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Author: William Shakespeare
Publisher: Pearson
ISBN: 9780130207548
Category :
Languages : en
Pages : 0
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Book Description
This collection of twelve Shakespearean plays seeks to bring Shakespeare alive through a combination of innovative approaches that treat the plays as "scripts intended for performance" rather than as dull, dry, lifeless historical documents. This is the only book on the market that combines literary and theatrical techniques in a way that engages readers' interest and helps present the characters, situations, and language of the plays in a personal, visceral, and exciting fashion.The twelve popular and frequently performed plays included are A Midsummer Night's Dream, The Taming of the Shrew, Much Ado About Nothing, Twelfth Night, The Merchant of Venice, Henry IV Part I, Romeo and Juliet, Macbeth, Hamlet, Othello, King Lear, and The Tempest.For anyone interested in Shakespeare and his most popular and oft-performed plays. Teachers and producers/directors of dramatic productions will especially appreciate the attention given to each script's language, imagery, cultural/historical context, and staging possibilities.
Author: William Shakespeare
Publisher: Pearson
ISBN: 9780130207548
Category :
Languages : en
Pages : 0
Get Book
Book Description
This collection of twelve Shakespearean plays seeks to bring Shakespeare alive through a combination of innovative approaches that treat the plays as "scripts intended for performance" rather than as dull, dry, lifeless historical documents. This is the only book on the market that combines literary and theatrical techniques in a way that engages readers' interest and helps present the characters, situations, and language of the plays in a personal, visceral, and exciting fashion.The twelve popular and frequently performed plays included are A Midsummer Night's Dream, The Taming of the Shrew, Much Ado About Nothing, Twelfth Night, The Merchant of Venice, Henry IV Part I, Romeo and Juliet, Macbeth, Hamlet, Othello, King Lear, and The Tempest.For anyone interested in Shakespeare and his most popular and oft-performed plays. Teachers and producers/directors of dramatic productions will especially appreciate the attention given to each script's language, imagery, cultural/historical context, and staging possibilities.
Author: Tiffany Stern
Publisher: Psychology Press
ISBN: 041531965X
Category : Drama
Languages : en
Pages : 203
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Book Description
This volume offers a lively introduction to the major issues of the stage and print history of the plays, and discusses what a Shakespeare play actually is.
Author: Julian Curry
Publisher: Nick Hern Books
ISBN: 9781848420779
Category : Drama
Languages : en
Pages : 0
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Book Description
Thirteen leading actors take us behind the scenes, each recreating in detail a memorable performance in one of Shakespeare's major roles. * Brian Cox on Titus Andronicus in Deborah Warner's visceral RSC production * Judi Dench on being directed by Franco Zeffirelli as a twenty-three-year-old Juliet * Ralph Fiennes on Shakespeare's least sympathetic hero Coriolanus * Rebecca Hall on Rosalind in As You Like It, directed by her father, Sir Peter * Derek Jacobi on his hilariously poker-backed Malvolio for Michael Grandage * Jude Law on his Hamlet, a palpable hit in the West End and on Broadway * Adrian Lester on a modern-dress Henry V at the National, during the invasion of Iraq * Ian McKellen on his Macbeth, opposite Judi Dench in Trevor Nunn's RSC production * Helen Mirren on a role she was born for, and has played three times: Cleopatra * Tim Pigott-Smith on Leontes in Peter Hall's Restoration Winter's Tale at the National * Kevin Spacey on his high-tech, modern-dress Richard II * Patrick Stewart on Prospero in Rupert Goold's arctic Tempest for the RSC * Penelope Wilton on Isabella in Jonathan Miller's 'chamber' Measure for Measure The actors discuss their characters, working through the play scene by scene, with refreshing candour and in forensic detail. The result is a masterclass on playing each role, invaluable for other actors and directors, as well as students of Shakespeare - and fascinating for audiences of the plays. Together, the interviews give one of the most comprehensive pictures yet of these characters in performance, and of the choices that these great actors have made in bringing them thrillingly to life. 'These passages of times remembered contribute vividly to the sense of a teemingly creative period when Shakespeare seemed to have been rediscovered.' Trevor Nunn, from his Foreword
Author: Andrew Gurr
Publisher: Oxford Shakespeare Topics
ISBN: 9780198711582
Category : Drama
Languages : en
Pages : 192
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Book Description
By bringing together evidence from different sources--documentary, archaeological, and the play-texts themselves--Staging Shakespeare's Theatres reconstructs the ways in which the plays were originally staged in the theaters of Shakespeare's own time, and shows how the physical possibilities and limitations of these theaters affected both the writing and the performances. The book explains the conditions under which the early playwrights and players worked, their preparation of the plays for the stage, and their rehearsal practices. It looks at the quality of evidence supplied by the surviving play-texts, and the extant to which audiences of the time differed from modern audiences; and it gives vivid examples of how Elizabethan actors made use of gestures, costumes, props, and the theater's specific design features. Stage movement is analyzed through a careful study of how exits and entrances worked on such stages. The final chapter offers a thorough examination of Hamlet as a text for performance, excitingly returning the play to its original staging at the Globe.
