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Author: Carl L. Jech
Publisher: Wipf and Stock Publishers
ISBN: 1620329107
Category : Religion
Languages : en
Pages : 268
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Book Description
If you find books such as Richard Dawkins' The God Delusion compelling but your faith heritage is also important to you, this book shows how you can affirm both. Taking a cue from Marcus Borg's contention that "scriptural literalism" is for many people a major impediment to authentic spirituality, Carl Jech describes how all religion can and should be much more explicit about its symbolic, metaphorical, and artistic nature. With a particular focus on mortality and the relationship of humans to eternity, the book affirms a postmodern understanding of "God" as ultimate eternal Mystery and of spirituality as an artistic, (w)holistic, visionary, and creative process of becoming at home in the universe as it really is with all its joys and sorrows. Religion as Art Form is a must-read for those who think of themselves as spiritual but not religious.
Author:
Publisher:
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Category : Civil rights
Languages : en
Pages : 46
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Book Description
Author: Carl L. Jech
Publisher: Wipf and Stock Publishers
ISBN: 1620329107
Category : Religion
Languages : en
Pages : 268
Get Book
Book Description
If you find books such as Richard Dawkins' The God Delusion compelling but your faith heritage is also important to you, this book shows how you can affirm both. Taking a cue from Marcus Borg's contention that "scriptural literalism" is for many people a major impediment to authentic spirituality, Carl Jech describes how all religion can and should be much more explicit about its symbolic, metaphorical, and artistic nature. With a particular focus on mortality and the relationship of humans to eternity, the book affirms a postmodern understanding of "God" as ultimate eternal Mystery and of spirituality as an artistic, (w)holistic, visionary, and creative process of becoming at home in the universe as it really is with all its joys and sorrows. Religion as Art Form is a must-read for those who think of themselves as spiritual but not religious.
Author: Tyler Jo Smith
Publisher: University of Pennsylvania Press
ISBN: 0812252810
Category : Art
Languages : en
Pages : 480
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Book Description
"An examination of the combined subjects of ancient Greek art and religion, dealing with festivals, performance, rites of passage, and the archaeology of death, to name a few examples, to explore the visual, material, and textual dimensions of ancient Greek religion"--
Author: Carl L. Jech
Publisher: Resource Publications (CA)
ISBN: 1498266843
Category : Religion
Languages : en
Pages : 269
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Book Description
Description: If you find books such as Richard Dawkins' The God Delusion compelling but your faith heritage is also important to you, this book shows how you can affirm both. Taking a cue from Marcus Borg's contention that ""scriptural literalism"" is for many people a major impediment to authentic spirituality, Carl Jech describes how all religion can and should be much more explicit about its symbolic, metaphorical, and artistic nature. With a particular focus on mortality and the relationship of humans to eternity, the book affirms a postmodern understanding of ""God"" as ultimate eternal Mystery and of spirituality as an artistic, (w)holistic, visionary, and creative process of becoming at home in the universe as it really is with all its joys and sorrows. Religion as Art Form is a must-read for those who think of themselves as spiritual but not religious. Endorsements: ""If you're looking for a way to make sense of your life and your world, but you don't get much (or any) satisfaction from slick, glib, outdated, unworkable, arrogant, or cocksure religious 'answers, ' this is your book. If you're looking for trustworthy answers that don't demean, insult, or ridicule, this book is a good place to start. . . . By the time you finish this book, you'll find there are no supernatural, sacred cows left in the corral. What you will find is a new way of thinking about language and life."" --Michael Luther Sherer, editor emeritus of the MetroLutheran ""Critical issues central to the purpose of religion are woven in an intricate tapestry that utilizes every conceivable strand of expressive art available to elucidate the topics addressed. The style of writing itself is reflective of an art form, as ideas flood each page in a stream of consciousness, expressive of the dynamic, progressive posture that permeates each page. Readers seeking an alternative approach for expressing and experiencing their spirituality will find this book scintillating and stimulating."" --Robert H. Albers, Distinguished Visiting Professor of Pastoral Theology, United Theological Seminary of the Twin Cities ""Separating God from the sterile options between theism and atheism and seeing God as a verb to be lived, not a noun to be believed, are the themes of this book. Religion as Art Form is both groundbreaking and riveting."" --John Shelby Spong, author of The Fourth Gospel About the Contributor(s): Carl L. Jech (ThM, Harvard) is Instructor in Humanities at DeAnza College in Silicon Valley. He has served as parish pastor and college chaplain in Michigan, Wisconsin, and California, and has taught at other colleges in the San Francisco Bay Area.
Author: Thomas R. Martland
Publisher: State University of New York Press
ISBN: 1438412134
Category : Religion
Languages : en
Pages : 238
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Book Description
Religion in its most authentic part is an art form. Religion does what art does. This idea is richly illustrated and supported by materials of diverse origin. The vast range of the author's experience in the arts and in religious texts and works of aesthetics allows him to lay hold of a great mass of disparate material and to bring out new dimensions in all of it. He always has just the example he needs at his fingertips, a Tibetan Buddhist text next to a French impressionist painting and a remark about early Banogu counterpoint, and each example is seen in a new and interesting way. Through this gentle yoking together of heterogeneous materials, common roots are discovered. Most studies of art and religion describe and explain them as data. Thomas Martland identifies them as expressions of ideals and asks what they are when they are authentic rather than merely what they are when they are self-identified as art and religion. This is an identification through assessment, not an Aristotelian classification, and the means of assessment are provided.
