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Author: Joe Ben Wheat
Publisher: University of Arizona Press
ISBN: 9780816523047
Category : Art
Languages : en
Pages : 480
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Book Description
A history and description of southwestern textiles along with a catalog of Pueblo, Navajo, Mexican, and Spanish American blankets, ponchos, and sarapes.
Author: Joe Ben Wheat
Publisher: University of Arizona Press
ISBN: 9780816523047
Category : Art
Languages : en
Pages : 480
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Book Description
A history and description of southwestern textiles along with a catalog of Pueblo, Navajo, Mexican, and Spanish American blankets, ponchos, and sarapes.
Author: Kathleen Whitaker
Publisher:
ISBN: 9780295982267
Category : Design
Languages : en
Pages : 432
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Book Description
Explores the history and evolution of Navajo and Pueblo fabric arts, with 250-plus color illustrations of examples from the Southwest Museum's collection, 57 details of the works, and 49 historical photographs. Includes accounts of the early collectors and some of the colorful people who were involved in the founding of the museum and the shaping of its collection.
Author: Marian E. Rodee
Publisher: Schiffer Book for Collectors
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 252
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Book Description
This gorgeously illustrated book presents important information on Pueblo, Navajo, Rio Grande, and Northern Mexican weaving styles. Traditional and modern styles of blankets, clothing, and rugs are identified and explained in detail, with brief accounts of some of the old trading posts that sold them, along with discussions of family styles among weavers today.
Author: Laurie D. Webster
Publisher: Harvard University Press
ISBN: 0873654005
Category : Art
Languages : en
Pages : 160
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Book Description
This is the first publication on a remarkable collection of 66 outstanding Pueblo and Navajo textiles donated to the Peabody Museum in the 1980s by William Claflin, Jr. Claflin also bequeathed to the museum his detailed accounts of their collection histories, included here.
Author: Catherine Bourzat
Publisher:
ISBN: 9786167339719
Category : Costume
Languages : en
Pages : 0
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Book Description
-Lavishly illustrated with over 320 color illustrations -Photographs of weaving methods, traditional dying methods and ceremonies -One of the world's great textile collections -Written by acclaimed writer Catherine Bourzat whose previous works includes books on India and Sri Lanka Philippe Fatin is a traveler, photographer and collector who has established a world-class collection of tribal textiles from southern China. These exquisitely colorful, hand-woven textiles are highly prized by collectors and here for the first time is the most extensive collection of garments collected from tribes across southern China including the Bazhai, Zhouxi, Xijiang and Gedong amongst others. The distinctive styles, colors and motifs from each are looked at in turn and the remarkable photographs allow the reader to appreciate the intricacy of each piece and the tradition prized by each tribe. Profusely illustrated with over 320 color illustrations the book not only studies the designs themselves but shows the ceremonies the textiles are made for, the traditional weaving methods employed as well other ornamentations such as headpieces and fastenings as well dying techniques and working methods.
Author: Stefani Salkeld
Publisher: Kiva Publishing
ISBN: 9780937808658
Category : Hand weaving
Languages : en
Pages : 86
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Book Description
A catalog for a traveling exhibition of Native American folk art presents and describes hand-woven textiles from the Pueblo, Navajo, and New Mexico Hispanic village cultures
Author: Lynn S. Teague
Publisher:
ISBN:
Category : Dyes and dyeing
Languages : en
Pages : 230
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Book Description
Examines the archaeological evidence for textiles and the materials and technologies used in producing them in the prehistoric Southwest.
Author: Ann Lane Hedlund
Publisher: University of Arizona Press
ISBN: 9780816524129
Category : Art
Languages : en
Pages : 172
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Book Description
According to the Navajos, the holy people Spider Man and Spider Woman first brought the tools for weaving to the People. Over the centuries Navajo artists have used those tools to weave a web of beautyÑa rich tradition that continues to the present day. In testimony to this living art form, this book presents 74 dazzling color plates of Navajo rugs and wall hangings woven between 1971 and 1996. Drawn from a private southwestern collection, they represent the work of sixty of the finest native weavers in the American Southwest. The creations depicted here reflect a number of stylesÑrevival, sandpainting, pictorial, miniature, samplerÑand a number of major regional variations, from Ganado to Teec Nos Pos. Textile authority Ann Hedlund provides an introductory narrative about the development of Navajo textile collectingÑincluding the shift of attention from artifacts to artÑand a brief review of the history of Navajo weaving. She then comments on the shaping of the particular collection represented in the book, offering a rich source of knowledge and insight for other collectors. Explaining themes in Navajo weaving over the quarter-century represented by the Santa Fe Collection, Hedlund focuses on the development of modern rug designs and the influence on weavers of family, community, artistic identity, and the marketplace. She also introduces each section of plates with a description of the representative style, its significance, and the weavers who perpetuate and deviate from it. In addition to the textile plates, Hedlund's color photographs show the families, landscapes, livestock, hogans, and looms that surround today's Navajo weavers. Navajo Weaving in the Late Twentieth Century explores many of the important connections that exist today among weavers through their families and neighbors, and the significant role that collectors play in perpetuating this dynamic art form. For all who appreciate American Indian art and culture, this book provides invaluable guidance to the fine points of collecting and a rich visual feast.
