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Author: Emily Gowers
Publisher: Princeton University Press
ISBN: 0691193142
Category : History
Languages : en
Pages : 488
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Book Description
The story of Maecenas and his role in the evolution and continuing legacy of ancient Roman poetry and culture An unelected statesman with exceptional powers, a patron of the arts and a luxury-loving friend of the emperor Augustus: Maecenas was one of the most prominent and distinctive personalities of ancient Rome. Yet the traces he left behind are unreliable and tantalizingly scarce. Rather than attempting a conventional biography, Emily Gowers shows in Rome’s Patron that it is possible to tell a different story, one about Maecenas’s influence, his changing identities and the many narratives attached to him across two millennia. Rome’s Patron explores Maecenas’s appearances in the central works of Augustan poetry written in his name—Virgil’s Georgics, Horace’s Odes and Propertius’s elegies—and in later works of Latin literature that reassess his influence. For the Roman poets he supported, Maecenas was a mascot of cultural flexibility and innovation, a pioneer of gender fluidity and a bearer of imperial demands who could be exposed as a secret sympathizer with their own values. For those excluded from his circle, he represented either favouritism and indulgence or the lost ideal of a patron in perfect collaboration with the authors he championed. As Gowers shows, Maecenas had and continues to have a unique cachet—in the fantasies that still surround the gardens, buildings and objects so tenuously associated with him; in literature, from Ariosto and Ben Johnson to Phillis Wheatley and W. B. Yeats; and in philanthropy, where his name has been surprisingly adaptable to more democratic forms of patronage.
Author: Emily Gowers
Publisher: Princeton University Press
ISBN: 0691193142
Category : History
Languages : en
Pages : 488
Get Book
Book Description
The story of Maecenas and his role in the evolution and continuing legacy of ancient Roman poetry and culture An unelected statesman with exceptional powers, a patron of the arts and a luxury-loving friend of the emperor Augustus: Maecenas was one of the most prominent and distinctive personalities of ancient Rome. Yet the traces he left behind are unreliable and tantalizingly scarce. Rather than attempting a conventional biography, Emily Gowers shows in Rome’s Patron that it is possible to tell a different story, one about Maecenas’s influence, his changing identities and the many narratives attached to him across two millennia. Rome’s Patron explores Maecenas’s appearances in the central works of Augustan poetry written in his name—Virgil’s Georgics, Horace’s Odes and Propertius’s elegies—and in later works of Latin literature that reassess his influence. For the Roman poets he supported, Maecenas was a mascot of cultural flexibility and innovation, a pioneer of gender fluidity and a bearer of imperial demands who could be exposed as a secret sympathizer with their own values. For those excluded from his circle, he represented either favouritism and indulgence or the lost ideal of a patron in perfect collaboration with the authors he championed. As Gowers shows, Maecenas had and continues to have a unique cachet—in the fantasies that still surround the gardens, buildings and objects so tenuously associated with him; in literature, from Ariosto and Ben Johnson to Phillis Wheatley and W. B. Yeats; and in philanthropy, where his name has been surprisingly adaptable to more democratic forms of patronage.
Author: James L. Papandrea
Publisher: InterVarsity Press
ISBN: 0830872612
Category : Religion
Languages : en
Pages : 226
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Book Description
In first-century Rome, following Jesus comes at a tremendous social cost. An urbane Roman landowner and merchant is intrigued by the Christian faith—but is he willing to give up his status and lifestyle to join the church? Meanwhile his young client, a catechumen in the church at Rome, is beginning to see just how much his newfound faith will require of him. A Week in the Life of Rome is a cross section of ancient Roman society, from the overcrowded apartment buildings of the poor to the halls of the emperors. Against this rich backdrop, illuminated with images and explanatory sidebars, we are invited into the daily struggles of the church at Rome just a few years before Paul wrote his famous epistle to them. A gripping tale of ambition, intrigue, and sacrifice, James Papandrea's novel is a compelling work of historical fiction that shows us the first-century Roman church as we've never seen it before.
Author: Brenda Longfellow
Publisher: University of Michigan Press
ISBN: 047213065X
Category : Art
Languages : en
Pages : 289
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Book Description
A fascinating shift toward more nuanced interpretations of Roman art that look at different kinds of social knowledge and local contexts
Author: Matthew J. Perry
Publisher: Cambridge University Press
ISBN: 1107040310
Category : History
Languages : en
Pages : 281
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Book Description
This book explores the institution of manumission-the freeing of slaves-in ancient Rome from a gendered perspective. Rome was unique among ancient polities in that it bestowed freed slaves with full citizenship, granting them rights nearly equal to those of freeborn individuals. The sexual identities of a female slave and a female citizen were fundamentally incompatible, as the former was principally defined by her sexual availability and the latter by her sexual integrity. Accordingly, those evaluating the manumission process needed to reconcile a woman's experiences as a slave with the expectations and moral rigor required of the female citizen.
