Small-Gauge Storytelling

Small-Gauge Storytelling PDF Author: Ryan Shand
Publisher: Edinburgh University Press
ISBN: 0748656375
Category : Performing Arts
Languages : en
Pages : 288

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Book Description
This book focuses on amateur fiction film-making

Small-Gauge Storytelling

Small-Gauge Storytelling PDF Author: Ryan Shand
Publisher: Edinburgh University Press
ISBN: 0748656375
Category : Performing Arts
Languages : en
Pages : 288

Get Book

Book Description
This book focuses on amateur fiction film-making

Small-Gauge Storytelling

Small-Gauge Storytelling PDF Author: Ryan Shand
Publisher: Edinburgh University Press
ISBN: 0748656359
Category : Performing Arts
Languages : en
Pages : 288

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Book Description
What do you understand by the term 'home movie'? Do you imagine images of babies-on-the lawn, sandcastles on the beach, or travels with the family? Did you know that amateur filmmakers have also explored fictional genres as diverse and fascinating as their professional counterparts, that specific amateur film studios have risen and fallen, or that household-name directors owe their origins and inspirations to the amateur film movement? Across a range of settings from the Canadian north-west to the Russian far-east, this book offers an introduction to the amateur maker of film comedies, thrillers, adaptations and sci-fi. It records the ambitions and achievements of enthusiasts struggling to emulate the mainstream and tell their own stories, armed with limited resources and endless initiative.

British art cinema

British art cinema PDF Author: Paul Newland
Publisher: Manchester University Press
ISBN: 1526133148
Category : Performing Arts
Languages : en
Pages : 433

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Book Description
This is the first book to provide a direct and comprehensive account of British art cinema. Film history has tended to view British filmmakers as aesthetically conservative, but the truth is they have a long tradition of experiment and artistry, both within and beyond the mainstream. Beginning with the silent period and running up to the 2010s, the book draws attention to this tradition while acknowledging that art cinema in Britain is a complex and fluid concept that needs to be considered within broader concerns. It will be of particular interest to scholars and students of British cinema history, film genre, experimental filmmaking, and British cultural history.

Amateur film

Amateur film PDF Author: Heather Norris Nicholson
Publisher: Manchester University Press
ISBN: 1526141183
Category : Performing Arts
Languages : en
Pages : 296

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Book Description
Amateur film: Meaning and practice 1927–77 plunges readers into the world of home movies making and reveals that behind popular perceptions of clichéd family scenes shakily shot at home or by the sea, there is much more to discover. Exploring who, how, where, when and why amateur enthusiasts made and shared their films provides fascinating insights into an often misunderstood aspect of national visual history. This study of how non-professional filmmakers responded to the new possibilities of moving image places decades of cine use into a history of changing visual technologies that span from Edwardian visual toys to mobile phones. Using northern cine club records, interviews and amateur films, the author reveals how film-making practices ranged from family footage to highly crafted edited productions about local life and distant places made by enthusiasts who sought to ‘educate, inspire and entertain’ armchair audiences during the early decades of British television.

Ex-centric Cinema

Ex-centric Cinema PDF Author: Janet Harbord
Publisher: Bloomsbury Publishing USA
ISBN: 1628922419
Category : Performing Arts
Languages : en
Pages : 273

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Book Description
"Demonstrates how Agamben's ideas can enrich and extend our understanding of film as a medium and the cinema as an apparatus, constantly being remade"--

Contemporary British Horror Cinema

Contemporary British Horror Cinema PDF Author: Johnny Walker
Publisher: Edinburgh University Press
ISBN: 0748689745
Category : Business & Economics
Languages : en
Pages : 184

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Book Description
Combining industrial research and primary interview material with detailed textual analysis, Contemporary British Horror Cinema looks beyond the dominant paradigms which have explained away British horror in the past, and sheds light on one of the most dynamic and distinctive "e; yet scarcely talked about "e; areas of contemporary British film production. Considering high-profile theatrical releases, including The Descent, Shaun of the Dead and The Woman in Black, as well as more obscure films such as The Devil's Chair, Resurrecting the Street Walker and Cherry Tree Lane, Contemporary British Horror Cinema provides a thorough examination of British horror film production in the twenty-first century.

