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Author: Peter X. Feng
Publisher: Rutgers University Press
ISBN: 9780813530253
Category : Business & Economics
Languages : en
Pages : 324
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Book Description
A Choice Outstanding Academic Title "Cover to cover, Screening Asian Americans, a collection of 15 essays, is fabulous."--AsianWeek.com "This scholarly book uses 15 contributors to explore the various images of Asians, many of which have been negative."-Burlington County Times This innovative essay collection explores Asian American cinematic representations historically and socially, on and off screen, as they contribute to the definition of American character. The history of Asian Americans on movie screens, as outlined in Peter X Feng's introduction, provides a context for the individual readings that follow. Asian American cinema is charted in its diversity, ranging across activist, documentary, experimental, and fictional modes, and encompassing a wide range of ethnicities (Filipino, Vietnamese, Indian, Japanese, Korean, Chinese, and Taiwanese). Covered in the discussion are filmmakers--Theresa Hak Kyung Cha, Ang Lee, Trinh T. Minh-ha, and Wayne Wang--and films such as The Wedding Banquet, Surname Viet Given Name Nam, and Chan is Missing. Throughout the volume, as Feng explains, the term screening has a twofold meaning-referring to the projection of Asian Americans as cinematic bodies and the screening out of elements connected with these images. In this doubling, film representation can function to define what is American and what is foreign. Asian American filmmaking is one of the fastest growing areas of independent and studio production. This volume is key to understanding the vitality of this new cinema. A volume in the Depth of Field Series, edited by Charles Affron, Mirella Jona Affron, and Robert Lyons Peter X Feng teaches English and women's studies at the University of Delaware.
Author: Peter X. Feng
Publisher: Rutgers University Press
ISBN: 9780813530253
Category : Business & Economics
Languages : en
Pages : 324
Get Book
Book Description
A Choice Outstanding Academic Title "Cover to cover, Screening Asian Americans, a collection of 15 essays, is fabulous."--AsianWeek.com "This scholarly book uses 15 contributors to explore the various images of Asians, many of which have been negative."-Burlington County Times This innovative essay collection explores Asian American cinematic representations historically and socially, on and off screen, as they contribute to the definition of American character. The history of Asian Americans on movie screens, as outlined in Peter X Feng's introduction, provides a context for the individual readings that follow. Asian American cinema is charted in its diversity, ranging across activist, documentary, experimental, and fictional modes, and encompassing a wide range of ethnicities (Filipino, Vietnamese, Indian, Japanese, Korean, Chinese, and Taiwanese). Covered in the discussion are filmmakers--Theresa Hak Kyung Cha, Ang Lee, Trinh T. Minh-ha, and Wayne Wang--and films such as The Wedding Banquet, Surname Viet Given Name Nam, and Chan is Missing. Throughout the volume, as Feng explains, the term screening has a twofold meaning-referring to the projection of Asian Americans as cinematic bodies and the screening out of elements connected with these images. In this doubling, film representation can function to define what is American and what is foreign. Asian American filmmaking is one of the fastest growing areas of independent and studio production. This volume is key to understanding the vitality of this new cinema. A volume in the Depth of Field Series, edited by Charles Affron, Mirella Jona Affron, and Robert Lyons Peter X Feng teaches English and women's studies at the University of Delaware.
Author: Peter X. Feng
Publisher:
ISBN:
Category : Asian Americans in motion pictures
Languages : en
Pages : 0
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Book Description
This essay collection explores Asian-American cinematic representations historically and socially, on and off screen, as they contribute to the definition of American character.
Author: Darrell Y. Hamamoto
Publisher: Temple University Press
ISBN: 9781566397766
Category : History
Languages : en
Pages : 338
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Book Description
Spotlighting Asian Americans on both sides of the motion picture camera, Countervisions examines the aesthetics, material circumstances, and politics of a broad spectrum of films released in the last thirty years. This anthology focuses in particular on the growing presence of Asian Americans as makers of independent films and cross-over successes. Essays of film criticism and interviews with film makers emphasize matters of cultural agency--that is, the practices through which Asian American actors, directors, and audience members have shaped their own cinematic images. One of the anthology's key contributions is to trace the evolution of Asian American independent film practice over thirty years. Essays on the Japanese American internment and historical memory, essays on films by women and queer artists, and the reflections of individual film makers discuss independent productions as subverting or opposing the conventions of commercial cinema. But Countervisions also resists simplistic readings of "mainstream" film representations of Asian Americans and enumerations of negative images. Writing about Hollywood stars Anna May Wong and Nancy Kwan, director Wayne Wang, and erotic films, several contributors probe into the complex and ambivalent responses of Asian American audiences to stereotypical roles and commerical success. Taken together, the spirited, illuminating essays in this collection offer an unprecedented examination of a flourishing cultural production. Author note: Darrell Y. Hamamoto is Associate Professor in the Asian American Studies Program at the University of California, Davis. He is the author of Nervous Laughter: Television Situation Comedy and Liberal Democratic Ideology, Monitored Peril: Asian Americans and the Poltics of Television Representation, and New American Destinies: a Reader in Contemporary Asian and Latino Immigration. Sandra Liu is a Ph.D. candidate in the Department of Ethnic Studies, University of California, Berkeley.
