Author: Arthur Foote
Publisher: Serenissima Music, Inc.
ISBN: 9781932419900
Category : Music
Languages : en
Pages : 38
Get Book
Book Description
Foote's 20-minute gem was actually pieced together from a couple of earlier, unpublished string orchestra works: three movements from the 1886 Suite in E major, Op.12; and two movements from the 1889 Suite in D major, Op.21. In 1891, the composer re-worked these into the present five-movement work which was given its premiere by the Baltimore Symphony in January 1893. This new study score is a digitally-enhanced reprint of the one issued by Arthur P. Schmidt in 1892.
Author: Arthur Foote
Publisher: Serenissima Music, Inc.
ISBN: 193241990X
Category : Music
Languages : en
Pages : 34
Get Book
Book Description
Foote's 20-minute gem was actually pieced together from a couple of earlier, unpublished string orchestra works: three movements from the 1886 Suite in E major, Op.12; and two movements from the 1889 Suite in D major, Op.21. In 1891, the composer re-worked these into the present five-movement work which was given its premiere by the Baltimore Symphony in January 1893. This new study score is a digitally-enhanced reprint of the one issued by Arthur P. Schmidt in 1892.
Author: Georges Jean-Aubry
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 670
Get Book
Book Description
Author: Frederick Shepherd Converse
Publisher:
ISBN:
Category : Cantatas, Secular (Men's voices)
Languages : en
Pages : 48
Get Book
Book Description
Author: Nicholas E. Tawa
Publisher: Scarecrow Press
ISBN: 9780810832954
Category : Biography & Autobiography
Languages : en
Pages : 518
Get Book
Book Description
Gathers all the available information on Arthur Foote (1853-1937), one of the most important American composers who worked creatively in the late 19th and early 20th centuries. With bibliography and musical examples.
Author: Robert Kurka
Publisher:
ISBN:
Category : Chamber orchestra music
Languages : en
Pages : 64
Get Book
Book Description
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Orchestral music
Languages : en
Pages : 694
Get Book
Book Description
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Orchestral music
Languages : en
Pages : 676
Get Book
Book Description
Author: Frederick Shepherd Converse
Publisher: Palala Press
ISBN: 9781340802820
Category :
Languages : en
Pages : 46
Get Book
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Bill F. Faucett
Publisher: Lexington Books
ISBN: 1498537391
Category : Music
Languages : en
Pages : 294
Get Book
Book Description
Music in Boston: Composers, Events, and Ideas, 1852–1918 is a history of the city’s classical-music culture in the period that begins a decade before the American Civil War and extends to the close of the Great War. The book provides insights into the intellectual foundation of Boston's musical development as revealed in the writings of its significant critics and thinkers, including John Sullivan Dwight, John Knowles Paine, William Foster Apthorp, and others. It also examines the influence of outsiders—Patrick Gilmore, Theodore Thomas, Richard Wagner, New York’s Metropolitan Opera, and Richard Strauss—on Boston’s performance and composition scene while also considering events that affected music in Boston, such as the building of the Music Hall, the acquisition of its Great Organ, the National Peace Jubilee, Chicago’s Columbian Exposition, Boston’s first Wagner Festival, and the rise and fall of the Boston Opera Company. Music in Boston also accounts for the ascent of the Second New England School of composers—John Knowles Paine, Edward MacDowell, George Whitefield Chadwick, Amy Beach and others—and discusses their key compositions and legacy. Finally, the book explores Boston itself: its transformations via immigration, its ever-changing topography, and its economy.
