Scripture and Song in Nineteenth-Century Britain PDF Download
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Author: James Grande
Publisher: Bloomsbury Publishing USA
ISBN: 150137639X
Category : Music
Languages : en
Pages : 247
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Book Description
This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.
Author: James Grande
Publisher: Bloomsbury Publishing USA
ISBN: 150137639X
Category : Music
Languages : en
Pages : 247
Get Book
Book Description
This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.
Author: Susan Drain
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 690
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Book Description
Discusses the theory and function of hymnody, Anglican hymnody, compilation, printing, and circulation, with an eye to proving that each hymn within a collection had its own purpose and its own intended use.
Author: Martin Clarke
Publisher: Routledge
ISBN: 1317092260
Category : Music
Languages : en
Pages : 280
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Book Description
The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians including Jeremy Begbie, Quentin Faulkner and Jon Michael Spencer. Their important work has opened up opportunities for focussed, critical studies of the ways in which music and theology can be seen to interact in specific repertoires, genres, and institutions as well as the work of particular composers, religious leaders and scholars. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain. The book does not simply present a history of sacred music of the period, but examines the role of music in the diverse religious life of a century that encompassed the Oxford Movement, Catholic Emancipation, religious revivals involving many different denominations, the production of several landmark hymnals and greater legal recognition for religions other than Christianity. The book therefore provides a valuable guide to the music of this complex historical period.
Author: Tom Bragg
Publisher: Routledge
ISBN: 1317052056
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
Demonstrating that nineteenth-century historical novelists played their rational, trustworthy narrators against shifting and untrustworthy depictions of space and place, Tom Bragg argues that the result was a flexible form of fiction that could be modified to reflect both the different historical visions of the authors and the changing aesthetic tastes of the reader. Bragg focuses on Scott, William Harrison Ainsworth, and Edward Bulwer Lytton, identifying links between spatial representation and the historical novel's multi-generic rendering of history and narrative. Even though their understanding of history and historical process could not be more different, all writers employed space and place to mirror narrative, stimulate discussion, interrogate historical inquiry, or otherwise comment beyond the rational, factual narrator's point of view. Bragg also traces how landscape depictions in all three authors' works inculcated heroic masculine values to show how a dominating theme of the genre endures even through widely differing versions of the form. In taking historical novels beyond the localized questions of political and regional context, Bragg reveals the genre's relevance to general discussions about the novel and its development. Nineteenth-century readers of the novel understood historical fiction to be epic and serious, moral and healthful, patriotic but also universal. Space and Narrative in the Nineteenth-Century British Historical Novel takes this readership at its word and acknowledges the complexity and diversity of the form by examining one of its few continuous features: a flexibly metaphorical valuation of space and place.
Author: David Atkinson
Publisher: Routledge
ISBN: 1317049217
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
In recent years, the assumption that traditional songs originated from a primarily oral tradition has been challenged by research into ’street literature’ - that is, the cheap printed broadsides and chapbooks that poured from the presses of jobbing printers from the late sixteenth century until the beginning of the twentieth. Not only are some traditional singers known to have learned songs from printed sources, but most of the songs were composed by professional writers and reached the populace in printed form. Street Ballads in Nineteenth-Century Britain, Ireland, and North America engages with the long-running debate over the origin of traditional songs by examining street literature’s interaction with, and influence on, oral traditions.
Author: F. Scott Spencer
Publisher: Liturgical Press
ISBN: 0814681492
Category : Religion
Languages : en
Pages : 306
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Book Description
Arguably the biggest blockbuster love song ever composed, the Song of Songs holds a unique place in Jewish and Christian canons as the "holiest" book, in the minds of some readers, and the sexiest in its language and imagery. This commentary aims to interpret this vibrant Song in a contemporary feminist key, informed by close linguistic-literary and social-cultural analysis. Though finding much in the Song to celebrate for women (and men) in their embodied, passionate lives, this work also exposes tensions, vulnerabilities, and inequities between the sexes and among society at large-just what we would expect of a perceptive, poignant love ballad that still tops the charts.
