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Author: stephanie roberts
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228003024
Category : Poetry
Languages : en
Pages : 92
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Book Description
"those of us who've seen miracles know how to ask. / if you've asked, do you love me, i almost certainly / don't love you." This meditative, musically attentive collection explores the confounding nature of intimate relationships. stephanie roberts's poetic expression is often irreverent, unapologetic, and infused with humour that can take surprisingly grave turns. rushes from the river disappointment traverses city, country, and fantasy using nature as artery through the emotional landscape. As they wrestle to come to terms with the effects of uncertainty and grief on hope and belief, these diverse field notes are interspersed with the fabulous: a polar bear and owl engage in flirtation, a time traveller appears on a lake, an erotic scene takes place on a train, and we confront "people capable of eating popcorn at the movie of your agony." roberts's language is dense with images and sometimes acrobatic. In poems that affirm love and desire as treasures fought for more than just felt, rushes from the river disappointment turns an unblinking gaze on the failures of courage that distance us from love.
Author: stephanie roberts
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228003024
Category : Poetry
Languages : en
Pages : 92
Get Book
Book Description
"those of us who've seen miracles know how to ask. / if you've asked, do you love me, i almost certainly / don't love you." This meditative, musically attentive collection explores the confounding nature of intimate relationships. stephanie roberts's poetic expression is often irreverent, unapologetic, and infused with humour that can take surprisingly grave turns. rushes from the river disappointment traverses city, country, and fantasy using nature as artery through the emotional landscape. As they wrestle to come to terms with the effects of uncertainty and grief on hope and belief, these diverse field notes are interspersed with the fabulous: a polar bear and owl engage in flirtation, a time traveller appears on a lake, an erotic scene takes place on a train, and we confront "people capable of eating popcorn at the movie of your agony." roberts's language is dense with images and sometimes acrobatic. In poems that affirm love and desire as treasures fought for more than just felt, rushes from the river disappointment turns an unblinking gaze on the failures of courage that distance us from love.
Author: Stephanie Roberts
Publisher: Hugh MacLennan Poetry
ISBN: 9780228001676
Category : Poetry
Languages : en
Pages : 128
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Book Description
Lyrical field notes exploring tests of courage in relationships from a bold emerging voice in Canadian poetry.
Author:
Publisher: Trafford Publishing
ISBN: 1552127214
Category : History
Languages : en
Pages : 560
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Book Description
This book is about the gold rush which took place in the Fraser River and vicinity in 1858, which was within the British Possession and the Washington Territory, now called British Columbia and the State of Washington. This book covers the Fraser River Gold Rush from its infancy to what could be considered its conclusion, as viewed by the California newspapers. This book is somewhat unusual as it tells the chronological history of the gold rush as it unfolded and progressed, by using newspaper articles from that era. The news articles themselves were, in most cases, letters which had been written by many of the miners or correspondents who went to the area, either to dig for gold or report on what was happening. Many of the letters capture the experiences of the writer and his ordeal in trying to reach the gold fields, as well as the latest news of the day. Over 25% of the California miners would go to this place called the Fraser River, not believing in the perils and danger that awaited them until actually faced by them. As some would say, crossing the plains was nothing in comparison to trying to reach the gold fields of the Fraser River and vicinity. This book readily depicts their reason for saying so.
Author: John Emil Vincent
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228010314
Category : Poetry
Languages : en
Pages : 120
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Book Description
The past grabs back / what it lets us handle Bitter in the Belly reckons with suicide’s wreckage. After John Emil Vincent’s best friend descends into depression and hangs himself, fluency and acuity lose their lustre. Vincent sorts through and tries to arrange cosmologies, eloquence, narrative, insight, only to find fatal limitations. He tries to trick tragedy into revealing itself by means of costume, comedy, thought experiment, theatre of the absurd, and Punch and Judy. The poems progress steadily from the erotic and mythic to the lapidary and biblical, relentlessly constructing images, finding any way to bring the world into the light – what there is of light, when the light is on. In his most personal book, Vincent moves from stark innocence through awful events and losses, to something like acceptance without wisdom – Jonah spit back onto the sand with little to report but that he’s home.
Author: Eleonore Schönmaier
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228007771
Category : Poetry
Languages : en
Pages : 124
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Book Description
Thyme clings, high / and away from the grazing and scents / the air. Island reality is interconnected with live-retrieved memories in which a nurse follows a violent patient into the northern Canadian bush, a migrant mother faces her new job as the village butcher, an Ojibway man is forced to walk a dangerous route home alone, teenagers loot the local dump to build their mother's wheelchair, and an electrician watches a woman play a grand piano on a ballfield. A (re)creation of the surreality and altered time within deep states of grieving, Field Guide to the Lost Flower of Crete juxtaposes sorrow with fragmentary unapologetic joy. Eleonore Schönmaier forges compelling symphonic resonances between European musical encounters and a northern working-class childhood. By centring her experiential empathy on a history of racism and poverty, she guides us into better ways of being. Intimate reflections are contrasted with geopolitical and environmental concerns as Schönmaier's fierce intelligence focuses on what is most essential in our lives. The arc of this collection offers a rejuvenating meditation on the meaning of loss and love, highlighted by the lyric beauty of the writing.
