Rubens and the Eloquence of Drawing

Rubens and the Eloquence of Drawing PDF Author: Catherine H. Lusheck
Publisher: Routledge
ISBN: 1351770888
Category : Art
Languages : en
Pages : 398

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Book Description
Rubens and the Eloquence of Drawing re-examines the early graphic practice of the preeminent northern Baroque painter Peter Paul Rubens (Flemish, 1577–1640) in light of early modern traditions of eloquence, particularly as promoted in the late sixteenth- and early seventeenth-century Flemish, Neostoic circles of philologist, Justus Lipsius (1547–1606). Focusing on the roles that rhetorical and pedagogical considerations played in the artist’s approach to disegno during and following his formative Roman period (1600–08), this volume highlights Rubens’s high ambitions for the intimate medium of drawing as a primary site for generating meaningful and original ideas for his larger artistic enterprise. As in the Lipsian realm of writing personal letters – the humanist activity then described as a cognate activity to the practice of drawing – a Senecan approach to eclecticism, a commitment to emulation, and an Aristotelian concern for joining form to content all played important roles. Two chapter-long studies of individual drawings serve to demonstrate the relevance of these interdisciplinary rhetorical concerns to Rubens’s early practice of drawing. Focusing on Rubens’s Medea Fleeing with Her Dead Children (Los Angeles, Getty Museum), and Kneeling Man (Rotterdam, Museum Boijmans Van Beuningen), these close-looking case studies demonstrate Rubens’s commitments to creating new models of eloquent drawing and to highlighting his own status as an inimitable maker. Demonstrating the force and quality of Rubens’s intellect in the medium then most associated with the closest ideas of the artist, such designs were arguably created as more robust pedagogical and preparatory models that could help strengthen art itself for a new and often troubled age.

Rubens and the Eloquence of Drawing

Rubens and the Eloquence of Drawing PDF Author: Catherine H. Lusheck
Publisher: Routledge
ISBN: 1351770888
Category : Art
Languages : en
Pages : 398

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Book Description
Rubens and the Eloquence of Drawing re-examines the early graphic practice of the preeminent northern Baroque painter Peter Paul Rubens (Flemish, 1577–1640) in light of early modern traditions of eloquence, particularly as promoted in the late sixteenth- and early seventeenth-century Flemish, Neostoic circles of philologist, Justus Lipsius (1547–1606). Focusing on the roles that rhetorical and pedagogical considerations played in the artist’s approach to disegno during and following his formative Roman period (1600–08), this volume highlights Rubens’s high ambitions for the intimate medium of drawing as a primary site for generating meaningful and original ideas for his larger artistic enterprise. As in the Lipsian realm of writing personal letters – the humanist activity then described as a cognate activity to the practice of drawing – a Senecan approach to eclecticism, a commitment to emulation, and an Aristotelian concern for joining form to content all played important roles. Two chapter-long studies of individual drawings serve to demonstrate the relevance of these interdisciplinary rhetorical concerns to Rubens’s early practice of drawing. Focusing on Rubens’s Medea Fleeing with Her Dead Children (Los Angeles, Getty Museum), and Kneeling Man (Rotterdam, Museum Boijmans Van Beuningen), these close-looking case studies demonstrate Rubens’s commitments to creating new models of eloquent drawing and to highlighting his own status as an inimitable maker. Demonstrating the force and quality of Rubens’s intellect in the medium then most associated with the closest ideas of the artist, such designs were arguably created as more robust pedagogical and preparatory models that could help strengthen art itself for a new and often troubled age.

Peter Paul Rubens

Peter Paul Rubens PDF Author: Anne-Marie S. Logan
Publisher: Metropolitan Museum of Art
ISBN: 0300104944
Category : Art
Languages : en
Pages : 346

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Book Description
Catalogue of an exhibition held at the Metropolitan Museum of Art, New York, Jan. 15-Apr. 3, 2005.

Rubens Drawings

Rubens Drawings PDF Author: Peter Paul Rubens
Publisher: Courier Corporation
ISBN: 0486138259
Category : Art
Languages : en
Pages : 49

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Book Description
A generous selection of Rubens' best drawings, chiefly portraits and religious and mythical scenes, that fully reveal his supreme artistic gifts. Publisher's note.