Author: John Maiden
Publisher: Oxford University Press
ISBN: 0198847491
Category : Religion
Languages : en
Pages : 280
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Book Description
This expansive study offers an interpretation of the 'new Pentecost': the rise of charismatic Christianity, before, during, and after the 'long 1960s'. It examines the translocal actors, networks, and media which constructed a 'Spiritscape' of charismatic renewal in the Anglo-world contexts of Australia, the British Isles, Canada, New Zealand, South Africa, and the United States. It places this arena also in a wider and dynamic worldwide setting, exploring the ways in which charismatic imaginations of an 'age of the Spirit' were shaped by interpenetrations with the 'Third World', the Soviet Bloc, and beyond in the global Sixties and Seventies. Age of the Spirit explains charismatic developments within Protestantism and Catholicism, mainline and non-denominational churches, and within existing pentecostalisms, and places these in relation to lively scholarly themes such as secularisation, authenticity, and cosmopolitanism. It offers an unrivalled analysis of charismatic music, books, television, conferences, personalities, community living, and controversies in the 1960s and 1970s. It looks forward to the many global legacies of charismatic renewal, for example in relation to the politics of sexuality in the Anglican Communion, or to support for President Donald J. Trump. The essential question at the heart of this book is relevant for scholars and practitioners of Christianity alike: how did charismatic renewal transform the churches in the twentieth century, moving from the periphery to the mainstream?
Author: Clare A. Simmons
Publisher: Boydell & Brewer
ISBN: 1843845733
Category : Civilization, Medieval
Languages : en
Pages : 239
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Book Description
A survey of the rituals of the year in Victorian England, showing the influence of the Middle Ages.
Author: Edward J. Gillin
Publisher: Taylor & Francis
ISBN: 100380523X
Category : History
Languages : en
Pages : 413
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Book Description
Science and Sound in Nineteenth-Century Britain is a four-volume set of primary sources which seeks to define our historical understanding of the relationship between British scientific knowledge and sound between 1815 and 1900. In the context of rapid urbanization and industrialization, as well as a growing overseas empire, Britain was home to a rich scientific culture in which the ear was as valuable an organ as the eye for examining nature. Experiments on how sound behaved informed new understandings of how a diverse array of natural phenomena operated, notably those of heat, light, and electro-magnetism. In nineteenth-century Britain, sound was not just a phenomenon to be studied, but central to the practice of science itself and broader understandings over nature and the universe. This collection, accompanied by extensive editorial commentary, will be of great interest to students and scholars of the History of Science.
Author: Randall Heskett
Publisher: Bloomsbury Publishing USA
ISBN: 0567092038
Category : Religion
Languages : en
Pages : 400
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Book Description
This work represents the attempts of several major scholars to respond to the historical problems presented throughout the biblical testimony and their description of what this means for reading scripture. Walter Brueggemann, for example, has written a wonderful article on various historical problems within the book of Genesis, beginning with Von Rad's and Noth's use of source criticism and his own understanding of how historically dissimilar texts can function within scripture. This book honors the work and life of Gerald Sheppard, who broke ground in biblical studies by describing what it means to read the Bible as Jewish and Christian Scripture. It distinguishes between the original historical dimensions of the text or mere redaction levels of tradition history and what Sheppard regarded as the "Scriptural Form" of the biblical testimony. It provides new and fresh ways for describing scripture as both a human testimony and also divine revelation. The Bible as a Human Witness to Divine Revelation provides examples of how major scholars have responded to the limits of the older-modern criticisms within the framework of still applying a variety of historical criticisms and paying attention to the later formation and context of the biblical book. It also helps readers understand how to hear "the word of God" through biblical text that are filled with historical dissimilarities or even contradictions. The book shows scholarly examples that respond to crises of both the pre-modern and modern eras as unfinished projects because pre-modernity tended to ignore the human dimensions of scripture and modernity tended to limit its inquiry only to that single dimension
