Staging the Nation: Opera and Nationalism in 19th-Century Hungary PDF Download
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Author: Krisztina Lajosi
Publisher: BRILL
ISBN: 9004347224
Category : History
Languages : en
Pages : 187
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Book Description
In Staging the Nation: Opera and Nationalism in 19th-Century Hungary, Krisztina Lajosi examines the crucial role of theatre and opera in the shaping of historical consciousness and the formation of national identity by turning opera-loving audiences into a national public.
Author: Krisztina Lajosi
Publisher: BRILL
ISBN: 9004347224
Category : History
Languages : en
Pages : 187
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Book Description
In Staging the Nation: Opera and Nationalism in 19th-Century Hungary, Krisztina Lajosi examines the crucial role of theatre and opera in the shaping of historical consciousness and the formation of national identity by turning opera-loving audiences into a national public.
Author: Jacqueline Lo
Publisher: Hong Kong University Press
ISBN: 9622096875
Category : Social Science
Languages : en
Pages : 241
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Book Description
Staging Nation examines the complex relationship between the theatrical stage and the wider stage of nation building in postcolonial Malaysia and Singapore. In less than fifty years, locally written and produced English language theatre has managed to shrug off its colonial shackles to become an important site of community expression. This groundbreaking comparative study discusses the role of creative writing and the act of performance as actual political acts and as interventions in national self-constructions. It argues that certain forms of theatre can be read as emerging oppositional cultures that contribute towards the deepening of democracy by offering contending narratives of the nation. Jacqueline Lo is Senior Lecturer at the School of Humanities, Australian National University. She has published widely on postcolonial theory, performance studies and Asian-Australian cultural politics. She is the editor of Theatre in Southeast Asia, and co-editor of Diaspora: Negotiating Asian-Australia.
Author: Kiki Gounaridou
Publisher: McFarland
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
"When a nation wants to reconnect with a sense of national identity, its cultural celebrations, including its theatre, are often tinged with nostalgia for a cultural high point in its history. Leaders often try to create a "neo-classical" cultural identity. This collection of essays discusses the relationship between political power and the construction or subversion of cultural identity"--Provided by publisher.
Author: Rebecca E. Karl
Publisher: Duke University Press
ISBN: 9780822328674
Category : History
Languages : en
Pages : 332
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Book Description
DIVAn historical analysis of how the Chinese constructed their understandings of their place in the world in the late nineteenth and early twentieth centuries./div
Author: Karen Sotiropoulos
Publisher: Harvard University Press
ISBN: 0674043871
Category : Social Science
Languages : en
Pages : 305
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Book Description
Staging Race casts a spotlight on the generation of black artists who came of age between 1890 and World War I in an era of Jim Crow segregation and heightened racial tensions. As public entertainment expanded through vaudeville, minstrel shows, and world's fairs, black performers, like the stage duo of Bert Williams and George Walker, used the conventions of blackface to appear in front of, and appeal to, white audiences. At the same time, they communicated a leitmotif of black cultural humor and political comment to the black audiences segregated in balcony seats. With ingenuity and innovation, they enacted racial stereotypes onstage while hoping to unmask the fictions that upheld them offstage. Drawing extensively on black newspapers and commentary of the period, Karen Sotiropoulos shows how black performers and composers participated in a politically charged debate about the role of the expressive arts in the struggle for equality. Despite the racial violence, disenfranchisement, and the segregation of virtually all public space, they used America's new businesses of popular entertainment as vehicles for their own creativity and as spheres for political engagement. The story of how African Americans entered the stage door and transformed popular culture is a largely untold story. Although ultimately unable to erase racist stereotypes, these pioneering artists brought black music and dance into America's mainstream and helped to spur racial advancement.
Author: Jessica Pisano
Publisher: Cornell University Press
ISBN: 1501764071
Category : History
Languages : en
Pages : 218
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Book Description
Focusing on the experiences of people in Russia and Ukraine, Staging Democracy shows how some national leaders' seeming popularity rests on local economic compacts. Jessica Pisano draws on long-term research in rural communities and company towns, analyzing how local political and business leaders, seeking favor from incumbent politicians, used salaries, benefits, and public infrastructure to pressure citizens to participate in command performances. Pisano looks at elections whose outcome was known in advance, protests for hire, and smaller mises en scène to explain why people participate, what differs from spectacle in totalitarian societies, how political theater exists in both authoritarian and democratic systems, and how such performances reshape understandings of the role of politics. Staging Democracy moves beyond Russia and Ukraine to offer a novel economic argument for why some people support Putin and similar politicians. Pisano suggests we can analyze politics in both democracies and authoritarian regimes using the same analytical lens of political theater.