Author: Tiffany Stern
Publisher: Psychology Press
ISBN: 9780415319645
Category : Drama
Languages : en
Pages : 208
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Book Description
This volume offers a lively introduction to the major issues of the stage and print history of the plays, and discusses what a Shakespeare play actually is.
Author: Harry Berger
Publisher: Univ of California Press
ISBN: 9780520073067
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
"Will generate lively argument as both an interpretation and the instance of a method. . . . A work of first importance."--Edward Snow, author of A Study of Vermeer "This is the most searching analysis of the differences between reading and playgoing I have yet encountered, and it constitutes a decisive step forward in what is already an engrossing public debate on the subject."--Jonas Barish, author of The Antitheatrical Prejudice
Author: Yu Jin Ko
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409472140
Category : Drama
Languages : en
Pages : 455
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Book Description
Making a unique intervention in an incipient but powerful resurgence of academic interest in character-based approaches to Shakespeare, this book brings scholars and theatre practitioners together to rethink why and how character continues to matter. Contributors seek in particular to expand our notions of what Shakespearean character is, and to extend the range of critical vocabularies in which character criticism can work. The return to character thus involves incorporating as well as contesting postmodern ideas that have radically revised our conceptions of subjectivity and selfhood. At the same time, by engaging theatre practitioners, this book promotes the kind of comprehensive dialogue that is necessary for the common endeavor of sustaining the vitality of Shakespeare's characters.
Author: Peter Thomson
Publisher: Routledge
ISBN: 1136113568
Category : Performing Arts
Languages : en
Pages : 221
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Book Description
Reviews of the First Edition `...valuable and enjoyable reading for all studying Shakespeare's plays.' Following in the patternestablished by John Russell Brown for the excellent series (Theatre and Production Studies), he provides first an account of Shakespeare's company, then a study of three individual plays Twelfth Night, Hamlet and Macbeth as performed by the company. Peter Thomson writes in a crisp, sharp, enlivening style.' TLS '`...the best analysis yet of Elizabethan acting practices, excavated form the texts themselves rather than reconstructed on basis of one monolithic theory, and an essay on Hamlet that is a model of Critical intelligence and theatrical invention.' Yearbook of English Studies `Synthesizes the important facts and summarizes projects with a vigorous prose style, and expertly applies his experience in both practical drama and academic teaching to his discussion.' Review of English Studies
Author: Bill Bryson
Publisher: Harper Collins
ISBN: 006136391X
Category : Biography & Autobiography
Languages : en
Pages : 258
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Book Description
William Shakespeare, the most celebrated poet in the English language, left behind nearly a million words of text, but his biography has long been a thicket of wild supposition arranged around scant facts. With a steady hand and his trademark wit, Bill Bryson sorts through this colorful muddle to reveal the man himself. Bryson documents the efforts of earlier scholars, from today's most respected academics to eccentrics like Delia Bacon, an American who developed a firm but unsubstantiated conviction that her namesake, Francis Bacon, was the true author of Shakespeare's plays. Emulating the style of his famous travelogues, Bryson records episodes in his research, including a visit to a basement room in Washington, D.C., where the world's largest collection of First Folios is housed. Bryson celebrates Shakespeare as a writer of unimaginable talent and enormous inventiveness. His Shakespeare is like no one else's–the beneficiary of Bryson's genial nature, his engaging skepticism, and a gift for storytelling unrivalled in our time.
Author: Stanley Wells
Publisher: Cambridge University Press
ISBN: 1139826484
Category : Drama
Languages : en
Pages :
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Book Description
This 2002 Companion is designed for readers interested in past and present productions of Shakespeare's plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early staging of Shakespeare's own time, through to the present day. Each relates Shakespearean developments to broader cultural concerns and adopts an individual approach and focus, on textual adaptation, acting, stages, scenery or theatre management. These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles. A section on international performance includes chapters on interculturalism, on touring companies and on political theatre, with separate accounts of the performing traditions of North America, Asia and Africa. Over forty pictures illustrate peformers and productions of Shakespeare from around the world. An amalgamated list of items for further reading completes the book.
