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Author: Gloria K. Fiero
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
ISBN: 9780072317343
Category : Civilization
Languages : en
Pages : 0
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Book Description
Book 4: Faith, Reason, And Power In The Early Modern World - Book 5: Romanticism, Realism, And The Nineteenth-Century World--Book 6: Modernism, Globalism, And The Information Age.
Author: Gloria K. Fiero
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
ISBN: 9780072317343
Category : Civilization
Languages : en
Pages : 0
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Book Description
Book 4: Faith, Reason, And Power In The Early Modern World - Book 5: Romanticism, Realism, And The Nineteenth-Century World--Book 6: Modernism, Globalism, And The Information Age.
Author: Gloria K. Fiero
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
ISBN: 9780697340726
Category : Art
Languages : en
Pages : 164
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Book Description
This text is part of a six-volume work which offers an overview of art, music, literature, history and philosophy. Book 5 explores Romanticism, Realism and the 19th-century world. It looks at the Romantic view of the world, industry and empire and the move towards modernism. The text focuses on the Western tradition, but also includes strong coverage of other cultures, setting the arts of the West in the larger arena of world cultures including India, the East, Africa and Native America. Throughout the chronological narrative there is a focus on universal themes, integrating ideas and issues that relate to the human condition. The coverage of literature, art, music and architecture is integrated into discussions of cultural and political influences, aiming to create a logical presentation of broad subject matter.
Author: Charles Rosen
Publisher: W. W. Norton
ISBN: 9780393301960
Category : Art, Modern
Languages : en
Pages : 244
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Book Description
Traces the split during the early nineteenth century between avant-garde and academic art, examines the work of Caspar David Friedrich, Thomas Bewick, and Thomas Couture, and discusses the impact of photography on art
Author: Carl Dahlhaus
Publisher: CUP Archive
ISBN: 9780521261159
Category : Music
Languages : en
Pages : 152
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Book Description
The music of the nineteenth century was - and still is - thought of as a 'romantic' art, whereas the main current of the literature and fine arts of the age was 'realist' from about 1830. Yet some works are consistently described as 'realistic': Nusorgsky's Boris and Bizet's Carmen are only the most frequently cited examples. Professor Dahlhaus sets out the criteria of realism, with particular reference to French and German theorists and examines the extent to which they apply to music too. While his findings do not reverse the verdict that the music of the age was in general romantic, he demonstrates that musical realism consists in much more than imitation of natural sounds or tone-painting. The notes are revised here for the English-speaking reader.
Author: Colta Feller Ives
Publisher: Metropolitan Museum of Art
ISBN: 0870999648
Category : Art
Languages : en
Pages : 266
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Book Description
This volume presents 115 drawings and paintings from the holdings of collector Karen B. Cohen. The 19th-century French and English works include landscapes, portraits, figure compositions, and still lifes by great artists of the romantic period and of the Barbizon and Realist schools, beginning with Prud'hon and ending with Seurat. Among the highlights is a group of little known works by Courbet and a series of cloud studies by Constable. Ives (curator, The Metropolitan Museum of Art) provides documentation and commentary for each work, placing it within the context of the artist's development and connecting it to contemporary artistic trends and innovations. Curator Elizabeth E. Barker contributed entries on Constable and Bonington. Annotation copyrighted by Book News Inc., Portland, OR
Author: Charles Moser
Publisher: Cambridge University Press
ISBN: 9780521425674
Category : Literary Criticism
Languages : en
Pages : 724
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Book Description
An updated edition of this comprehensive narrative history, first published in 1989, incorporating a new chapter on the latest developments in Russian literature and additional bibliographical information. The individual chapters are by well-known specialists, and provide chronological coverage from the medieval period on, giving particular attention to the nineteenth and twentieth centuries, and including extensive discussion of works written outside the Soviet Union. The book is accessible to students and non-specialists, as well as to scholars of literature, and provides a wealth of information.
Author: Alison Byerly
Publisher: Cambridge University Press
ISBN: 9780521581165
Category : Art
Languages : en
Pages : 250
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Book Description
This book confronts a significant paradox in the development of literary realism: the very novels that present themselves as purveyors and celebrants of direct, ordinary human experience also manifest an obsession with art that threatens to sabotage their Realist claims. Unlike previous studies of the role of visual art, or music, or theatre in Victorian literature, Realism, Representation, and the Arts in Nineteenth-Century Literature examines the juxtaposition of all of these arts in the works of Charlotte Brontë, William Thackeray, George Eliot, Thomas Hardy, and others. Alison Byerly combines close textual analysis with discussion of relevant ancillary topics to illuminate the place of different arts within nineteenth-century British culture. Her book, which also contains sixteen illustrations, represents an effort to bridge the growing gap between aesthetics and cultural studies.
Author: Norman Schlenoff
Publisher:
ISBN:
Category :
Languages : en
Pages : 54
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Book Description
Author: Ernest Bernbaum
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 554
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Book Description
Author: Robert L. Caserio
Publisher: Cambridge University Press
ISBN: 1316175103
Category : Literary Criticism
Languages : en
Pages :
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Book Description
The Cambridge History of the English Novel chronicles an ever-changing and developing body of fiction across three centuries. An interwoven narrative of the novel's progress unfolds in more than fifty chapters, charting continuities and innovations of structure, tracing lines of influence in terms of themes and techniques, and showing how greater and lesser authors shape the genre. Pushing beyond the usual period-centered boundaries, the History's emphasis on form reveals the range and depth the novel has achieved in English. This book will be indispensable for research libraries and scholars, but is accessibly written for students. Authoritative, bold and clear, the History raises multiple useful questions for future visions of the invention and re-invention of the novel.