Author: Dominik Parisien
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228004993
Category : Poetry
Languages : en
Pages : 91
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Book Description
Ask, Can we for a moment make of beauty / the measure of our pain? and I will answer. To be ill is to be a body bursting with strangers. A curiosity. A narrative to interpret. Dominik Parisien's debut collection is a poignant celebration of the complicated lived experience of disability, a challenge to the societal gaze, and a bold reconfiguration of the language of pain. A powerful contribution to the field of disability poetics, Side Effects May Include Strangers is an affecting look at the multitude of ways a body is both boundary and boundless. Parisien takes bpNichol's claim that "what is a poem is inside of your body" and localizes the inner and outer lives of disabled, queer, and aging bodies as points of meaning for issues of autonomy, disability, sexuality, and language. Balancing hope and uncertainty, anger and gratitude, these poems shift from medical practice to myth, from trauma to intergenerational friendship, in an unflinching exploration of the beauty and complexity of othered bodies.
Author: Kevin Irie
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228007410
Category : Poetry
Languages : en
Pages : 112
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Book Description
I've lived the way a field is sometimes / a shelter for mice / or sometimes a source of game / for a hawk Inspired by the literary landscape of the late poet John Thompson, Kevin Irie's The Tantramar Re-Vision presents a portrait of nature where the benign and the bedevilled coexist, collude, or collide. The Tantramar Re-Vision charts routes of discovery as it follows trails, waterways, flights, and fears, be it through the woods, the wilds, the page, or the mind where "it's hard to admit / you are not to your taste." It questions an existence in which the inhuman thrives, ignorant of divinity, while the human psyche continues to search for answers as "life takes directions / away from" it. The Tantramar Marsh setting of John Thompson's Stilt Jack resonates with Irie's landscapes of birds, fish, plants, and wildlife, all still within reach yet part of a world where "wind carries sounds / it cannot hear." Insightful and meditative, The Tantramar Re-Vision is poetry of the inner self and the outside observer, a poetic testament to the ways literature creates its own landmarks and nature survives without knowing a word.
Author: John Reibetanz
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228010101
Category : Poetry
Languages : en
Pages : 179
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Book Description
The leaves of paper / butterfly-wing thin / let light stream through / only one side of each. If “poetry is what we do to break bread with the dead,” as Seamus Heaney put it, Earth Words breaks bread with three earlier writers through the glosa, a poetic form that unfolds as a dialogue. The collection inscribes a series of concentric circles, moving outwards from the eleventh-century world of Wang An-shih through the nineteenth century of Henry Thoreau and into the twentieth century with Emily Carr. Though the environmental and political problems of the twenty-first century feel unique, the figures in this book are met with similar challenges. Wang’s writings embody an ideal relationship between self and nature, preserving a sense of rootedness in times resembling the upheavals of the Trump era. This relationship is confirmed in conversations with Thoreau, whose closeness to nature provides an antidote to our age’s dependence on digital forms of communication. He also grapples with slavery and the failure to respect the full humanity of Indigenous peoples, struggles that ripple out into the present. Carr’s writings and art enter into Indigenous cultures and witness the enduring value of their way of looking at nature. She realizes that the impulse to creatively express one’s being runs through the entire natural world. Culminating in this realization, the concentric circles of Earth Words broaden out to include its twenty-first-century readers as well as its writers in a vision of creative growth.
Author: Melanie Power
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228013399
Category : Poetry
Languages : en
Pages : 109
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Book Description
A hometown is a data centre / where the past is stored From a darkly humorous perspective, this book charts a young person’s navigation of narrow definitions of faith, femininity, and family. Confronting addiction, compulsions, and anxieties, Full Moon of Afraid and Craving explores the strange combination of wonder and longing that makes a life. Across settings rural and urban, Melanie Power’s poems commemorate ordinary moments and everyday characters: a roadside shopkeeper, a neighbourhood linden tree, a great-uncle’s hooch. Interrogating lineage and inheritance, she traces the unsettling shadows that border joy. A series of ambivalent odes pay a winking, Proustian homage to the sense memories of a Roman Catholic millennial upbringing in Newfoundland. The long poem “The Fever and the Fret,” written during pandemic lockdown in Montreal, considers how we re-examine and consolidate our personal and civic pasts in times of crisis, drawing timely parallels to John Keats’s confinement due to illness exactly two centuries prior. At times wry and lighthearted, at others elegiac and plaintive, the voices in these poems are controlled and confident. Just as the stars in the sky are best viewed at night, this collection embraces darkness to illuminate rays of moonlight.
Author: Patrick James Errington
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228017882
Category : Poetry
Languages : en
Pages : 107
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Book Description
Here the long edge / of town Low / winter fog / ... My breath / my offering We are / our bodies burning Firmly rooted in fire-haunted landscapes that are at once psychological, emotional, and fiercely real, Patrick Errington’s first collection traces the brittle boundaries between presence and absence, keeping and killing, cruelty and tenderness. In these poems human voices whisper through the natural world – a hand turns on a lamp to extinguish the stars; stones outline a sleeping form; a black eye is a storm cloud. Errington stokes vivid images, formal grace, and subtle humour into the flickers of life that hold fast against unforgiving terrain. Here language functions like a controlled burn, one that could at any moment preserve, perfect, or reduce to ash. Urgent, resonant to the bone, the swailing burns to the ember-edge of grief, memory, and control to find the wildness, wilderness, and wonder that remain.
