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Author: Enzo Traverso
Publisher: Columbia University Press
ISBN: 0231555318
Category : History
Languages : en
Pages : 93
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Book Description
Today, history is increasingly written in the first person. A growing number of historical works include an autobiographical dimension, as if writing about the past required exploring the inner life of the author. Neither traditional history nor autobiography, this hybrid genre calls the norms of the historical profession into question. In search of new and creative paths, it transgresses a cardinal rule of the discipline: third-person narration, long considered necessary to the objective analysis of the past. Singular Pasts offers a critical account of the emergence of authorial subjectivity in historical writing, scrutinizing both its achievements and its shortcomings. Enzo Traverso considers a group of contemporary historians, including Ivan Jablonka, Sergio Luzzatto, and Mark Mazower, who reveal their emotional ties to their subjects and give their writing a literary flavor. He identifies a parallel trend in literature, in which authors such as W. G. Sebald, Patrick Modiano, Javier Cercas, and Daniel Mendelsohn write their works as investigations based on archival sources. Traverso argues that first-person history mirrors contemporary ways of thinking: such writing is presentist and apolitical, perceiving and representing the past through an individual lens. Probing the limits of subjective historiography, he emphasizes that it is collective action that produces social change: “we” instead of “I.” In an epilogue, Traverso considers the first-person writing of Saidiya Hartman as a counterexample. A wide-ranging and illuminating critique of a key trend in humanistic inquiry, Singular Pasts reconsiders the notion of historical truth in a neoliberal age.
Author: Enzo Traverso
Publisher: Columbia University Press
ISBN: 0231555318
Category : History
Languages : en
Pages : 93
Get Book
Book Description
Today, history is increasingly written in the first person. A growing number of historical works include an autobiographical dimension, as if writing about the past required exploring the inner life of the author. Neither traditional history nor autobiography, this hybrid genre calls the norms of the historical profession into question. In search of new and creative paths, it transgresses a cardinal rule of the discipline: third-person narration, long considered necessary to the objective analysis of the past. Singular Pasts offers a critical account of the emergence of authorial subjectivity in historical writing, scrutinizing both its achievements and its shortcomings. Enzo Traverso considers a group of contemporary historians, including Ivan Jablonka, Sergio Luzzatto, and Mark Mazower, who reveal their emotional ties to their subjects and give their writing a literary flavor. He identifies a parallel trend in literature, in which authors such as W. G. Sebald, Patrick Modiano, Javier Cercas, and Daniel Mendelsohn write their works as investigations based on archival sources. Traverso argues that first-person history mirrors contemporary ways of thinking: such writing is presentist and apolitical, perceiving and representing the past through an individual lens. Probing the limits of subjective historiography, he emphasizes that it is collective action that produces social change: “we” instead of “I.” In an epilogue, Traverso considers the first-person writing of Saidiya Hartman as a counterexample. A wide-ranging and illuminating critique of a key trend in humanistic inquiry, Singular Pasts reconsiders the notion of historical truth in a neoliberal age.
Author: Kristen Frederickson
Publisher: Univ of California Press
ISBN: 9780520231658
Category : Art
Languages : en
Pages : 292
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Book Description
Contemporary art historians - all of them women - probe the dilemmas and complexities of writing about the woman artist, past and present. These 13 essays address the work and history of specific artists, beginning with the Renaissance and ending with the present day.