Author: Ioana Szeman
Publisher: Berghahn Books
ISBN: 1785337319
Category : Social Science
Languages : en
Pages : 204
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Book Description
Based on over a decade of fieldwork conducted with urban Roma, Staging Citizenship offers a powerful new perspective on one of the European Union’s most marginal and disenfranchised communities. Focusing on “performance” broadly conceived, it follows members of a squatter’s settlement in Transylvania as they navigate precarious circumstances in a postsocialist state. Through accounts of music and dance performances, media representations, activism, and interactions with both non-governmental organizations and state agencies, author Ioana Szeman grounds broad themes of political economy, citizenship, resistance, and neoliberalism in her subjects’ remarkably varied lives and experiences.
Author: Jean Helen Quataert
Publisher: University of Michigan Press
ISBN: 0472022660
Category : History
Languages : en
Pages : 336
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Book Description
Staging Philanthropy is a history of women's philanthropic associations during Germany's "long" nineteenth century. Challenged by the French Revolution and the Napoleonic occupation and war, dynastic groups in Germany made community welfare and its defense part of newly-gendered social obligations, sponsoring a network of state women's associations, philanthropic institutions, and nursing orders which were eventually coordinated by the German Red Cross. These patriotic groups helped fashion an official nationalism that defended conservative power and authority in the new nation-state. An original and truly multi-disciplinary work, Staging Philanthropy uses archival research to reconstruct the neglected history of women's philanthropic organizations during the 'long' nineteenth century. Borrowing from cultural anthropologists, Jean Quataert explores how meaning is created in the theater of politics. Linking gender with nationalism and war with humanitarianism, Quataert weaves her analysis together with themes of German historiography and the wider context of European history. Staging Philanthropy will interest readers in German history, women's history, politics and anthropology, as well as those whose interest is in medicalization and the German Red Cross. This book situates itself in the middle of a string of debates pertaining to modern German history and, thus, should also appeal to readers from the general educated public. Jean Quataert is Professor of History and Women's Studies, Binghamton University. She has previously published a number of books, including Connecting Spheres: European Women in a Globalizing World, 1500 to the Present with Marilyn J. Boxer (Oxford, 1999).
Author: Jen Harvie
Publisher: Manchester University Press
ISBN: 9780719062131
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
This text examines some of the most important performance in Britain from the mid-1980s into the new millennium. It considers contemporary British theatre in relation to national and supranational identities, critical concepts like globalisation and diaspora, and contemporary contexts such as the election of New Labour.
Author: Prof Dr Ralf Hertel
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472420519
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
Applying current political theory on nationhood as well as methods established by recent performance studies, this study sheds new light on the role the public theatre played in the rise of English national identity around 1600. It situates selected history plays by Shakespeare and Marlowe in the context of non-fictional texts (such as historiographies, chorographies, political treatises, or dictionary entries) and cultural artefacts (such as maps or portraits), and thus highlights the circulation, and mutation, of national thought in late sixteenth-century culture. At the same time, it goes beyond a New Historicist approach by foregrounding the performative surplus of the theatre event that is so essential for the shaping of collective identity. How, this study crucially asks, does the performative art of theatre contribute to the dynamics of the formation of national identity? Although theories about the nature of nationalism vary, a majority of theorists agree that notions of a shared territory and history, as well as questions of religion, class and gender play crucial roles in the shaping of national identity. These factors inform the structure of this book, and each is examined individually. In contrast to existing publications, this inquiry does not take for granted a pre-existing national identity that simply manifested itself in the literary works of the period; nor does it proceed from preconceived notions of the playwrights’ political views. Instead, it understands the early modern stage as an essentially contested space in which conflicting political positions are played off against each other, and it inquires into how the imaginative work of negotiating these stances eventually contributed to a rising national self-awareness in the spectators.
