Remaking the Readymade PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Remaking the Readymade PDF full book. Access full book title Remaking the Readymade by Adina Kamien-Kazhdan. Download full books in PDF and EPUB format.
Author: Adina Kamien-Kazhdan
Publisher: Routledge
ISBN: 0429843569
Category : Art
Languages : en
Pages : 378
Get Book
Book Description
Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. Remaking the Readymade reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. Scholar-poet-dealer Arturo Schwarz played a crucial role, opening the door to joint or alternate authorship—an outstanding relationship between artist and dealer. By unearthing previously unpublished correspondence and documentary materials and combining this material with newly conducted exclusive interviews with key participants, Remaking the Readymade details heretofore unrevealed aspects of the technical processes involved in the (re)creation of iconic, long-lost Dada objects. Launched on the heels of the centenary of Duchamp’s Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray’ initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art.
Author: Adina Kamien-Kazhdan
Publisher: Routledge
ISBN: 0429843569
Category : Art
Languages : en
Pages : 378
Get Book
Book Description
Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. Remaking the Readymade reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. Scholar-poet-dealer Arturo Schwarz played a crucial role, opening the door to joint or alternate authorship—an outstanding relationship between artist and dealer. By unearthing previously unpublished correspondence and documentary materials and combining this material with newly conducted exclusive interviews with key participants, Remaking the Readymade details heretofore unrevealed aspects of the technical processes involved in the (re)creation of iconic, long-lost Dada objects. Launched on the heels of the centenary of Duchamp’s Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray’ initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art.
Author: Ingrid E. Mida
Publisher: Bloomsbury Publishing
ISBN: 1350236144
Category : Design
Languages : en
Pages : 201
Get Book
Book Description
Fashion is a subject that has long been marginalized in art history and in museums. And yet, one of the most well-known artists in the twentieth century - Marcel Duchamp - created works that challenge the notion that fashion does not belong in the museum. As well, there is material evidence of his engagement with clothing as part of his oeuvre. This book reveals that clothing and dressing are significant themes that recur in Duchamp's life and his work – including his drawings, his fashioning of his body, his readymades, and in his curatorial gestures. In examining the items of clothing worn by Duchamp and the related traces of his wardrobe management, Duchamp is unmasked as a dandy. His waistcoat readymade series 'Made to Measure' (1957-1961) is in fact a remarkable and deliberate effort to recalibrate the definition of the readymade to include clothing. With this little-studied readymade series, Duchamp established a precedent for sartorial art as a valid form of artistic expression. In considering the material traces of Duchamp's fashioning of his body and identity in his work and life, this book makes a highly original contribution to the understanding of Duchamp's work as well as the significance of the clothed body in the vanguard of Modernism. Ultimately, this book explains the relevance of fashion in the museum to modern audiences today.
Author: Gavin Parkinson
Publisher: Bloomsbury Publishing USA
ISBN: 1501358286
Category : Art
Languages : en
Pages : 329
Get Book
Book Description
The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69. In the face of Rauschenberg's avowals of his own 'literalism' and insistence on his art as 'facts,' this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg's art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist's work was turned towards political interpretation. By analysing Rauschenberg's art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history.
Author: Julian Jason Haladyn
Publisher: Routledge
ISBN: 100065110X
Category : Art
Languages : en
Pages : 104
Get Book
Book Description
This book is a significant re-thinking of Duchamp’s importance in the twenty-first century, taking seriously the readymade as a critical exploration of object-oriented relations under the conditions of consumer capitalism. The readymade is understood as an act of accelerating art as a discourse, of pushing to the point of excess the philosophical precepts of modern aesthetics on which the notion of art in modernity is based. Julian Haladyn argues for an accelerated Duchamp that speaks to a contemporary condition of art within our era of globalized capitalist production.
Author: Ronit Milano
Publisher: Taylor & Francis
ISBN: 1040040764
Category : Art
Languages : en
Pages : 239
Get Book
Book Description
This volume focuses on the unstudied geographic margins of Dada, delving into the roots of Dada in Israel, Romania, Poland, and North America. Contributors consider some of the practices and experiments that were conceived a century ago, surfaced in art throughout the twentieth century, and are still relevant today. Unearthing its Israeli origins, examining Dadaist expressions in Poland, and shedding light on overlooked facets of Dadaist art in Romania and North America, the authors cast a spotlight on the less-explored geographical peripheries of Dada. The book is organized around four thematic trajectories—space, language, materiality, and reception—which are dissected through the lens of micro-histories. Recognizing the continuing validity of questions raised by Dadaist artists, this volume argues that Dada persists as an ongoing endeavor—a continual reexamination of the fundamental tenets of art and its ever-evolving potential manifestations. The book will be of interest to scholars working in art history, modernism, and history of the twentieth and twenty-first centuries.