Rubens, Rembrandt, and Drawing in the Golden Age

Rubens, Rembrandt, and Drawing in the Golden Age PDF Author: Victoria Sancho Lobis
Publisher: Yale University Press
ISBN: 0300247079
Category : Art
Languages : en
Pages : 357

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Book Description
An extraordinary history of Netherlandish drawing, focused on the training and skill of artists during the long 17th century With a lively narrative thread and thematic chapters, this book offers an exceptional introduction to Dutch and Flemish drawing during the long 17th century. Victoria Sancho Lobis discusses the many roles of drawing in artistic training, its function in the production of works in other media, and its emergence as a medium in its own right. Beautifully illustrated with some 120 drawings by artists including Rembrandt van Rijn, Peter Paul Rubens, Hendrick Goltzius, Gerrit von Honthorst, and Jacob De Gheyn, this book surveys current methodologies of studying these works and features a brief history of Dutch papermaking and watermarks as well as a glossary. Paying careful attention to materials and techniques, and informed by recent conservation treatments, Lobis explains how to look at these drawings as records of experimentation and skill, true windows into the artist’s mind.

Peter Paul Rubens

Peter Paul Rubens PDF Author: Anne-Marie S. Logan
Publisher: Metropolitan Museum of Art New York
ISBN: 9781588391391
Category : Drawing
Languages : en
Pages : 332

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Book Description
"For the great Flemish artist Peter Paul Rubens (1577-1640), drawing was a fundamental activity. In Rubens's large Antwerp studio, drawings were made for the creation of new paintings; collaborators used them to assist the master on these paintings; and they served as instructional material for pupils. The drawings were guarded from the outside world because they were considered a kind of studio secret; the competition could exploit designs for new compositions if they were released prematurely. How precious Rubens considered his drawings is evident from his testament, which stipulated that they should be passed on to any of his sons or sons-in-law who chose to be a painter; only when it was clear, once all his children were grown, that none would become an artist or marry one could the drawings be dispersed." "This volume presents, in full-color reproductions, more than one hundred of the finest and most representative of Rubens's drawings, ranging from delightful renderings of children and elegant portraits of noblemen and women to vigorous animal studies and beautiful landscapes. Essays by Anne-Marie Logan and Michiel C. Plomp provide overviews of Rubens's career as a draftsman and of the eventual dispersal of his drawings among collectors some fifteen years after his death. The authors discuss the various functions of Rubens's drawings as preparatory studies for paintings, sculpture, prints, and book illustrations and as private studies meant largely for the artist's own enjoyment." "The volume also includes a sampling of the artist's early anatomical studies and copies after antique sculpture, made during his years in Italy (1600-1608). In all likelihood it was also in Italy that Rubens began to collect old master drawings. Eventually he amassed a large quantity of other artists' drawings, most of them by sixteenth-century Italian masters, and he retouched, restored, or reworked many of them. These retouched sheets - several of which are reproduced herein - offer additional insight into his creativity. They are also a starting point for a discussion of the fortunes of Rubens's drawings among collectors."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Rubens Drawings

Rubens Drawings PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 13

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Book Description


Rubens--selected Drawings

Rubens--selected Drawings PDF Author: Peter Paul Rubens
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296

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Book Description


Drawings from the Age of Bruegel, Rubens, and Rembrandt

Drawings from the Age of Bruegel, Rubens, and Rembrandt PDF Author: William W. Robinson
Publisher: Yale University Press
ISBN: 0300208049
Category : Art
Languages : en
Pages : 414

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Book Description
This superb book presents 100 notable examples from the Harvard Art Museums’ distinguished collection of Dutch, Flemish, and Netherlandish drawings from the 16th to 18th century. Featuring such masters as Pieter Bruegel the Elder, Peter Paul Rubens, and Rembrandt van Rijn, the volume showcases beautiful color illustrations accompanied by insightful commentary on prevalent styles and techniques. Genres that define this artistic period—landscape, scenes of everyday life, portraiture, and still life—are explored in detail. The book also presents the results of new conservation and technical study, including infrared analysis and scientific examinations of drawing materials. This revelatory new research has allowed previously illegible underdrawings and inscriptions in many of the artworks to surface for the first time, shedding light on longstanding mysteries of production and provenance.

Rubens

Rubens PDF Author: Peter Paul Rubens
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 184

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Book Description


The Drawings of Peter Paul Rubens

The Drawings of Peter Paul Rubens PDF Author: Anne-Marie S. Logan
Publisher:
ISBN: 9782503599526
Category : Drawing, Flemish
Languages : en
Pages : 0

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Book Description
"It is the first publication that presents the artist's entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens's drawings at any one time. Volume I consists of the drawings of the artist's childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens's copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens's drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color."--from the publisher