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Author: Max Statkiewicz
Publisher: Penn State Press
ISBN: 0271075643
Category : Philosophy
Languages : en
Pages : 234
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Book Description
This book proposes to rethink the relationship between philosophy and literature through an engagement with Plato’s dialogues. The dialogues have been seen as the source of a long tradition that subordinates poetry to philosophy, but they may also be approached as a medium for understanding how to overcome this opposition. Paradoxically, Plato then becomes an ally in the attempt “to overturn Platonism,” which Gilles Deleuze famously defined as the task of modern philosophy. Max Statkiewicz identifies a “rhapsodic mode” initiated by Plato in the dialogues and pursued by many of his modern European commentators, including Nietzsche, Heidegger, Irigaray, Derrida, and Nancy. The book articulates this rhapsodic mode as a way of entering into true dialogue (dia-logos), which splits any univocal meaning and opens up a serious play of signification both within and between texts. This mode, he asserts, employs a reading of Plato that is distinguished from interpretations emphasizing the dialogues as a form of dogmatic treatise, as well as from the dramatic interpretations that have been explored in recent Plato scholarship—both of which take for granted the modern notion of the subject. Statkiewicz emphasizes the importance of the dialogic nature of the rhapsodic mode in the play of philosophy and poetry, of Platonic and modern thought—and, indeed, of seriousness and play. This highly original study of Plato explores the inherent possibilities of Platonic thought to rebound upon itself and engender further dialogues.
Author: Max Statkiewicz
Publisher: Penn State Press
ISBN: 0271075643
Category : Philosophy
Languages : en
Pages : 234
Get Book
Book Description
This book proposes to rethink the relationship between philosophy and literature through an engagement with Plato’s dialogues. The dialogues have been seen as the source of a long tradition that subordinates poetry to philosophy, but they may also be approached as a medium for understanding how to overcome this opposition. Paradoxically, Plato then becomes an ally in the attempt “to overturn Platonism,” which Gilles Deleuze famously defined as the task of modern philosophy. Max Statkiewicz identifies a “rhapsodic mode” initiated by Plato in the dialogues and pursued by many of his modern European commentators, including Nietzsche, Heidegger, Irigaray, Derrida, and Nancy. The book articulates this rhapsodic mode as a way of entering into true dialogue (dia-logos), which splits any univocal meaning and opens up a serious play of signification both within and between texts. This mode, he asserts, employs a reading of Plato that is distinguished from interpretations emphasizing the dialogues as a form of dogmatic treatise, as well as from the dramatic interpretations that have been explored in recent Plato scholarship—both of which take for granted the modern notion of the subject. Statkiewicz emphasizes the importance of the dialogic nature of the rhapsodic mode in the play of philosophy and poetry, of Platonic and modern thought—and, indeed, of seriousness and play. This highly original study of Plato explores the inherent possibilities of Platonic thought to rebound upon itself and engender further dialogues.
Author: Max Statkiewicz
Publisher: Penn State Press
ISBN: 0271035404
Category : Philosophy
Languages : en
Pages : 226
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Book Description
This book proposes to rethink the relationship between philosophy and literature through an engagement with Plato&’s dialogues. The dialogues have been seen as the source of a long tradition that subordinates poetry to philosophy, but they may also be approached as a medium for understanding how to overcome this opposition. Paradoxically, Plato then becomes an ally in the attempt &“to overturn Platonism,&” which Gilles Deleuze famously defined as the task of modern philosophy. Max Statkiewicz identifies a &“rhapsodic mode&” initiated by Plato in the dialogues and pursued by many of his modern European commentators, including Nietzsche, Heidegger, Irigaray, Derrida, and Nancy. The book articulates this rhapsodic mode as a way of entering into true dialogue (dia-logos), which splits any univocal meaning and opens up a serious play of signification both within and between texts. This mode, he asserts, employs a reading of Plato that is distinguished from interpretations emphasizing the dialogues as a form of dogmatic treatise, as well as from the dramatic interpretations that have been explored in recent Plato scholarship&—both of which take for granted the modern notion of the subject. Statkiewicz emphasizes the importance of the dialogic nature of the rhapsodic mode in the play of philosophy and poetry, of Platonic and modern thought&—and, indeed, of seriousness and play. This highly original study of Plato explores the inherent possibilities of Platonic thought to rebound upon itself and engender further dialogues.
