse shows
Languages : en
Pages : 0
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Book Description
A ten-year-old girl relates her experiences as she and her pony train and prepare for riding competitions.
