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Author: Matteo Valleriani
Publisher: Springer Nature
ISBN: 3031113179
Category : Science
Languages : en
Pages : 369
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Book Description
This book explores continuity and ruptures in the historical use of visual representations in science and related disciplines such as art history and anthropology. The book also considers more recent developments that attest to the unprecedented importance of scientific visualizations, such as video recordings, animations, simulations, graphs, and enhanced realities. The volume collects historical reflections concerned with the use of visual material, visualization, and vision in science from a historical perspective, ranging across multiple cultures from antiquity until present day. The focus is on visual representations such as drawings, prints, tables, mathematical symbols, photos, data visualizations, mapping processes, and (on a meta-level) visualizations of data extracted from historical sources to visually support the historical research itself. Continuity and ruptures between the past and present use of visual material are presented against the backdrop of the epistemic functions of visual material in science. The function of visual material is defined according to three major epistemic categories: exploration, transformation, and transmission of knowledge.
Author: Matteo Valleriani
Publisher: Springer Nature
ISBN: 3031113179
Category : Science
Languages : en
Pages : 369
Get Book
Book Description
This book explores continuity and ruptures in the historical use of visual representations in science and related disciplines such as art history and anthropology. The book also considers more recent developments that attest to the unprecedented importance of scientific visualizations, such as video recordings, animations, simulations, graphs, and enhanced realities. The volume collects historical reflections concerned with the use of visual material, visualization, and vision in science from a historical perspective, ranging across multiple cultures from antiquity until present day. The focus is on visual representations such as drawings, prints, tables, mathematical symbols, photos, data visualizations, mapping processes, and (on a meta-level) visualizations of data extracted from historical sources to visually support the historical research itself. Continuity and ruptures between the past and present use of visual material are presented against the backdrop of the epistemic functions of visual material in science. The function of visual material is defined according to three major epistemic categories: exploration, transformation, and transmission of knowledge.
Author: Klaus Hentschel
Publisher: Oxford University Press, USA
ISBN: 0198717873
Category : Science
Languages : en
Pages : 523
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Book Description
What makes a good scientific image? Is science defined by its pictures? The present book offers a broad comparative survey of the history, generation, use and function of images in scientific practice based on an extensive range of historical sources in the natural sciences, technology and medicine, particularly physics, astronomy, and chemistry.
Author: Luc Pauwels
Publisher: UPNE
ISBN: 9781584655121
Category : Art
Languages : en
Pages : 338
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Book Description
A new collection explores the complex role of visual representation in science.
Author: Michael Friendly
Publisher: Harvard University Press
ISBN: 0674259041
Category : Science
Languages : en
Pages : 337
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Book Description
A comprehensive history of data visualization—its origins, rise, and effects on the ways we think about and solve problems. With complex information everywhere, graphics have become indispensable to our daily lives. Navigation apps show real-time, interactive traffic data. A color-coded map of exit polls details election balloting down to the county level. Charts communicate stock market trends, government spending, and the dangers of epidemics. A History of Data Visualization and Graphic Communication tells the story of how graphics left the exclusive confines of scientific research and became ubiquitous. As data visualization spread, it changed the way we think. Michael Friendly and Howard Wainer take us back to the beginnings of graphic communication in the mid-seventeenth century, when the Dutch cartographer Michael Florent van Langren created the first chart of statistical data, which showed estimates of the distance from Rome to Toledo. By 1786 William Playfair had invented the line graph and bar chart to explain trade imports and exports. In the nineteenth century, the “golden age” of data display, graphics found new uses in tracking disease outbreaks and understanding social issues. Friendly and Wainer make the case that the explosion in graphical communication both reinforced and was advanced by a cognitive revolution: visual thinking. Across disciplines, people realized that information could be conveyed more effectively by visual displays than by words or tables of numbers. Through stories and illustrations, A History of Data Visualization and Graphic Communication details the 400-year evolution of an intellectual framework that has become essential to both science and society at large.
Author: Brian Scott Baigrie
Publisher: University of Toronto Press
ISBN: 9780802074393
Category : Science
Languages : en
Pages : 420
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Book Description
The contributors to this volume examine the historical and philosophical issues concerning the role that scientific illustration plays in the creation of scientific knowledge.