Author: Jennifer McLerran
Publisher: University of Arizona Press
ISBN: 0816543240
Category : Art
Languages : en
Pages : 289
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Book Description
A New Deal for Navajo Weaving provides a detailed history of early to mid-twentieth-century Diné weaving projects by non-Natives who sought to improve the quality and marketability of Navajo weaving but in so doing failed to understand the cultural significance of weaving and its role in the lives of Diné women. By the 1920s the durability and market value of Diné weavings had declined dramatically. Indian welfare advocates established projects aimed at improving the materials and techniques. Private efforts served as models for federal programs instituted by New Deal administrators. Historian Jennifer McLerran details how federal officials developed programs such as the Southwest Range and Sheep Breeding Laboratory at Fort Wingate in New Mexico and the Navajo Arts and Crafts Guild. Other federal efforts included the publication of Native natural dye recipes; the publication of portfolios of weaving designs to guide artisans; and the education of consumers through the exhibition of weavings, aiding them in their purchases and cultivating an upscale market. McLerran details how government officials sought to use these programs to bring the Diné into the national economy; instead, these federal tactics were ineffective because they marginalized Navajo women and ignored the important role weaving plays in the resilience and endurance of wider Diné culture.
Author: Joe Ben Wheat
Publisher: University of Arizona Press
ISBN: 0816549818
Category : Art
Languages : en
Pages : 473
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Book Description
Exquisite blankets, sarapes and ponchos handwoven by southwestern peoples are admired throughout the world. Despite many popularized accounts, serious gaps have existed in our understanding of these textiles—gaps that one man devoted years of scholarly attention to address. During much of his career, anthropologist Joe Ben Wheat (1916-1997) earned a reputation as a preeminent authority on southwestern and plains prehistory. Beginning in 1972, he turned his scientific methods and considerable talents to historical questions as well. He visited dozens of museums to study thousands of nineteenth-century textiles, oversaw chemical tests of dyes from hundreds of yarns, and sought out obscure archives to research the material and documentary basis for textile development. His goal was to establish a key for southwestern textile identification based on the traits that distinguish the Pueblo, Navajo, and Spanish American blanket weaving traditions—and thereby provide a better way of identifying and dating pieces of unknown origin. Wheat's years of research resulted in a masterful classification scheme for southwestern textiles—and a book that establishes an essential baseline for understanding craft production. Nearly completed before Wheat's death, Blanket Weaving in the Southwest describes the evolution of southwestern textiles from the early historic period to the late nineteenth century, establishes a revised chronology for its development, and traces significant changes in materials, techniques, and designs. Wheat first relates what Spanish observers learned about the state of native weaving in the region—a historical review that reveals the impact of new technologies and economies on a traditional craft. Subsequent chapters deal with fibers, yarns, dyes, and fabric structures—including an unprecedented examination of the nature, variety, and origins of bayeta yarns—and with tools, weaves, and finishing techniques. A final chapter, constructed by editor Ann Hedlund from Wheat's notes, provides clues to his evolving ideas about the development of textile design. Hedlund—herself a respected textile scholar and a protégée of Wheat's—is uniquely qualified to interpret the many notes he left behind and brings her own understanding of weaving to every facet of the text. She has ensured that Wheat's research is applicable to the needs of scholars, collectors, and general readers alike. Throughout the text, Wheat discusses and evaluates the distinct traits of the three textile traditions. More than 200 photos demonstrate these features, including 191 color plates depicting a vast array of chief blankets, shoulder blankets, ponchos, sarapes, diyugi, mantas, and dresses from museum collections nationwide. In addition, dozens of line drawings demonstrate the fine points of technique concerning weaves, edge finishes, and corner tassels. Through his groundbreaking and painstaking research, Wheat created a new view of southwestern textile history that goes beyond any other book on the subject. Blanket Weaving in the Southwest addresses a host of unresolved issues in textile research and provides critical tools for resolving them. It is an essential resource for anyone who appreciates the intricacy of these outstanding creations.