Author: Barbara K. Gold
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 296
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Book Description
Focusing on literary evidence, Gold explores patronage in Greece and Rome through the words of the authors, revealing the forces that patronage exerted on genius and talent. The author argues that, although the patron was in important influence in the development of the literature written for and about him, the literary product emerged as a force in itself, independent of the influence of the patron. Gold sees the relationship between patron and literature as an integrator of the public and private realms. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: John Nicols
Publisher: BRILL
ISBN: 9004261710
Category : History
Languages : en
Pages : 362
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Book Description
The Roman Empire of the Principate may be understood as a consortium of communities bound together by ties that were institutional and personal. Civic patrons played a central role in that process by which subjects became citizens.
Author: Claude Eilers
Publisher: OUP Oxford
ISBN: 0191554510
Category : History
Languages : en
Pages : 348
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Book Description
Patronage has long been an important topic of interest to ancient historians. It remains unclear what patronage entailed, however, and how it worked. Is it a universal phenomenon embracing all, or most, relationships between unequals? Or is it an especially Roman practice? In previous discussions of patronage, one crucial body of evidence has been under-exploited: inscriptions from the Greek East that borrow the Latin term 'patron' and use it to honour their Roman officials. The fact that the Greeks borrow the term patron suggests that there was something uniquely Roman about the patron-client relationship. Moreover, this epigraphic evidence implies that patronage was not only a part of Rome's history, but had a history of its own. The rise and fall of city patrons in the Greek East is linked to the fundamental changes that took place during the fall of the Republic and the transition to the Principate. Senatorial patrons appear in the Greek inscriptions of the Roman province of Asia towards the end of the second century BC and are widely attested in the region and elsewhere for the following century. In the early principate, however, they become less common and soon more or less disappear. Eilers's discursive treatment of the origins, nature, and decline of this type of patronage, and its place in Roman practice as a whole, is supplemented by a reference catalogue of Roman patrons of Greek communities.
Author: Vincenzo Sorrentino
Publisher: Taylor & Francis
ISBN: 1000569047
Category : Art
Languages : en
Pages : 277
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Book Description
This book tells the story of the Del Riccio family in Florence in the early modern period, investigating the cultural mediations fostered by the family between Florence, Rome, and Naples, as well as shedding light on the intellectual and social exchanges between different regions of Italy and on the creation of foreign nations within the main Italian cities. These social and cultural dimensions are further explored through the study of the obsessive persistence of the family’s relationship with Michelangelo Buonarroti, exhibited both publicly, in the Florentine and Neapolitan family chapels, and privately in their homes. The main achievement of this study is to move the focus from the ruling power, the Medici family and the immediate members of their court, to a Florentine middle-class family and its social mobility: this shift from the conventional narrative to a distributed microhistory is fundamental to better assess the use of images and artworks in early modern Florence and abroad. The aesthetic and stylistic choices in the use of art and art display made by the Del Riccio reveal a deep awareness of the substantial differences in taste and meaning between different cities of the Italian peninsula. The book will be of interest to scholars working in art history, visual culture, and Renaissance studies.
Author: Valerio Morucci
Publisher: Routledge
ISBN: 1315304856
Category : Music
Languages : en
Pages : 183
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Book Description
This is the first dedicated study of the musical patronage of Roman baronial families in the sixteenth and early seventeenth centuries. Patronage – the support of a person or institution and their work by a patron – in Renaissance society was the basis of a complex network of familial and political relationships between clients and patrons, whose ideas, values, and norms of behavior were shared with the collective. Bringing to light new archival documentation, this book examines the intricate network of patronage interrelationships in Rome. Unlike other Italian cities where political control was monocentric and exercised by single rulers, sources of patronage in Rome comprised a multiplicity of courts and potential patrons, which included the pope, high prelates, nobles and foreign diplomats. Morucci uses archival records, and the correspondence of the Orsini and Colonna families in particular, to investigate the local activity and circulation of musicians and the cultivation of music within the broader civic network of Roman aristocratic families over the period. The author also shows that the familial union of the Medici and Orsini families established a bidirectional network for artistic exchange outside of the Eternal City, and that the Orsini-Colonna circle represented a musical bridge between Naples, Rome, and Florence.
Author: Brenda Longfellow
Publisher: Cambridge University Press
ISBN: 0521194938
Category : Architecture
Languages : en
Pages : 293
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Book Description
In this book, Brenda Longfellow examines one of the features of Roman Imperial cities, the monumental civic fountain. Built in cities throughout the Roman Empire during the first through third centuries AD, these fountains were imposing in size, frequently adorned with grand sculptures, and often placed in highly trafficked areas. Over twenty-five of these urban complexes can be associated with emperors. Dr. Longfellow situates each of these examples within its urban environment and investigates the edifice as a product of an individual patron and a particular historical and geographical context. She also considers the role of civic patronage in fostering a dialogue between imperial and provincial elites with the local urban environment. Tracing the development of the genre across the empire, she illuminates the motives and ideologies of imperial and local benefactors in Rome and the provinces and explores the complex interplay of imperial power, patronage, and the local urban environment.