Author: Klaus Hentschel
Publisher:
ISBN: 9780198509530
Category : Research
Languages : en
Pages : 596
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Book Description
Ever since the boom of spectrum analysis in the 1860s, spectroscopy has become one of the most fruitful research technologies in analytic chemistry, physics, astronomy, and other sciences. This book is the first in-depth study of the ways in which various types of spectra, especially the sun's Fraunhofer lines, have been recorded, displayed, and interpreted. The book assesses the virtues and pitfalls of various types of depictions, including hand sketches, woodcuts, engravings, lithographs and, from the late 1870s onwards, photomechanical reproductions. The material of a 19th-century engraver or lithographer, the daily research practice of a spectroscopist in the laboratory, or a student's use of spectrum posters in the classroom, all are looked at and documented here. For pioneers of photography such as John Herschel or Hermann Wilhelm Vogel, the spectrum even served as a prime test object for gauging the color sensitivity of their processes. This is a broad, contextual portrayal of the visual culture of spectroscopy in the 19th and early 20th centuries. The illustrations are not confined to spectra--they show instruments, laboratories, people at work, and plates of printing manuals. The result is a multifacetted description, focusing on the period from Fraunhofer up to the beginning of Bohr's quantum theory. A great deal of new and fascinating material from two dozen archives has been included. A must for anyone interested in the history of modern science or in research practice using visual representations.
Author: Daniel Rosenberg
Publisher: Princeton Architectural Press
ISBN: 1616891726
Category : Art
Languages : en
Pages : 273
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Book Description
Our critically acclaimed smash hit Cartographies of Time is now available in paperback. In this first comprehensive history of graphic representations of time, authors Daniel Rosenberg and Anthony Grafton have crafted a lively history featuring fanciful characters and unexpected twists and turns. From medieval manuscripts to websites, Cartographies of Time features a wide variety of timelines that in their own unique ways, curving, crossing, branching, defy conventional thinking about the form. A fifty-four-foot-long timeline from 1753 is mounted on a scroll and encased in a protective box. Another timeline uses the different parts of the human body to show the genealogies of Jesus Christ and the rulers of Saxony. Ladders created by missionaries in eighteenth-century Oregon illustrate Bible stories in a vertical format to convert Native Americans. Also included is the April 1912 Marconi North Atlantic Communication chart, which tracked ships, including the Titanic, at points in time rather than by their geographic location, alongside little-known works by famous figures, including a historical chronology by the mapmaker Gerardus Mercator and a chronological board game patented by Mark Twain. Presented in a lavishly illustrated edition, Cartographies of Time is a revelation to anyone interested in the role visual forms have played in our evolving conception of history
Author: Wolfgang Lefèvre
Publisher: Birkhäuser
ISBN: 3034880995
Category : Science
Languages : en
Pages : 311
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Book Description
The book is dedicated to the role of visual representations in the history of early modern science. It brings together historical case studies from various fields and discusses epistemological questions such as the role of images as mediatory instances between practical and theoretical knowledge, the interaction between images and texts, and the potential of images to synthesize fragments of knowledge to a global picture.
Author: Arne Hessenbruch
Publisher: Routledge
ISBN: 1134263015
Category : History
Languages : en
Pages : 965
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Book Description
The Reader's Guide to the History of Science looks at the literature of science in some 550 entries on individuals (Einstein), institutions and disciplines (Mathematics), general themes (Romantic Science) and central concepts (Paradigm and Fact). The history of science is construed widely to include the history of medicine and technology as is reflected in the range of disciplines from which the international team of 200 contributors are drawn.
Author: Lotte Philipsen
Publisher: Routledge
ISBN: 1317194144
Category : Art
Languages : en
Pages : 150
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Book Description
How can cartoon images aid in understanding bacterial biological processes? What prompts physicists to blur their images before showing them to biologists? Considering that the astronomer’s data consists solely of invisible, electric impulses, what is the difference between representing outer space as images, graphs, or sound? How does a work of contemporary art differ from a scientific image if we cannot visually distinguish between the two? How do aesthetics, art, and design influence scientific visualization and vice versa? This volume asks critically important questions about scientific data representation and provides significant insights to a field that is interdisciplinary in its very core. The authors investigate scientific data representation through the joint optics of the humanities and natural sciences. The volume particularly appeals to scholars in visual and aesthetic studies, data visualization, scientific illustration, experience culture, information design, and science communication.