Author: Gordon Graham
Publisher: Cambridge University Press
ISBN: 1108364128
Category : Religion
Languages : en
Pages :
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Book Description
At a time when religion and science are thought to be at loggerheads, art is widely hailed as religion's natural spiritual ally. Philosophy, Art, and Religion investigates the extent to which this is true. It charts the way in which modern conceptions of 'Art' often marginalize the sacred arts, construing choral and instrumental music, painting and iconography, poetry, drama, and architecture as 'applied' arts that necessarily fall short of the ideal of 'art for art's sake'. Drawing on both history of art and philosophical aesthetics, Graham sets out the historical context in which the arts came to free themselves from religious patronage, in order to conceptualize the cultural context in which religious art currently finds itself. The book then relocates religious art within the aesthetics of everyday life. Subsequent chapters systematically explore each of the sacred arts, using a wide range of illustrative examples to uncover the ways in which artworks can illuminate religious faith, and religious content can lend artworks a deeper dimension.
Author: Richard Wagner
Publisher: U of Nebraska Press
ISBN: 9780803297647
Category : Art
Languages : en
Pages : 416
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Book Description
"One might say that where Religion becomes artificial, it is reserved for Art to save the spirit of religion." With these words Richard Wagner began "Religion and Art" (1880), one of his most passionate essays. That passion made Wagner himself a central icon in the growing cult of art. Wagner felt that he lived in an age of spiritual crisis. "It can but rouse our apprehension, to see the progress of the art-of-war departing from the springs of moral force, and turning more and more to the mechanical," he wrote. In response to the frightening progress of dynamite and steel, Wagner adopted the role of the Tone Poet Seer, who reveals the inexpressible in concert halls and cleanses souls in waves of symhonic revelation. "Religion and Art" is the pivot of the works collected here. Also included are his defining essays "Public and Popularity" and "The Public in Time and Space"; his papers relating to the creation of the Bayreuth School; his complaint against publishers, "On Poetry and Composition" (1879); his article on the first production of Parsifal (1882); and other works that speak his mind about strengthening the spirit through music. These works participated in the duel between Wagner and Nietzsche that ensued after the breakup of their friendship in 1878. Nietzsche publicly called Wagner an incurable romantic, emphasizing how sick he thought both Wagner and his art were. Here Wagner counterattacks with arch innuendo and sarcasm. This edition includes the complete volume 6 of the 1897 translation of Wagner's works commissioned by the London Wagner Society. William Ashton Ellis is one of the most important translators of nineteenth-century musicology. In addition to his monumental translation of Wagner's prose works, he translated Wagner's correspondence with Franz Lizst, Mathilde Wesendonck, and Wagner's own family. Ellis died in 1919.
Author: Frank Burch Brown
Publisher: Oxford University Press
ISBN: 0190871199
Category : Art
Languages : en
Pages : 565
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Book Description
Nearly every form of religion or spirituality has a vital connection with art. Religions across the world, from Hinduism and Buddhism to Eastern Orthodox Christianity, have been involved over the centuries with a rich array of artistic traditions, both sacred and secular. In its uniquely multi-dimensional consideration of the topic, The Oxford Handbook of Religion and the Arts provides expert guidance to artistry and aesthetic theory in religion. The Handbook offers nearly forty original essays by an international team of leading scholars on the main topics, issues, methods, and resources for the study of religious and theological aesthetics. The volume ranges from antiquity to the present day to examine religious and artistic imagination, fears of idolatry, aesthetics in worship, and the role of art in social transformation and in popular religion-covering a full array of forms of media, from music and poetry to architecture and film. An authoritative text for scholars and students, The Oxford Handbook of Religion and the Arts will remain an invaluable resource for years to come.
Author: Bryan Rennie
Publisher: Routledge
ISBN: 1000046796
Category : Art
Languages : en
Pages : 298
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Book Description
Drawing from sources including the ethology of art and the cognitive science of religion this book proposes an improved understanding of both art and religion as behaviors developed in the process of human evolution. Looking at both art and religion as closely related, but not identical, behaviors a more coherent definition of religion can be formed that avoids pitfalls such as the Eurocentric characterization of religion as belief or the dismissal of the category as nothing more than false belief or the product of scholarly invention. The book integrates highly relevant insights from the ethology and anthropology of art, particularly the identification of "the special" by Ellen Dissanayake and art as agency by Alfred Gell, with insights from, among others, Ann Taves, who similarly identified "specialness" as characteristic of religion. It integrates these insights into a useful and accurate understanding and explanation of the relationship of art and religion and of religion as a human behavior. This in turn is used to suggest how art can contribute to the development and maintenance of religions. The innovative combination of art, science, and religion in this book makes it a vital resource for scholars of Religion and the Arts, Aesthetics, Religious Studies, Religion and Science and Religious Anthropology.
Author: Makoto Fujimura
Publisher: Yale University Press
ISBN: 0300255934
Category : Religion
Languages : en
Pages : 184
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Book Description
From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.