Author: Anthony Ashley Cooper Earl of Shaftesbury
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 272
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Book Description
Author: Anthony Ashley Cooper Earl of Shaftesbury
Publisher:
ISBN:
Category : Characters and characteristics
Languages : en
Pages : 396
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Book Description
Author: Alain Badiou
Publisher: Verso Books
ISBN: 1781681252
Category : Philosophy
Languages : en
Pages : 193
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Book Description
For Alain Badiou, theatre—unlike cinema—is the place for the staging of a truly emancipatory collective subject. In this sense theatre is, of all the arts, the one strictly homologous to politics: both theatre and politics depend on a limited set of texts or statements, collectively enacted by a group of actors or militants, which put a limit on the excessive power of the state. This explains why the history of theatre has always been inseparable from a history of state repression and censorship. This definitive collection includes not only Badiou’s pamphlet Rhapsody for the Theatre but also essays on Jean-Paul Sartre, on the political destiny of contemporary theatre, and on Badiou’s own work as a playwright, as author of the Ahmed Tetralogy.
Author: David J. Fekete
Publisher: Algora Publishing
ISBN: 0875861954
Category : Family & Relationships
Languages : en
Pages : 314
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Book Description
Explores the various facets of love: Platonic eros, Christian mysticism, friendship, religious ritual, and love as people experience it, turning up startling ironies and paradoxes and, along the way, some traditions we may find worth reclaiming.
Author: Anthony Ashley Cooper Earl of Shaftesbury
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 0
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Book Description
"This book considers what honesty or virtue is, considered by itself, and in what manner it is influenced by religion; how far religion necessarily implies virtue, and whether it be a true saying, that it is impossible for an atheist to be virtuous, or share any real degree of honesty or merit. If we would pretend to give the least new light, or explain any thing effectually, within the intended compass of this inquiry; 'tis necessary to take things pretty deep; and endeavour, by some sort of scheme, to represent the original of each opinion, whether natural or unnatural, relation to the deity"--Book. (PsycINFO Database Record (c) 2008 APA, all rights reserved).
Author: Jim Lynch
Publisher: Lulu.com
ISBN: 0557509629
Category : Fiction
Languages : en
Pages : 488
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Book Description
The Rhapsody players is a captivating story about how a fascinating group of characters create a springboard to longevity. The story examines the choices they make with respect to their own health, wellness, sexuality and spirituality, even as they build a business that provides these choices to others. The novel is rich with vibrant characters whom you quickly learn to love or to despise. All of this is achieved in a global setting, replete with the issues that face the world during the years 2008 through 2012.
Author: Donald J. Childs
Publisher: A&C Black
ISBN: 0485115506
Category : Philosophy
Languages : en
Pages : 234
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Book Description
Eliot is the rare case of a great poet who was also an academic philosopher and Professor Child's study examines the relationship between his writing of poetry and his philosophical pursuits, in particular his lifelong occupation with the work of F. H. Bradley, Henri Bergson and William James. This account also considers the reception of Eliot's writing in philosophy and argues that the study of this work has significantly entered recent Eliot criticism. Overall, this volume provides a new reading of Eliot's famous poems, his literary criticism and social commentary.
Author: Theodore Gracyk
Publisher: John Wiley & Sons
ISBN: 0745680917
Category : Philosophy
Languages : en
Pages : 388
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Book Description
The Philosophy of Art is a highly accessible introduction to current key issues and debates in aesthetics and philosophy of art. Chapters on standard topics are balanced by topics of interest to today's students, including creativity, authenticity, cultural appropriation, and the distinction between popular and fine art. Other topics include emotive expression, pictorial representation, definitional strategies, and artistic value. Presupposing no prior knowledge of philosophy, Theodore Gracyk draws on three decades of teaching experience to provide a balanced and engaging overview, clear explanations, and many thought-provoking examples. All chapters have a strong focus on current debates in the field, yet historical figures are not neglected. Major current theories are set beside key ideas from Plato, Aristotle, Kant, Marx, and Hegel. Chapters conclude with advice on further readings, and there are recommendations of films that will serve as a basis for further reflection and discussion. Key ideas are immediately accompanied by exercises that will test students' reactions and understanding. Many chapters call attention to ideology, prejudices, and common clichés that interfere with clear thinking. Beautifully written and thoroughly comprehensive, The Philosophy of Art is the ideal resource for anyone who wants to explore recent developments in philosophical thinking about the arts. It is also provides the perfect starting point for anyone who wants to reflect on, and challenge, their own assumptions about the nature and value of art.