Author: Peter X Feng
Publisher: Duke University Press
ISBN: 0822383985
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
This innovative book shows how Asian American filmmakers and videomakers frame and are framed by history—how they define and are defined by cinematic projections of Asian American identity. Combining close readings of films and videos, sophisticated cultural analyses, and detailed production histories that reveal the complex forces at play in the making and distributing of these movies, Identities in Motion offers an illuminating interpretative framework for assessing the extraordinary range of Asian American films produced in North America. Peter X Feng considers a wide range of works—from genres such as detective films to romantic comedies to ethnographic films, documentaries, avant-garde videos, newsreels, travelogues, and even home movies. Feng begins by examining movies about three crucial moments that defined the American nation and the roles of Asian Americans within it: the arrival of Chinese and Japanese women in the American West and Hawai’i; the incorporation of the Philippines into the U.S. empire; and the internment of Japanese Americans during World War II. In subsequent chapters Feng discusses cinematic depictions of ideological conflicts among Asian Americans and of the complex forces that compel migration, extending his nuanced analysis of the intersections of sexuality, ethnicity, and nationalist movements. Identities in Motion illuminates the fluidity of Asian American identities, expressing the diversity and complexity of Asian Americans—including Filipinos, Indonesians, Chinese, Japanese, Vietnamese, Laotians, Indians, and Koreans—from the nineteenth to the twenty-first century.
Author: Bhoomi K. Thakore
Publisher: Lexington Books
ISBN: 1498506577
Category : Social Science
Languages : en
Pages : 178
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Book Description
Analyzing audience perceptions of South Asian characters in U.S. television and film, Thakore argues for the importance of understanding these representations as they influence the positioning of South Asians in the twenty-first century U.S. racial hierarchy.
Author: Jeff Yang
Publisher: Black Dog & Leventhal
ISBN: 0762482230
Category : Performing Arts
Languages : en
Pages : 630
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Book Description
From a New York Times bestselling author, this groundbreaking book celebrates and examines the history of Asian Americans on the big screen, exploring how iconic films have shaped Hollywood, representation, and American culture. In 2018, the critical and financial success of Crazy Rich Asians ignited new fires in Hollywood to create and back Asian-centric stories. Since then, the number of movies featuring Asian Americans, either in front or behind the camera, has boomed and ushered in a new era of filmmaking. But many films, like The Joy Luck Club in 1993, paved the way for Asian American-led films before Crazy Rich Asians and to today. The Golden Screen is an in-depth look at those films, and the factors that played into their success. The Golden Screen includes commentary and conversations from Hollywood's most visible faces, such as Simu Liu, Lulu Wang, Daniel Dae Kim, Janet Yang, Ronny Chieng, Alice Wu, and Ken Jeong. See the movies that inspired today's modern stars to enter moviemaking, and how they're paying it forward to the next wave of creators. Featuring beautiful, original artwork from nine esteemed Asian illustrators, including: Toma Nguyen, barbarian flower, Jun Cen, Cryssy Cheung, Cliff Chiang, Yu-Ming Huang, JiYeun Kang, Ashraf Omar, and Zi Xu. A beautiful keepsake and collection of over 100 photographs and original art, The Golden Screen is perfect for movie and history fans alike, and reaffirms the importance of the Asian American film canon, and all the people involved, in an increasingly diverse Hollywood.
Author: Celine Parreñas Shimizu
Publisher: Duke University Press
ISBN: 1478027770
Category : Social Science
Languages : en
Pages : 166
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Book Description
In The Movies of Racial Childhoods Celine Parreñas Shimizu examines early twenty-first-century cinematic representations of Asian and Asian American children. Drawing on psychoanalysis and her own perspective as a mother grieving for a deceased child, Shimizu considers how cinema renders Asian American children through sexualized racial difference, infantilization, and premature adultification. She looks at how Asian American childhood is characterized in film through experiences of alienation and trauma and contends that childhood development requires finding freedom and self-sovereignty through agentic attunement. In analyzing films that focus on queer Asian American youth such as Spa Night (2016) and Driveways (2019) and those that explore the trauma of being an immigrant like Yellow Rose (2019) and The Half of It (2020), Shimizu demonstrates that films can prompt viewers to evaluate their own childhood development. They also allow the opportunity to understand the demands placed upon Asian American children, particularly in regard to race and sexuality. In this way, cinema becomes a vehicle for empowering our inner child and the children all around us.
Author: Helen Zia
Publisher: Macmillan
ISBN: 9780374527365
Category : Social Science
Languages : en
Pages : 370
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Book Description
" ... about the transformation of Asian Americans ... into a self-identified racial group that is influencing every aspect of American society."--Jacket.
Author: Jun Xing
Publisher: Rowman Altamira
ISBN: 9780761991762
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
In Asian America Through the Lens, Jun Xing surveys Asian American cinema, allowing its aesthetic, cultural, and political diversity and continuities to emerge.
Author: Allyson Nadia Field
Publisher: Duke University Press
ISBN: 1478005602
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films as well as other forms of nontheatrical filmmaking. From filmic depictions of Native Americans and films by 1920s African American religious leaders to a government educational film about the unequal treatment of Latin American immigrants, these films portrayed—for various purposes and intentions—the lives of those who were mostly excluded from the commercial films being produced in Hollywood. This volume is more than an examination of a broad swath of neglected twentieth-century filmmaking; it is a reevaluation of basic assumptions about American film culture and the place of race within it. Contributors. Crystal Mun-hye Baik, Jasmyn R. Castro, Nadine Chan, Mark Garrett Cooper, Dino Everett, Allyson Nadia Field, Walter Forsberg, Joshua Glick, Tanya Goldman, Marsha Gordon, Noelle Griffis, Colin Gunckel, Michelle Kelley, Todd Kushigemachi, Martin L. Johnson, Caitlin McGrath, Elena Rossi-Snook, Laura Isabel Serna, Jacqueline Najuma Stewart, Dan Streible, Lauren Tilton, Noah Tsika, Travis L. Wagner, Colin Williamson