Gender and Sexuality in East German Film

Gender and Sexuality in East German Film PDF Author: Kyle Frackman
Publisher: Boydell & Brewer
ISBN: 1571139923
Category : History
Languages : en
Pages : 298

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Book Description
The first scholarly collection in English or German to fully address the treatment of gender and sexuality in the productions of DEFA across genres and in social, political, and cultural context.

Colour Films in Britain

Colour Films in Britain PDF Author: Sarah Street
Publisher: Bloomsbury Publishing
ISBN: 1911239597
Category : Performing Arts
Languages : en
Pages : 385

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Book Description
The story of Eastmancolor's arrival on the British filmmaking scene is one of intermittent trial and error, intense debate and speculation before gradual acceptance. This book traces the journey of its adoption in British Film and considers its lasting significance as one of the most important technical innovations in film history. Through original archival research and interviews with key figures within the industry, the authors examine the role of Eastmancolor in relation to key areas of British cinema since the 1950s; including its economic and structural histories, different studio and industrial strategies, and the wider aesthetic changes that took place with the mass adoption of colour. Their analysis of British cinema through the lens of colour produces new interpretations of key British film genres including social realism, historical and costume drama, science fiction, horror, crime, documentary and even sex films. They explore how colour communicated meaning in films ranging from the Carry On series to Monty Python's Life of Brian (1979), from Lawrence of Arabia (1962) to A Passage to India (1984), and from Goldfinger (1964) to 1984 (1984), and in the work of key directors and cinematographers of both popular and art cinema including Nicolas Roeg, Ken Russell, Ridley Scott, Peter Greenaway and Chris Menges.

Border Crossings and Mobilities on Screen

Border Crossings and Mobilities on Screen PDF Author: Ruxandra Trandafoiu
Publisher: Routledge
ISBN: 100060098X
Category : Social Science
Languages : en
Pages : 228

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Book Description
Border Crossings and Mobilities on Screen explores the movement, fluidity and change characterizing contemporary life, as represented on screen media, from mobile devices, to television, film, computers, video art and advertising displays. People have never moved around more, and increasingly migration and mobility has come to shape both our understandings of ourselves, and the ways in which we interpret and mediate the world we live in. As people move, media plays a key role in shaping and reshaping identity and belonging, opening the doors to transnational and transcultural participation. Drawing on screen media case studies from around the world, this book demonstrates how screen mobilities reconfigure notions of space, place, network and border regimes. The increasing ease of consumption and production of media has allowed for an unprecedented fluidity and mobility of class, gender, sexuality, nation and transnation, individual freedoms and aspirations. Putting people at the core of the book, this book shows the many ways in which people are using screen media to create identity, participation and meaning. The rich picture built up over the many chapters of this interdisciplinary volume raise important questions about the nature of contemporary media experiences. At a time of great change in the ways in which people move and connect with each other, this book provides an important global snapshot for researchers across the fields of media, communication and screen studies; sociology of communication; global studies and transnationalism; cultural studies; culture and identity; digital cultures; travel, tourism and place.

Amateur Media and Participatory Cultures

Amateur Media and Participatory Cultures PDF Author: Annamaria Motrescu-Mayes
Publisher: Routledge
ISBN: 1315396122
Category : Social Science
Languages : en
Pages : 164

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Book Description
Amateur Media and Participatory Cultures aims to delineate the boundary line between today’s amateur media practice and the canons of professional media and film practice. Identifying various feasible interpretative frameworks, from historical to anthropological perspectives, the volume proposes a critical language able to cope with amateur and new media’s rapid technological and interpretative developments. Conscious of the fact that amateur media continue to be seen as the benchmark of visual records of authentic rather than mass-media-derived events, Annamaria Motrescu-Mayes and Susan Aasman pay particular attention to the ways in which diverse sets of concepts of amateur media have now merged across global visual narratives and everyday communication protocols. Building on key research questions and content analysis in media and communication studies, they have assessed differences between professional and amateur media productions based on the ways in which the ‘originators’ of an image have been influenced by, or have challenged, their context of production. This proposes that technical skills, degrees of staging and/or censoring visual information, and patterns in media socialisation define central differences between professional and amateur media production, distribution and consumption. The book’s methodical and interdisciplinary approach provides valuable insights into the ways in which visual priming, cultural experiences and memory-building are currently shaped, stored and redistributed across new media technologies and visual channels.