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Author: Juliane Brand
Publisher: Univ of California Press
ISBN: 9780520203143
Category : Music
Languages : en
Pages : 260
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Book Description
"There cannot ever be too many good books about Schoenberg, and so it is a special pleasure to welcome Constructive Dissonance, which is far beyond just 'good.' These essays cover a generous range in style and idea. Many of them also are deeply moving, and nothing could be more appropriate for the composer of our century's most fiercely intense music."--Michael Steinberg, author of The Symphony: A Listener's Guide "Although much has been written about Schoenberg, no group of essays examines his life and work in such a broad context. Here we find Schoenberg's matrix: the social, cultural, political, and artistic currents that helped shape him, and to which he made his own extraordinary contribution."--Robert P. Morgan, author of Twentieth-Century Music "As we approach the turn of this century, it is clear that Arnold Schoenberg must becounted as one of the most important figures in Western art music during the last one hundred years. Schoenberg's influence on art-music culture has not only worked its effects through his music, but also through his thinking and writing about music. This collection makes a fitting tribute to Schoenberg and does an admirable job of presenting the many facets of Schoenberg the composer, music theorist, and thinker. These thought-provoking essays present a broad range of approaches to a rich variety of topics within Schoenberg scholarship, and readers will find both familiar and not-so-familiar issues arising during the course of the volume. Constructive Dissonance is certain to become an important book for those interested in twentieth-century art music and culture, and seminal reading for anyone interested in Arnold Schoenberg and his work."--John Covach, University of North Carolina at Chapel Hill
Author: Juliane Brand
Publisher: Univ of California Press
ISBN: 9780520203143
Category : Music
Languages : en
Pages : 260
Get Book
Book Description
"There cannot ever be too many good books about Schoenberg, and so it is a special pleasure to welcome Constructive Dissonance, which is far beyond just 'good.' These essays cover a generous range in style and idea. Many of them also are deeply moving, and nothing could be more appropriate for the composer of our century's most fiercely intense music."--Michael Steinberg, author of The Symphony: A Listener's Guide "Although much has been written about Schoenberg, no group of essays examines his life and work in such a broad context. Here we find Schoenberg's matrix: the social, cultural, political, and artistic currents that helped shape him, and to which he made his own extraordinary contribution."--Robert P. Morgan, author of Twentieth-Century Music "As we approach the turn of this century, it is clear that Arnold Schoenberg must becounted as one of the most important figures in Western art music during the last one hundred years. Schoenberg's influence on art-music culture has not only worked its effects through his music, but also through his thinking and writing about music. This collection makes a fitting tribute to Schoenberg and does an admirable job of presenting the many facets of Schoenberg the composer, music theorist, and thinker. These thought-provoking essays present a broad range of approaches to a rich variety of topics within Schoenberg scholarship, and readers will find both familiar and not-so-familiar issues arising during the course of the volume. Constructive Dissonance is certain to become an important book for those interested in twentieth-century art music and culture, and seminal reading for anyone interested in Arnold Schoenberg and his work."--John Covach, University of North Carolina at Chapel Hill
Author: Arnold Schoenberg
Publisher: Gardners Books
ISBN: 9780571196586
Category : Music
Languages : en
Pages : 240
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Book Description
Fundamentals of Musical Composition represents the culmination of more than forty years in Schoenberg's life devoted to the teaching of musical principles to students and composers in Europe and America. For his classes he developed a manner of presentation in which 'every technical matter is discussed in a very fundamental way, so that at the same time it is both simple and thorough'. This book can be used for analysis as well as for composition. On the one hand, it has the practical objective of introducing students to the process of composing in a systematic way, from the smallest to the largest forms; on the other hand, the author analyses in thorough detail and with numerous illustrations those particular sections in the works of the masters which relate to the compositional problem under discussion.