Author: Mark Donnelly
Publisher: Routledge
ISBN: 0415565766
Category : Education
Languages : en
Pages : 240
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Book Description
"History as an academic discipline has dramatically changed over the last few decades and has become much more exciting and varied as a result of ideas from other disciplines, the influence of postmodernism and historians' incorporation of their own theoretical reflections into their work. The way history is studied at university level can vary greatly from history at school or as represented in the media and Doing History bridges that gap. Aimed at students of history in their final year of secondary education or beginning degrees, this is the ideal introduction to studying history as an academic subject at university. "Doing History" presents the ideas and debates that shape how we "do" history today, covering arguments about nature of historical knowledge and the function of historical writing, whether we can really ever know what happened in the past, what sources historians depend on, and whether the historians' version of history has more value than popular histories. This practical and accessible introduction to the discipline introduces students to these key discussions, familiarises them with the important terms and issues, equips them with the necessary vocabulary and encourages them to think about, and engage with, these questions. Clearly structured and accessibly written, it is an essential volume for all students embarking on the study of history"--
Author: John Miller Dow Meiklejohn
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 408
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Book Description
Author: Niklas Olsen
Publisher: Berghahn Books
ISBN: 0857452967
Category : History
Languages : en
Pages : 346
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Book Description
Reinhart Koselleck (1923–2006) was one of most imposing and influential European intellectual historians in the twentieth century. Constantly probing and transgressing the boundaries of mainstream historical writing, he created numerous highly innovative approaches, absorbing influences from other academic disciplines as represented in the work of philosophers and political thinkers like Hans Georg Gadamer and Carl Schmitt and that of internationally renowned scholars such as Hayden White, Michel Foucault, and Quentin Skinner. An advocate of "grand theory," Koselleck was an inspiration to many scholars and helped move the discipline into new directions (such as conceptual history, theories of historical times and memory) and across disciplinary and national boundaries. He thus achieved a degree of international fame that was unusual for a German historian after 1945. This book not only presents the life and work of a "great thinker" and European intellectual, it also contributes to our understanding of complex theoretical and methodological issues in the cultural sciences and to our knowledge of the history of political, historical, and cultural thought in Germany from the 1950s to the present.
Author: Michael Riedel
Publisher: Avid Reader Press / Simon & Schuster
ISBN: 1501166638
Category : Biography & Autobiography
Languages : en
Pages : 352
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Book Description
The extraordinary story of a transformative decade on Broadway, featuring gripping behind-the-scenes accounts of shows such as Rent, Angels in America, Chicago, The Lion King, and The Producers—shows that changed the history of the American theater. The 1990s was a decade of profound change on Broadway. At the dawn of the nineties, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber’s Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals, beginning with the ascendance of an unlikely show by a struggling writer who reimagined Puccini’s opera La Bohème as the smash Broadway show Rent. American musical comedy made its grand return, culminating in The Producers, while plays, always an endangered species on Broadway, staged a powerful comeback with Tony Kushner’s Angels in America. A different breed of producers rose up to challenge the grip theater owners had long held on Broadway, and corporations began to see how much money could be made from live theater. And just as Broadway had clawed its way back into the mainstream of American popular culture, the September 11 attacks struck fear into the heart of Americans who thought Times Square might be the next target. But Broadway was back in business just two days later, buoyed by talented theater people intent on bringing New Yorkers together and supporting the economics of an injured city. Michael Riedel presents the drama behind every mega-hit or shocking flop, bringing readers into high-stakes premieres, fraught rehearsals, tough contract negotiations, intense Tony Award battles, and more. From the bitter feuds to the surprising collaborations, all the intrigue of a revolutionary era in the Theater District is packed into Singular Sensation. Broadway has triumphs and disasters, but the show always goes on.
Author: Máiréad Nic Craith
Publisher: Berghahn Books
ISBN: 9781571817723
Category : Political Science
Languages : en
Pages : 256
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Book Description
Northern Ireland is frequently characterised in terms of a two traditions paradigm, representing the conflict as being between two discrete cultures. Demonstrating the reductionist nature of this argument, this book highlights the complexity of reality.
Author: Jean-Luc Nancy
Publisher: Stanford University Press
ISBN: 9780804739757
Category : Philosophy
Languages : en
Pages : 236
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Book Description
This book, by one of the most innovative and challenging contemporary thinkers, rethinks community and the very idea of the social. Nancy's fundamental argument is that being is always "being with," that "I" is not prior to "we," that existence is essentially co-existence.
Author: J. C. Nesfield
Publisher:
ISBN:
Category :
Languages : en
Pages : 508
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Book Description
Author: John Collinson Nesfield
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 514
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Book Description
The plan that has been followed in preparing this book is to carry the student's mind gradually forward from the more easy to the less easy, from the better known to the unknown. The present book is an adaptation of a manual prepared by the same author in India, where English is studied with extraordinary keenness, in an attempt to find the best means of teaching it. It is best to assume that the average student does not know very much to start with, and that every student must be well versed in the principles of modern English, before he can be qualified to begin the much more difficult task of tracing these to their sources. -- from the preface.