Author: Arthur Lubow
Publisher: Yale University Press
ISBN: 0300237219
Category : ART
Languages : en
Pages : 217
Get Book
Book Description
A biography of the elusive but celebrated Dada and Surrealist artist and photographer connecting his Jewish background to his life and art Man Ray (1890-1976), a founding father of Dada and a key player in French Surrealism, is one of the central artists of the twentieth century. He is also one of the most elusive. In this new biography, journalist and critic Arthur Lubow uses Man Ray's Jewish background as one filter to understand his life and art. Man Ray began life as Emmanuel Radnitsky, the eldest of four children born in Philadelphia to a mother from Minsk and a father from Kiev. When he was seven the family moved to the Williamsburg section of Brooklyn, where both parents worked as tailors. Defying his parents' expectations that he earn a university degree, Man Ray instead pursued his vocation as an artist, embracing the modernist creed of photographer and avant-garde gallery owner Alfred Stieglitz. When at the age of thirty Man Ray relocated to Paris, he, unlike Stieglitz, made a clean break with his past.
Author: Irene Gómez-Castellano
Publisher: UNC Press Books
ISBN: 1469651939
Category : Literary Criticism
Languages : en
Pages : 322
Get Book
Book Description
Dissonances of Modernity illuminates the ways in which music, as an artifact, a practice, and a discourse redefines established political, social, gender, and cultural conventions in Modern Spain. Using the notion of dissonance as a point of departure, the volume builds on the insightful approaches to the study of music and society offered by previous analyses in regards to the central position they give to identity as a socially and historically constructed concept, and continues their investigation on the interdependence of music and society in the Iberian Peninsula. While other serious studies of the intersections of music and literature in Spain have focused on contemporary usage, Dissonances of Modernity looks back across the centuries, seeking the role of music in the very formation of identity in the peninsula. The volume's historical horizon reaches from the nineteenth-century War of Africa to the Catalan working class revolutions and Enric Granados' central role in Catalan identity; from Francisco Barbieri's Madrid to the Wagnerian's influence in Benito Perez Galdos' prose; and from the predicaments surrounding national anthems to the use of the figure of Carmen in Francoist' cinema. This volume is a timely scholarly addition that contemplates not only a broad corpus that innovatively comprises popular and high culture--zarzuelas, choruses of industrial workers, opera, national anthems--but also their inter-dependence in the artists' creativity.
Author: Marion Gymnich
Publisher: V&R Unipress
ISBN: 3847000500
Category : Literary Criticism
Languages : en
Pages : 294
Get Book
Book Description
Fear in its many facets appears to constitute an intriguing and compelling subject matter for writers and screenwriters alike. The contributions address fictional representations and explorations of fear in different genres and different periods of literary and cultural history. The topics include representations of political violence and political fear in English Renaissance culture and literature; dramatic representations of fear and anxiety in English Romanticism; the dramatic monologue as an expression of fears in Victorian society; cultural constructions of fear and empathy in George Eliot's Daniel Deronda (1876) and Jonathan Nasaw's Fear Itself (2003); facets of children's fears in twentieth- and twenty-first-century stream-of-consciousness fiction; the representation of fear in war movies; the cultural function of horror film remakes; the expulsion of fear in Kazuo Ishiguro's novel Never Let Me Go and fear and nostalgia in Mohsin Hamid's post-9/11 novel The Reluctant Fundamentalist.
Author: Mona Sakr
Publisher: Bloomsbury Publishing
ISBN: 147427191X
Category : Education
Languages : en
Pages : 240
Get Book
Book Description
Through art children make sense of their experiences and the world around them. Drawing, painting, collage and modelling are open-ended and playful processes through which children engage in physical exploration, aesthetic decision-making, identity construction and social understanding. As digital technologies become increasingly prevalent in the lives of young children, there is a pressing need to understand how digital technologies shape important experiences in early childhood, including early childhood art. Mona Sakr shows the need to consider how particular dimensions of the art-making process are changed by the use of digital technologies and what can be done by parents, practitioners and designers to enable children to adopt playful and creative practices in their interactions with digital technologies. Incorporating different theoretical perspectives, including social semiotics and posthumanism, and drawing on various research studies, this book highlights how children engage with different facets of art-making with digital technologies including: remix and mash-up; distributed ownership; imagined audiences and changed sensory and social interactions.
Author: Farha Ghannam
Publisher: Univ of California Press
ISBN: 0520936019
Category : Social Science
Languages : en
Pages : 227
Get Book
Book Description
In an effort to restyle Cairo into a global capital that would meet the demands of tourists and investors and to achieve President Anwar Sadat's goal to modernize the housing conditions of the urban poor, the Egyptian government relocated residents from what was deemed valuable real estate in downtown Cairo to public housing on the outskirts of the city. Based on more than two years of ethnographic fieldwork among five thousand working-class families in the neighborhood of al-Zawyia al-Hamra, this study explores how these displaced residents have dealt with the stigma of public housing, the loss of their established community networks, and the diversity of the population in the new location. Until now, few anthropologists have delivered detailed case studies on this recent phenomenon. Ghannam fills this gap in scholarship with an illuminating analysis of urban engineering of populations in Cairo. Drawing on theories of practice, the study traces the various tactics and strategies employed by members of the relocated group to appropriate and transform the state's understanding of "modernity" and hegemonic construction of space. Informed by recent theories of globalization, Ghannam also shows how the growing importance of religious identity is but one of many contradictory ways that global trajectories mold the identities of the relocated residents. Remaking the Modern is a revealing ethnography of a working class community's struggle to appropriate modern facilities and confront the alienation and the dislocation brought on by national policies and the quest to globalize Cairo.