Author: Walter Frisch
Publisher: Princeton University Press
ISBN: 1400831938
Category : Music
Languages : en
Pages : 367
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Book Description
As the twentieth century draws to a close, Arnold Schoenberg (1874-1951) is being acknowledged as one of its most significant and multifaceted composers. Schoenberg and His World explores the richness of his genius through commentary and documents. Marilyn McCoy opens the volume with a concise chronology, based on the latest scholarship, of Schoenberg's life and works. Essays by Joseph Auner, Leon Botstein, Reinhold Brinkmann, J. Peter Burkholder, Severine Neff, and Rudolf Stephan examine aspects of his creative output, theoretical writings, relation to earlier music, and the socio-cultural contexts in which he worked. The documentary portions of Schoenberg and His World capture Schoenberg at critical periods of his career: during the first decades of the century, primarily in his native Vienna; from 1926 to 1933, in Berlin; and from 1933 on, in the U.S. Included here is the first complete translation into English of the remarkable Festschrift prepared for the 38-year-old Schoenberg by his pupils in 1912; it presciently explored the diverse talents as a composer, teacher, painter, and theorist for which he was later to be recognized. The Berlin years, when he held one of the most prestigious teaching positions in Europe, are represented by interviews with him and articles about his public lectures. The final portion of the volume, devoted to the theme Schoenberg and America, focuses on how the composer viewed--and was viewed by--the country where he spent his final eighteen years. Sabine Feisst brings together and comments upon sources which, contrary to much received opinion, attest to both the considerable impact that Schoenberg had upon his newly adopted land and his own deep involvement in its musical life.
Author: Walter Frisch
Publisher: Univ of California Press
ISBN: 0520322371
Category :
Languages : en
Pages : 453
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Book Description
Author: Allen Shawn
Publisher: Farrar, Straus and Giroux
ISBN: 1466895500
Category : Music
Languages : en
Pages : 272
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Book Description
A composer's study and celebration of a difficult but influential artist, his work, and his time Proposing that Arnold Schoenberg (1874-1951) has been more discussed than heard, more tolerated than loved, composer Allen Shawn puts aside ultimate judgments about Schoenberg's place in musical history to explore the composer's fascinating world in a series of "linked essays--soundings" that are more searching than analytical, more suggestive than definitive. In an approach that is unusual for a book of an avowedly introductory character, the text plunges into the details of some of Schoenberg works, while at the same time providing a broad overview of his involvement in music, painting and the history through which he lived. Emphasizing music as an expressive art of rhythms and tones, Shawn approaches Schoenberg primarily from the listener's point of view, uncovering both the seeds of his radicalism in his early music and the traditional bases of his later work. Although liberally sprinkled with musical examples, the text can be read without them. By turns witty, personal, opinionated and instructive, "Arnold Schoenberg's Journey" is above all an appreciation of a great musical and artistic imagination in a time unlike any other.
Author: Bojan Bujic
Publisher: Phaidon Press
ISBN: 9780714846149
Category : Music
Languages : en
Pages : 0
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Book Description
In this book, Bojan Bujic sets into an appropriate cultural context the immensely rich life of a composer who is, arguably, the key musical personality of the twentieth century. A major force in the development of modern music, Arnold Schoenberg (1874-1951) is famous for abandoning tonality and introducing the 12-tone 'serial' method of composition. There can be no agreement as to whether Schoenberg is the greatest composer of his time, especially as his innovative musical language did not appeal to all who came after him, but directly or indirectly, he affected so many musicians and listeners of his own and of subsequent generations that his centrality cannot be disputed. In addition to his work as a composer, Schoenberg was an important theorist of tonal music and an enormously influential teacher, with Anton Webern and Alban Berg among his most famous pupils. Brought up in the rich and cosmopolitan cultural life of Vienna, Schoenberg started to play the violin at the age of nine and began experimenting with composition almost immediately, but his education was cut short by the death of his father in 1889. Schoenberg had no formal training in music until he was in his late teens, and throughout his life he remained proud of the fact that so much of what he had absorbed as a youth about music and literature derived from his own tenacity and sense of purpose. Schoenberg first composed in the late Romantic tradition, and his earliest acknowledged works, including the string sextet "Verklarte Nacht", date from the turn of the century. Following a brief interlude in Berlin, where he worked as a cabaret musician and teacher and also wrote the symponic poem "Pelleas und Melisande", he returned to Vienna. Here, he began taking on pupils such as Webern and Berg, and further developed his musical style, in due course causing a sensation with the dissonance of his 'serial' technique and the greater harmonic strangeness and complexity of his material. Schoenberg only returned to something approaching his tonal style decades later, with his "Suite in G" for strings. In 1925, a couple of years after having turned down an offer to become director of the Bauhaus music school because he had been informed of antisemitic tendencies at the institution, Schoenberg moved back to Berlin to take up a post as director of a master class in composition at the Arts Academy, in spite of antisemitic protests appearing in the Zeitschrift fur Musik in reaction to his professorship. Later, when he situation of Jews in Germany became clear to him, Schoenberg increasingly spent time away from Berlin, and finally decided to move to the US in 1933, where he taught in Boston and New York at the Malkin Conservatory. In 1934, Schoenberg moved to Los Angeles, taking up a teaching post at USC and a professorship at UCLA. He lived in Los Angeles, where John Cage became one of his pupils and George Gershwin a good friend, until his death in 1951. There are those who contend that Schoenberg's uncompromising search for an individual voice led him to create music which is too difficult to follow, since many familiar features, which normally enable listeners to find their way through a piece of music, have been removed or radically re-shaped. This is often perceived as the main cause of the isolation of avant-garde music in the late twentieth century, but Bujic argues that these accusations are frequently made before Schoenberg's music has even had a chance to present itself - its difficulty and strangeness are uncritically evoked, often preventing the music from being appreciated in its own right. In this book, Bujic sets out to win more listeners to Schoenberg's music, by introducing his life, work and theories in an accessible, sympathetic manner.
Author: Arnold Schoenberg
Publisher: W. W. Norton & Company
ISBN: 9780393004786
Category : Music
Languages : en
Pages : 226
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Book Description
This book is Schoenberg's last completed theoretical work and represents his final thoughts on the subject of classical and romantic harmony. The earlier chapters recapitulate in condensed form the principles laid down in his 'Theory of Harmony'; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of whole movements and affirm the principle of 'monotonality, ' showing how all modulations within a movement are merely deviations from, and not negations of, its main tonality.
Author: René Leibowitz
Publisher: Open Road Media
ISBN: 1504060237
Category : Music
Languages : en
Pages : 413
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Book Description
The noted music theorist presents a brilliant and sweeping study of Schoenberg’s compositions and his influence on the generations that followed. A pioneering composer and leader of the Second Viennese School, Arthur Schoenberg was one of the most important figures in twentieth-century classical music. In Schoenberg and His School, composer, conductor, and music theorist René Leibowitz offers an authoritative analysis of Schoenberg’s groundbreaking contributions to composition theory and Western polyphony. In addition to detailing his subject’s major works, Leibowitz also explores Schoenberg’s influence on the works of his two great disciples, Alban Berg and Anton Webern. Leibowitz considers how the influences of all three men have, in turn, created new movements within contemporary music today.
Author: Arnold Schoenberg
Publisher: Indiana University Press
ISBN: 0253218357
Category : Music
Languages : en
Pages : 381
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Book Description
Presents one of the most important documents in twentieth century musical thought.
Author: Arnold Schoenberg
Publisher: Univ of California Press
ISBN: 9780520052949
Category : Biography & Autobiography
Languages : en
Pages : 564
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Book Description
One of the most influential collections of music ever published, Style and Idea includes Schoenberg’s writings about himself and his music as well as studies of many other composers and reflections on art and society.
